This book introduces contemporary writing about difference through the idea of the labour of division.

Adoption of an 'ethics of reversibility' can seem fashionably enlightened, even democratic, but appears less radical when issues of power are opened up. Adopting the motif of keeping , this paper sets its questioning of an on-going individuation of ethics within the context of an insidious reduction of institutional mores to business parlance. Keeping Derrida's 'philosophy of reversals' in view, the discussion resists the double bind of attempts to make higher-level decisions ever more 'irreversible' on the one hand, while devolving (...) ethical responsibilities for outcomes downwards on the other. In criss-crossing, back and forth, on variations of these themes, the aim of the paper is to contest a division of moral labour in which the more powerful style themselves as 'not for turning', while those dispossessed of authority are left to vacillate within the market agendas of flexibility and transparency. (shrink)

Adoption of an ‘ethics of reversibility’ can seem fashionably enlightened, even democratic, but appears less radical when issues of power are opened up. Adopting the motif of keeping, this paper sets its questioning of an on‐going individuation of ethics within the context of an insidious reduction of institutional mores to business parlance. Keeping Derrida's ‘philosophy of reversals’ in view, the discussion resists the double bind of attempts to make higher‐level decisions ever more ‘irreversible’ on the one hand, while devolving ethical (...) responsibilities for outcomes downwards on the other. In criss‐crossing, back and forth, on variations of these themes, the aim of the paper is to contest a division of moral labour in which the more powerful style themselves as ‘not for turning’, while those dispossessed of authority are left to vacillate within the market agendas of flexibility and transparency. (shrink)

This volume sets out to reverse the neglect.

In this paper I will attempt to show that the next step in acting methodology is to move from psychological cognition to meditative thinking—Logos, giving examples of how that Logos becomes word and is then revealed in the text, play or story—Mythos.

In this paper I will attempt to show that the next step in acting methodology is to move from psychological cognition to meditative thinking—Logos, giving examples of how that Logos becomes word and is then revealed in the text, play or story—Mythos.