Deepfakes are highly realistic, albeit fake, audiovisual contents created with AI. This technology allows the use of deceptive audiovisual material that can impersonate someone’s identity to erode their reputation or manipulate the audience. Deepfakes are also one of the applications of AI that can be used in cultural industries and even to produce works of art. On the one hand, it is important to clarify whether deepfakes in arts and culture are free from the ethical dangers mentioned above. On the (...) other hand, there are specific ethical issues in this field of application. Deepfake technologies can be used to include the performance of deceased persons in audiovisual materials for the dissemination of cultural heritage, and to generate images or sounds in the style of real authors, but deepfakes are also potentially misleading by blurring the boundary between artwork and reality, and raise questions about the relationship between technology, artificial creativity and authorship. The answer to these problems requires an analysis of the normative foundations of copyright to accommodate the new role of AI. (shrink)

The purpose of this article is to offer guidelines to deal with hard choices, specifically in situations where some compromise among opposing values is inescapable. The guidelines are intended to help ethicists and practitioners to delineate different alternatives and to dismiss some of them as morally unacceptable. This article explores the view that compromises arise from negotiations but from ethical predicaments as well. For this reason, I distinguish between strategic and moral compromises. Both managers and employees are individual moral agents (...) who have to confront the possibility of unpalatable and even disgusting compromises, so that they are forced to put their integrity into risk in certain compromise situations. However, I shall argue for the possibility of palatable moral compromises. The guidelines to cope with those situations and to identify the unpalatable compromises are based on J. S. Mill's moral philosophy. Mill suggested that half-measures passed in Parliament must have certain key elements to be morally acceptable. I make use of this doctrine to put forward compromise guidelines in the form of a set of hallmarks, internal and external elements of palatable compromises. Two minicases are used to test the guidelines and to emphasize the importance of compromises for ethical decision making and commitment to company. (shrink)

Cultural commons are both a de facto common pool, as well as the aspiration that this common pool should be as large and as rich as possible. Cultural life is a specific common good that represents such an aspiration, and it is one of the human rights included in the Universal Declaration of 1948. After analyzing the features of this cultural common good, including its global dimension, it is addressed how privatization of other cultural commons influences on the cultural life (...) of humanity, as well as the relationship between cultural life and cultural appropriation. (shrink)

This article aims to reconstruct a Millian argument for protecting a broad artistic freedom, as well as to delineate the exceptional cases in which censorship of works of art might be justified. Mill'sOn Libertyoffers two lines of reasoning that might be used to defend the widest possible artistic freedom. The first is Mill's defense of freedom of speech in chapter 2, although this would apparently still allow for censoring art that serves to instigate harm. The second is his defense of (...) “experiments in living” in chapter 3, but this might allow for censoring the exhibition or publication of artworks that constitute “offences against decency.” While this Millian doctrine on artistic freedom provides guidelines for coping with difficult cases in arts management, its limitations highlight the peculiarities of the arts and literature in relation to freedom and censorship. (shrink)