In this article, I deal with the concept of aesthetics in its broader sense: the ability of feeling, thinking, and creating. My theory is that this aesthetics was born 40,000 years ago in the Paleolitical caves and that it has been characterizing human creativity from its remote origins up to now. Following this theory, we should not define human creativity as a greater cleverness than that of other living species; however, we should think of it as a refined aesthetic ability (...) of mind in connecting different worlds, enacting different levels of communication, and creating images and symbols. (shrink)

A theater that heals is not a theater that offers answers and ?medicines? that guarantee to cure weaknesses and fragilities people meet but it is an open organization, which questions itself, which brings out ambivalence and ambiguity, diversity, weaknesses, and which leaves room for possible interpretations and narratives, the play of imagination, and the development of innovative and creative processes of people in society.