Leonard B. Meyer has proposed that when musical tendencies or expectations are inhibited by musical ambiguity or the unexpected, those inhibitions and their subsequent resolutions are likely to be provocative or engaging. Music, Tendencies and Inhibitions will explore the relevance of this theory to music and various other disciplines, and to psychological and natural processes. Each chapter consists of two parts: a presentation and consideration of an aspect of Meyer's theory, and a more associative or rhapsodic section of (...) "Reflections" on this aspect. The book will focus on Meyer's aesthetic rather than his music-theoretical proclivities, and is intended for academics and students in various fields as well as educated non-academics. The music scene is fluctuating, Meyer suggests, in that new and original styles or techniques are continuously emerging or developing on a small scale; it is static in that many of these developments seem unrelated, and are not likely to be grasped or progress as a whole. It will be posited that this theory foreshadowed and reflects important ideologies of contemporary culture, including postmodernism. (shrink)

When external groups accuse a business organization of unethical practices, managers of the accused organization usually offer a communicative response to attempt to protect their organization's public image. Even though many researchers readily concur that analysis of these communicative responses is important to our understanding of business and society conflict, few investigations have focused on developing a theoretical framework for analyzing these communicative strategies used by managers. In addition, research in this area has suffered from a lack of empirical investigation. (...) In this paper we address both of these weaknesses in the existing literature. First, we explicate Impression Management Theory as an appropriate framework for studying organizational communicative responses, paying particular attention to the concept of accounts. Second, we critique previous investigations of organizational accounts and discuss the major contributions of our study. Third, we propose a coding system and content analyze the accounts offered by managers from 21 organizations that were recently the targets of consumer boycotts. Finally, we report the results of our empirical investigation and discuss ethical issues related to organizational accounts. (shrink)

Magritte et les philosophes, written by a Belgian semiotician, puts in dialogue some paintings by René Magritte with some thoughts of Kant, Hegel, Nietzsche, Wittgenstein, Sartre, Foucault, and, in a chapter on La condition humaine, even Plato. Painted in 1933, La condition humaine represents a garden as seen from a salon, but in the room there is already a painting on an easel that represents the same garden. Because the second-order painting (the painting in the painting) is placed in front (...) of the window, we cannot see the full garden of the first-order painting. In it we see only the bottom of a hill and a part of a hedge, but in the second-order painting we see, in perfect continuity, the rest of the hill and the hedge. Thus we are inclined to think that the second-order painting covers exactly the reality it reproduces from the first-order painting and that, if we removed the second-order painting, we would see the same garden with a tree in the middle—a tree that for the moment we see only in the second-order painting.Therefore, some perceive in La condition humaine (and also in a similar painting, La belle captive) a parable of the transparency of painting. Opposing this position, Badir claims instead that “the pictures that are represented [that is, the second-order pictures] seem transparent; they give the sensation of transparency,... but their nature is totally different, and the painted landscapes in the [second-order] painting cannot make the representation [of the first-order painting] disappear.” We cannot superpose the painting over the reality to see whether the strokes of the painting cover exactly the lines of reality, since, if we do so, the painting gets between us and the garden. Still, we as observers cannot help but think that the second-order painting reproduces the reality behind it. But from where does that irresistible intuition come? Not from the resemblance between the picture and what it represents (since we know nothing about what is hidden by the picture), but from the continuity of the brushstrokes in the second-order painting and the lines of reality in the first-order picture.As in Plato's cave, in Magritte's room we have access to a semblance of reality, but in contrast to Plato, who regarded those shadows as pale imitations, Magritte offers us what may be a method of connecting semblance to reality less invidiously. The relation between the second-order picture and the first-order picture, between painting and reality, is not primarily a relation of analogy, since the analogy between the two orders is insinuated by other, nonanalogical relations—those of continuity and proximity between the brushstrokes of the painting and the lines of the garden. Even if Gilles Deleuze is not mentioned in Badir's book, this option seems to me to capture the gist of his critique of Platonism. When we are inclined to see a relation of analogy, Deleuze, like Magritte, wants us to pay attention to other, more diverse and more creative relations: nonanalogical relations that in some cases induce the sensation of resemblance.The title of Badir's book is Magritte and Philosophers, but it could just as well have been Magritte as Philosopher, because the classical philosophers he deals with play only a minor role as possible interlocutors for the painter. Magritte's thinking, as developed in his artwork, constitutes the main subject of this study. We learn while reading this book that painting can be a powerful tool for developing complex concepts and not merely percepts. Its argument may indeed be a critique of Deleuze's too-categorical distinction between the percepts proper to art and the concepts developed by philosophers. (shrink)

Review of THEO C. MEYERING, Historical Roots of Cognitive Science : The Rise of a Cognitive Theory of Perception from Antiquity to the Nineteenth Century. Boston: Kluwer, xix + 250 pp. $69.00. Examines the author's interpretation of Aristotelian theories of perceptual cognition, early modern theories, and Helmholtz's theory.

Aspects of Mind contains previously unpublished manuscript material by Gilbert Ryle along with notes taken by the editor, Rene Meyer, at lectures given by Ryle on the philosophy of mind in 1964. Gilbert Ryle, Waynflete Professor of Metaphysical Philosophy at the University of Oxford from 1945 until 1967, had a decisive influence on contemporary philosophy. His Concept of Mind (1949) not only put a methodological edge in a most readable way to what has become known as Analytical Philosophy, (...) but it also stimulated interest in the philosophy of mind as a pivotal part of philosophy as a whole. A second important influence derives from his reorganization of philosophical studies at Oxford after the war which made it, for several years, one of the liveliest philosophical centres in the world. Ryle's interest covered almost the entire field of philosophy. He also made substantial contributions to the history of philosophy, notably on Plato, Locke, Hume, Husserl and Heidegger. Gilbert Ryle died in October 1976. The book also includes two tributes to Ryle; one from John Mabbott, a close friend, on Ryle the man, and one from David Gallop, an ex-student, on Ryle the Philosopher. A chapter entitled "Philosophy, Logical Geography and Dilemmas" by Rene Meyer provides a perspective on Ryle's philosophy. (shrink)

Between the years 1643 and 1649, Princess Elisabeth of Bohemia and René Descartes exchanged fifty-eight letters—thirty-two from Descartes and twenty-six from Elisabeth. Their correspondence contains the only known extant philosophical writings by Elisabeth, revealing her mastery of metaphysics, analytic geometry, and moral philosophy, as well as her keen interest in natural philosophy. The letters are essential reading for anyone interested in Descartes’s philosophy, in particular his account of the human being as a union of mind and body, as well as (...) his ethics. They also provide a unique insight into the character of their authors and the way ideas develop through intellectual collaboration. Philosophers have long been familiar with Descartes’s side of the correspondence. Now Elisabeth’s letters—never before available in translation in their entirety—emerge this volume, adding much-needed context and depth both to Descartes’s ideas and the legacy of the princess. Lisa Shapiro’s annotated edition—which also includes Elisabeth’s correspondence with the Quakers William Penn and Robert Barclay—will be heralded by students of philosophy, feminist theorists, and historians of the early modern period. (shrink)

L'univers de René Girard est un univers complexe dans lequel se mêlent étroitement les éléments biographiques et les différentes disciplines auxquelles il a fait appel pour mener à bien ses travaux. Centrés sur le phénomène du désir mimétique, ces entretiens dévoilent la genèse de sa théorie dans les domaines littéraires et religieux. Le fil conducteur en est le principe des doubles mimétiques qu'il a analysés chez des auteurs comme Stendhal, Proust, Dostoïevski et Shakespeare. Il se réfère également à la Bible, (...) considérant que " la donnée fondamentale de notre temps est la crise du religieux ". Ses ouvrages relèvent à la fois de la littérature comparée, de l'anthropologie et de l'histoire des religions. Il trouve aussi, dans les échanges économiques, la confirmation de sa théorie. En effet, selon lui, le monde moderne est à la recherche du sacré qu'il a perdu, et, dans ce processus, il se retrouve victime d'un mimétisme exacerbé. René Girard déploie son esprit critique à l'encontre de la société de concurrence et de la consommation ; ce faisant, il compare les sociétés française et américaine du point de vue d'un intellectuel français installé au coeur de l'Amérique. (shrink)

René Descartes's Regulae ad directionem ingenii ('Rules for the Direction of the Understanding') is his earliest surviving philosophical treatise, and in many respects his most puzzling text. It is a profoundly original work with few intellectual precursors, and offers the fullest account anywhere in Descartes's work of his theory of method. Yet Descartes left it unfinished, and unpublished, at his death in 1650. The versions currently known to modern readers are all posthumous: a manuscript copied for Leibniz in the late (...) seventeenth century, a Dutch translation of 1684, and the version printed in 1701 in Amsterdam. As a result, the details and date of its composition, its fragmentary, unfinished state, and its philosophical content have long puzzled scholars. The discovery by Richard Serjeantson in 2011 of a previously unknown, early manuscript draft of the Regulae in Cambridge University Library was a hugely significant event in Cartesian scholarship. This edition presents the Cambridge manuscript of the Regulae alongside the 1701 Amsterdam version of the text to allow comparison between the early manuscript draft and the version best-known to modern readers, together with a full English translations of both texts. It is also the first critical edition of the Regulae to take into account the full range of textual witnesses to the text, both manuscript and printed. The new Cambridge manuscript sheds important light on the composition, date, and philosophical content of the Regulae, and will provoke scholars to rethink key questions about Descartes's early philosophical development. (shrink)

"Rene Descartes is often called the 'Father of Modern Philosophy.' The profound controversies that his doctrines have engendered are alone sufficient to establish his eminence. Yet if he is to be paid a due respect, it is necessary to understand him on his own terms- to distinguish his doctrines from myriad notions labeled 'Cartesian.' The quest for certainty may be a constitutional imperative for every philosopher; in the case of Descartes it was an acknowledged passion. Thus there is no (...) more fitting approach to him than to study seriously his claims to having attained certainty regarding what he took to be the questions of metaphysics, namely, the questions of the existence of God and of the nature of the human mind."--The Preface. (shrink)

René Descartes n'est pas un auteur consacré de la littérature politique. Pourtant ses textes contiennent de nombreuses vues sur la société et sur l'Etat. Ils définissent la conduite que doit suivre en politique le Philosophe, mais aussi le Prince. Les éléments de sa politique sont, il est vrai, dispersés dans toute son oeuvre et dans son abondante correspondance. Ils sont également illustrés par sa vie. Le premier intérêt de cet ouvrage est de réunir dans un dictionnaire comprenant environ 170 entrées (...) les textes relatifs aux idées, aux sentiments et aux actes politiques de Descartes. Deux études rappellent le contexte historique et mettent en évidence l'actualité de la politique de Descartes. Ses vues sur l'Etat se montrent bien plus modernes que celle de Machiavel ou Hobbes. Et ses préoccupations essentielles sont de tous les temps. Comment avoir une pensée indépendante sans être persécuté? un esprit libre sans troubler ou ruiner la République? Comment se gouverner selon la raison dans la nef de fous décrite par Erasme? Comment ^tre un homme de paix dans un siècle de sang?...Reprochera-t-on à cette politique d'être modeste? Depuis deux ou trois siècle, on semble n'avoir d'estime que pour les systèmes et les utopies, même si tout système est une falsification, même si les lendemains ne chantent jamais. Descartes ne fait pas voyager au pays des chimères, il ne construit pas de mythes. Il enseigne à vivre content et sans illusions, à marcher avec assurance dans le monde comme il va. Voilà pourquoi il est urgent de relire Descartes. (shrink)

English summary: This text, compiled in the 19th century, is considered to be the ultimate reference edition of the complete works of Rene Descartes and is the only truly complete edition to date. This work includes all of Descartes correspondence and scientific work, both of which are essential to understanding of the Cartesian enterprise. French description: Sans cesse lu et etudie, Descartes exerca une influence considerable en Europe des le XVIIe siecle. Le projet de l'edition des oeuvres completes de (...) Descartes a ete lance en 1894 par le Ministere de l'Instruction publique, et entrepris par un comite comprenant entre autre Emile Boutroux, Xavier Leon, Louis Liard, Charles Adam et Paul Tannery. Ces deux derniers, veritables maitres d'oeuvre de ce travail, aides par l'editeur, ne negligerent rien pour pouvoir presenter a l'Exposition universelle de 1900, une edition qui fut digne du philosophe et de son pays. Elle est desormais universellement consideree comme l'edition de reference de l'oeuvre cartesienne et est constamment citee dans les travaux d'erudition. Elle est la seule edition veritablement complete a ce jour, et comprend notamment l'ensemble de la correspondance et de l'oeuvre scientifique, toutes deux essentielles a une bonne comprehension de l'entreprise cartesienne. (shrink)

I was surprised to note the critical tone of the discussion which my friend Leonard B. Meyer recently devoted in these pages to an article on the relation of art and science that I wrote for a popular scientific magazine. For I had believed all the while that in my article I was merely presenting to a general scientific audience a watered-down version of what I thought were Meyer's own views. Evidently I was mistaken in that belief, though (...) I have been unable to fathom just where I went wrong in interpreting Meyer's earlier writings, which, more than any other source, are the provenance of my ideas about the nature of art. Gunther S. Stent, professor of molecular biology at the University of California, Berkeley, is the author of Molecular Biology of Bacterial Viruses, Phage and the Origin of Molecular Biology, Molecular Genetics: An Introductory Narrative, The Coming of the Golden Age: A View of the End of Progress, and many important scientific papers. In Concerning the Sciences, the Arts—AND the Humanities" , Leonard B. Meyer took issue with views expressed by Professor Stent in "Prematurity and Uniqueness in Scientific Discovery," published in Scientific American. (shrink)

Le 15 décembre 2005, René Girard, lors de son entrée à l'Académie française, prononça l'éloge de son prédécesseur, le révérend père Carré. Michel Serres répondit à ce discours par un tableau de la vie et de l'oeuvre du récipiendaire dont, dit-il, la théorie compte parmi les plus fécondes du XXe siècle.

Desde o ano de 1643, Descartes (1596-1650) e a princesa Elizabeth (1618-1680) já trocavam cartas a respeito da geometria, da metafísica e até da física cartesiana. Todavia, no ano de 1645, por conta de um grave estado melancólico da princesa, houve uma intensa correspondência entre ambos. À princípio, o debate se mantinha em torno das condições especificas da princesa. O tema central girava em torno de questões fisiológicas e morais (ou psicofisiológicas). À medida, porém, em que a troca de correspondência (...) se intensificava, o debate ia tornando-se cada vez mais teórico, passando pela discussão da Vida Beata, de Sêneca, até forçar Descartes a apresentar os primeiros esboços de sua própria concepção moral. Dessa troca de correspondência, escolhemos duas cartas de setembro de 1645: uma do filósofo a Elizabeth (carta CDIII) e outra da princesa a Descartes carta (CDVI). (shrink)