Tracking representationalism explains the negative affective character of pain, and its capacity to motivate action, by reference to the representation of the badness for us of bodily damage. I argue that there is a more fitting instantiation of the tracking relation – the badness for us of extremely intense stimuli – and use this to motivate a non-reductive approach to the negative affective character of pain. The view of pain proposed here is supported by consideration of three related topics: the (...) pain caused when the body is damaged, reparative pain, and the messenger-shooting objection to tracking representationalism. (shrink)

Pain is commonly explained in terms of the perceptual activity of a distinct sensory modality, the function of which is to enable us to perceive actual or potential damage to the body. However, the characterization of pain experience in terms of a distinct sensory modality with such content is problematic. I argue that pain is better explained as occupying a different role in relation to perception: to indicate when the stimuli that are sensed in perceiving anything by means of a (...) sensory modality exceed a significant level of intensity. Viewing the system underlying pain experience as an integral and functionally integrated feature of all the senses provides a new perspective on the diverse forms of pain, what it is like to experience pain and the contrasting natures of pain and pleasure. (shrink)

Our experiences of heat and cold are usually thought to represent states of things: their hotness and coldness. I propose a novel account according to which their contents are not states of things but processes, more specifically, the opposite processes of thermal energy being transmitted to and from the body, respectively. I call this account the Heat Exchange Model of heat perception. Having set out the evidence in support of the proposal, I conclude by showing how it provides a new (...) perspective on some old problems. (shrink)

Keeley has recently argued that the philosophical issue of how to analyse the concept of a sense can usefully be addressed by considering how scientists, and more specifically neuroethologists, classify the senses. After briefly outlining his proposal, which is based on the application of an ordered set of individually necessary and jointly sufficient conditions for modality differentiation, I argue, by way of two complementary counterexamples, that it fails to account fully for the way the senses are in fact individuated in (...) neuroethology and other relevant sciences. (shrink)

Fodor claims that cognitive modules can be thought of as constituting a psychological natural kind in virtue of their possession of most or all of nine specified properties. The challenge to this considered here comes from synaesthesia. Synaesthesia is a type of cross-modal association: input to one sensory modality reliably generates an additional sensory output that is usually generated by the input to a distinct sensory modality. The most common form of synaesthesia manifests Fodor's nine specified properties of modularity, and (...) hence, according to Segal (1997), it should be understood as involving an extra module. Many psychologists believe that synaesthesia involves a breakdown in modularity. After outlining how both theories can explain the manifestation of the nine alleged properties of modularity in synaesthesia, I discuss the two concepts of function which initially motivate the respective theories. I argue that only a teleological concept of function is properly able to adjudicate between the two theories. The upshot is a further application of so-called externalist considerations to mental phenomena. (shrink)

Traditional accounts of perception endorse an input–output model: perception is the input from world to mind and action is the output from mind to world. In contrast, enactive accounts propose action to be constitutive of perception. We focus on Noë's sensorimotor version of enactivism, with the aim of clarifying the proper limits of enactivism more generally. Having explained Noë's particular version of enactivism, which accounts for the contents of perceptual experience in terms of sensorimotor knowledge, we use taste as a (...) test for his central thesis. We conclude that taste and other similar senses do not display the central features which Noë claims apply to all perceptual experience. (shrink)

Two proposals have recently, and independently, been made about a space of possible sensory modalities. In this paper I examine these different proposals, and offer one of my own. I suggest that there are several spaces associated with distinct kinds of sensory modality.

This volume presents an English translation of Nietzsche's Unzeitgemasse Betrachtungen or, Unfashionable Observations. The common impulse that links up these four essays is Nietzsche's attitude towards all mainstream and popular movements that constituted contemporary European, and especially German culture. The work offers the foundations for Nietzsche's whole philosophy, prefiguring both his characteristic philosophical style and many of the major ideas he develops in his later writings.

The failure to resolve satisfactorily epistemological issues surrounding the identification of different senses has led to questions being asked of the nature of the senses. This issue has been thrown into sharp focus by two starkly contrasting positions. The first is a realist position that draws on science and is based on the application of criteria. The second is an anti-realist position that adheres to commonsense conceptions and is partly motivated by the apparent failure of criterial approaches. In this paper (...) I attempt to mediate between the two views. (shrink)

Towards the end of Beyond Reduction Horst hypothesizes that ‘it is a general design principle of the cognitive architecture of humans that the mind possesses multiple models for understanding and interacting practically with different aspects of the world’ . The suggestion is made following a discussion of recent research in cognitive science. According to Horst, the hypothesis is also consistent with what recent non-reductionist tendencies in the philosophy of science teach us. Taken together, Horst claims these two sets of evidence (...) motivate a new post-reductionist approach to the philosophy of mind. After outlining the route Horst takes to reach this claim, I shall raise a worry I have about the claim and the route taken to it.Beyond Reduction is in three parts. Part one frames the debate. In Chapter 1 Horst notes how naturalism is a view to which nearly all philosophers of mind, some of whom hold quite disparate views, would subscribe. He formulates a schema for naturalism that he thinks most would accept: ‘naturalism about domain D is the view that all features of D are to be accommodated within the framework of nature as it is understood by the natural sciences’ . Horst acknowledges that the schema under-describes matters. The notion of ‘accommodation’ may be understood as involving either explanation or metaphysical determination; it is also unclear how we are to understand ‘the …. (shrink)

In lecture III of Naming and Necessity, Kripke extends his claim that names are non-descriptive to natural kind terms, and in so doing includes a brief supporting discussion of terms for natural phenomena, in particular the terms ‘light’ and ‘heat’. Whilst natural kind terms continue to feature centrally in the recent literature, natural phenomenon terms have barely figured. The purpose of the present paper is to show how the apparent similarities between natural kind terms and the natural phenomenon terms on (...) which Kripke focuses are outweighed by more significant differences. Thus, rather than providing additional support for non-descriptivism, natural phenomenon terms turn out to challenge that thesis. (shrink)

Reductive externalist versions of representationalism hold that there is an externalist theory of content which is adequate for underwriting their claim that the character of experience can be reductively explained by the external physical properties represented by experience. In this paper such theories of content are shown to be inadequate, thus undermining the reductive explanation of the character of experience by the content of experience. It is argued that the character of experience is better explained non-reductively by reference to modes (...) of presentation of the properties of things. (shrink)

J. A. Gray et al. have recently argued that synaesthesia can be used as a counterexample to functionalism. They provide empirical evidence which they hold supports two anti-functionalist claims: disparate functions share the same types of qualia and the effects of synaesthetic qualia are, contrary to what one would expect from evolutionary considerations, adverse to those functions with which those types of qualia are normally linked. I argue that the empirical evidence they cite does not rule out functionalism, rather the (...) reverse. The fact that the effects of synaesthesia are adverse shows that understanding synaesthetic experiences requires a concept of dysfunction, which in turn presupposes a functionalist account. Such an account, moreover, shows how tokens of the same types of qualia can be associated with different causal histories, thus disarming their first objection. (shrink)

Wager has argued that synaesthesia provides material for a counterexample to representational theories of the phenomenal character of experience. He gives a series of three cases based on synaesthesia; he requires the second and third cases to bolster the doubtfulness of the first. Here I further endorse the problematic nature of the first case and then show why the other two cases do not save his argument. I claim that whenever synaesthesia is a credible possibility its phenomenal character can be (...) understood in terms of misrepresentation. (shrink)

_Archetypal Expressions_ is a fresh approach to one of Jung's best-know and most exciting concepts. Richard M. Gray uses archetypes as the basis for a new means of interpreting the world and lays the foundations of what he terms an "archetypal sociology". Jung's ideas are combined with elements of modern biology and systems theory to explore the basic human experiences of life, which recur through the ages. Revealing the implicitly cross-cultural and interdisciplinary nature of Jungian Psychology, _Archetypal Explorations_ represents a (...) significant contribution to the literature of archetypes and integrative approaches to human behaviour. (shrink)

In the final scene of Michel Tournier’s postcolonial novel La Goutte d’or, the protagonist, Idriss, shatters the glass of a Cristobal & Co. storefront window while operating a jackhammer in the working-class Parisian neighbourhood on the Rue de la Goutte d’or. Glass fragments fly everywhere as the Parisian police arrive. In La Goutte d’or, Tournier explores the identity construction of Idriss through a discussion of the role that visual images play in the development of a twentieth-century consciousness of the “Other.” (...) At the beginning of the novel, a French tourist takes a photograph of Idriss during her visit to the Sahara. The boy’s quest to reclaim his stolen image leads him from the Sahara to Marseille, and finally to the Rue de la Goutte d’or in Paris. The Rue de la Goutte d’or remains one the most cosmopolitan neighbourhoods of the city. In Tournier’s novel, the goutte d’or also corresponds to a symbolic object: a Berber jewel. It is the jewel that Idriss brings with him, but which he also subsequently loses upon his arrival in Marseille. From the very moment that the French tourist photographs him, a marginalization of Idriss’s identity occurs. Marginality, quite literally, refers to the spatial property of a location in which something is situated. Figuratively speaking, marginality suggests something that is on the edges or at the outer limits of social acceptability. In this essay, I explore the construction of the marginalized postcolonial self through an examination of the function of visual representation in the development of a postcolonial identity in La Goutte d’or. In the end, I conclude that the construction of a postcolonial identity is based upon fragmentation and marginalization, which ultimately leads its subject to create an identity based upon false constructions. (shrink)

We are sometimes led to a different picture of things when something unexpected occurs which needs explaining. The aim of this thesis is to examine a series of related issues in the philosophy of mind in the light of the unusual condition known to psychologists as ‘synaesthesia’. Although the emphasis will be on the philosophical issues a view of synaesthesia itself will also emerge. Synaesthesia is a distinct type of cross-modal association: stimulation of one sensory modality automatically triggers an additional (...) phenomenal character of experience associated with a second sensory modality in the absence of any direct stimulation of the second modality. Chapter 1 introduces synaesthesia to a philosophical audience by outlining the early history of synaesthesia studies, by summarising contemporary research and by indicating areas of philosophical interest to be considered in the rest of the thesis. Chapter 2 uses synaesthesia to examine one important philosophical model of the mind, Fodor’s modularity hypothesis, and, in turn, investigates the nature of synaesthesia in the light of that model. Fodor claims that cognitive modules can be thought of as belonging to a psychological natural kind in virtue of their possession of most or all of nine specified properties. The most common form of synaesthesia possesses Fodor’s nine specified properties of modularity, and hence it should be understood in terms of an extra cognitive module, and thus as belonging to the abovementioned psychological natural kind. Many psychologists believe that synaesthesia involves a breakdown in modularity. A breakdown in modularity would also explain the apparent presence of the nine specified properties in synaesthesia. I discuss the two concepts of function which underlie the respective theories, defending the breakdown thesis, arguing, in any case, that properties deriving from evolutionary history should also be used to decide between the two theses and thus ultimately membership of a psychological natural kind such as Fodor suggests. The argument is then used to respond to two challenges to the notion of a psychological natural kind. Chapter 3 focuses on the phenomenal character of synaesthetic experience. Externalists about the phenomenal character of experience tend to argue that the character of perceptual experience is to be explained either by the properties objects present to percipients, or by the properties objects are represented by percipients as having. Some internalists argue that there is a need to postulate hrther properties of the individual - in other words, qualia - to account for the individuation of the character of perceptual experience. The existence of additional phenomenal characters of experience in synaesthesia, which cannot directly be explained by reference to features of objects, suggests the existence of extra qualia and thus the presence of qualia in normal perception. The aim of this chapter is to meet the challenge presented by synaesthesia and the extra quaZia argument, and contrariwise, use synaesthesia as a way of fbrther clarifjmg the merits of the respective externalist positions. In the previous chapters the locution of ‘coloured hearing’ will have been adopted. Occasionally the process underlying synaesthesia is described as one of ‘hearing colours’. Chapter 4 rejects the latter usage. In so doing it focuses on the place of synaesthesia vis-a-vis normal perceptual processes. Considerations from previous chapters are further developed in order to shed light both on the metaphysical individuation of perceptual modalities and on how we know the distinctive perceptual modalities. Given the actual content of our concepts of perceptual modalities, it is argued that the actual world is one in which even synaesthetes are unable to hear colours. Consideration is given as to whether there is a possible world in which people could hear colours. The justification of the usage of ‘coloured-hearing’ then leads to a discussion of the relative importance of the individuating conditions of modes of perception. The thesis focuses largely on coloured hearing. What merits the preceding considerations have might be supported if they can be generalised. Chapter 5 goes a small way in that direction. (shrink)

Written by leading experts in the field, Stellar Spectral Classification is the only book to comprehensively discuss both the foundations and most up-to-date techniques of MK and other spectral classification systems. Definitive and encyclopedic, the book introduces the astrophysics of spectroscopy, reviews the entire field of stellar astronomy, and shows how the well-tested methods of spectral classification are a powerful discovery tool for graduate students and researchers working in astronomy and astrophysics. The book begins with a historical survey, followed by (...) chapters discussing the entire range of stellar phenomena, from brown dwarfs to supernovae. The authors account for advances in the field, including the addition of the L and T dwarf classes; the revision of the carbon star, Wolf-Rayet, and white dwarf classification schemes; and the application of neural nets to spectral classification. Copious figures illustrate the morphology of stellar spectra, and the book incorporates recent discoveries from earth-based and satellite data. Many examples of spectra are given in the red, ultraviolet, and infrared regions, as well as in the traditional blue-violet optical region, all of which are useful for researchers identifying stellar and galactic spectra. This essential reference includes a glossary, handy appendixes and tables, an index, and a Web-based resource of spectra. In addition to the authors, the contributors are Adam J. Burgasser, Margaret M. Hanson, J. Davy Kirkpatrick, and Nolan R. Walborn. (shrink)

This new translation is the first to be published in a twenty-volume English-language edition of _The Complete Works of Friedrich Nietzsche_, the first complete, critical, and annotated translation of all of Nietzsche's work. The Stanford edition is based on the Colli-Montinari edition, which has received universal praise: "It has revolutionized our understanding of one of the greatest German thinkers"; "Scholars can be confident for the first time of having a trustworthy text." Under the title _Unzeitgemässe Betrachtungen_, Nietzsche collected four essays (...) published separately between 1873 and 1876: "David Strauss the Confessor and the Writer," "On the Utility and Liability of History for Life," "Schopenhauer as Educator," and "Richard Wagner in Bayreuth." The title, newly translated as _Unfashionable Observations_, spells out the common impulse linking these essays: Nietzsche's inimical attitude toward his "time," understood broadly as all the mainstream and popular movements that constituted contemporary European, but especially German, "culture" in the wake of the Prussian military victory over the French in 1871. The _Unfashionable Observations_ are foundational works for Nietzsche's entire philosophy, prefiguring both his characteristic philosophical style and many of the major ideas he would develop in his later writings. This is the first English translation to include Nietzsche's variants to the published text. (shrink)

This is the third volume to appear in an edition that will be the first complete, critical, and annotated English translation of all of Nietzsche's work. Volume 2: _Unfashionable Observations_, translated by Richard T. Gray, was published in 1995; Volume 3: _Human, All Too Human _, translated by Gary Handwerk, was published in 1997. The edition is a new English translation, by various hands, of the celebrated Colli-Montinari edition, which has been acclaimed as one of the most important works of (...) scholarship in the humanities in the last half century. The present volume provides for the first time English translations of all of Nietzsche's unpublished notebooks from the summer of 1872 to the end of 1874. The major works published in this period were the first three _Unfashionable Observations_: "David Strauss the Confessor and the Writer," "On the Utility and Liability of History for Life," and "Schopenhauer as Educator." Translations of the preliminary notes for these pieces are coordinated with the translations of the published texts printed in Volume 2: _Unfashionable Observations_. The content of these notebooks goes far beyond the notes and plans for published and unpublished _Unfashionable Observations_, encompassing numerous sketches related to Nietzsche's major philological project from this period, a book on the pre-Platonic Greek philosophers. The ideas that emerged from Nietzsche's deliberations on these early Greek thinkers are absolutely central to his thought from this period and contribute in significant ways to the development of several of his major themes: the role of the philosopher vis-à-vis his age and the surrounding culture; the relationships among philosophy, art, and culture; the metaphorical nature of language and its relationship to knowledge; the unmasking of the modern drive for absolute "truth" as a palliative against the horror of existence; and Nietzsche's "unfashionable" attack on modern science and modern culture, especially on the Germany of the Bismarck Reich. These notebooks represent important transitional documents in Nietzsche's intellectual development, marking, among other things, the shift away from philological studies toward unabashed cultural criticism. (shrink)

This is the third volume to appear in an edition that will be the first complete, critical, and annotated English translation of all of Nietzsche's work. Volume 2: _Unfashionable Observations_, translated by Richard T. Gray, was published in 1995; Volume 3: _Human, All Too Human _, translated by Gary Handwerk, was published in 1997. The edition is a new English translation, by various hands, of the celebrated Colli-Montinari edition, which has been acclaimed as one of the most important works of (...) scholarship in the humanities in the last half century. The present volume provides for the first time English translations of all of Nietzsche's unpublished notebooks from the summer of 1872 to the end of 1874. The major works published in this period were the first three _Unfashionable Observations_: "David Strauss the Confessor and the Writer," "On the Utility and Liability of History for Life," and "Schopenhauer as Educator." Translations of the preliminary notes for these pieces are coordinated with the translations of the published texts printed in Volume 2: _Unfashionable Observations_. The content of these notebooks goes far beyond the notes and plans for published and unpublished _Unfashionable Observations_, encompassing numerous sketches related to Nietzsche's major philological project from this period, a book on the pre-Platonic Greek philosophers. The ideas that emerged from Nietzsche's deliberations on these early Greek thinkers are absolutely central to his thought from this period and contribute in significant ways to the development of several of his major themes: the role of the philosopher vis-à-vis his age and the surrounding culture; the relationships among philosophy, art, and culture; the metaphorical nature of language and its relationship to knowledge; the unmasking of the modern drive for absolute "truth" as a palliative against the horror of existence; and Nietzsche's "unfashionable" attack on modern science and modern culture, especially on the Germany of the Bismarck Reich. These notebooks represent important transitional documents in Nietzsche's intellectual development, marking, among other things, the shift away from philological studies toward unabashed cultural criticism. (shrink)

BackgroundTrial registration helps minimize publication and reporting bias. In leading medical journals, 96% of published trials are registered. The aim of this study was to determine the proportion of randomized controlled trials published in key nursing journals that met criteria for timely registration.MethodsWe reviewed all RCTs published in three nursing journals between August 2011 and September 2016. We classified the included trials as: 1. Not registered, 2. Registered but not reported in manuscript, 3. Registered retrospectively, 4. Registered prospectively. 5. Timely (...) registration.ResultsWe identified 135 trials published in the three included journals. The majority were not registered. Thirty-three were retrospectively registered. Of the 24 trials that were prospectively registered, 11 met the criteria for timely registration.ConclusionsThere is an unacceptable difference in rates of trial registration between leading medical and nursing journals. Concerted effort is required by nurse researchers, reviewers and journal editors to ensure that all trials are registered in a timely way. (shrink)

In the final scene of Michel Tournier’s postcolonial novel La Goutte d’or, the protagonist, Idriss, shatters the glass of a Cristobal & Co. storefront window while operating a jackhammer in the working-class Parisian neighbourhood on the Rue de la Goutte d’or. Glass fragments fly everywhere as the Parisian police arrive. In La Goutte d’or, Tournier explores the identity construction of Idriss through a discussion of the role that visual images play in the development of a twentieth-century consciousness of the “Other.” (...) At the beginning of the novel, a French tourist takes a photograph of Idriss during her visit to the Sahara. The boy’s quest to reclaim his stolen image leads him from the Sahara to Marseille, and finally to the Rue de la Goutte d’or in Paris. The Rue de la Goutte d’or remains one the most cosmopolitan neighbourhoods of the city. In Tournier’s novel, the goutte d’or also corresponds to a symbolic object: a Berber jewel. It is the jewel that Idriss brings with him, but which he also subsequently loses upon his arrival in Marseille. From the very moment that the French tourist photographs him, a marginalization of Idriss’s identity occurs. Marginality, quite literally, refers to the spatial property of a location in which something is situated. Figuratively speaking, marginality suggests something that is on the edges or at the outer limits of social acceptability. In this essay, I explore the construction of the marginalized postcolonial self through an examination of the function of visual representation in the development of a postcolonial identity in La Goutte d’or. In the end, I conclude that the construction of a postcolonial identity is based upon fragmentation and marginalization, which ultimately leads its subject to create an identity based upon false constructions. (shrink)

Die von Nietzsche und Friedrich Schlegel entwickelten philologischen Theorien weisen bestimmte Ähnlichkeiten auf, die deren grundsätzliche philologische Konzeptionen und Verfahrensweisen bestimmen. Ausgehend von Walter Benjamins Idee einer romantischen Kunstkritik, die ihr Objekt im Moment seiner Kritik verfolkommnet, versucht dieser Beitrag zu demonstrieren, dass Schlegels und Nietzsches Wende von einer auf Praxis bezogenen zu einer fundamental-theoretische orientierten Philologie mit der Formulierung eines Verständnisses der griechischen Kultur verbunden ist, das diese als kritisches Instrument für eine Transformation der gegenwärtigen Kultur anwenden will. Durch (...) dieses gemeinsame kulturkritische Ziel entpuppen sich Schlegel und Nietzsche als Zukunftsphilologen in dem Sinne, dass ihre anwendung philologischer Einsichten auf die zeitgenössische Kulturpraxis die ideologiekritische Tendenz von bestimmten heute praktizierten philologischen Richtungen vorwegnimmt.Nietzsche's and Friedrich Schlegel's philological theories share certain similarities that extend into their deeper philological conceptions and methodologies. Taking at its point of departure Walter Benjamin's notion of a Romantic art criticism that perfects its object in the monument of its critique, this essay attempts to demonstrate that when Schlegel and Nietzsche turn from philological practice to a more fundamental theory of a proper philological methodology, each seeks to formulate an understanding of Greek culture that can be applied as a critical tool for the transformation of their own present-day culture. This common cultural-critical thrust reveals Schlegel and Nietzsche to be future-oriented philologists in the sense that their application of philological insights to contemporary cultural concerns anticipates the ideology-critical direction evident in certain forms of philology as practiced today. (shrink)