Essai général sur le philosophe et prosateur chinois Tchouang-Tseu dont l'oeuvre se situe à l'origine du taoïsme philosophique et religieux. Ses leçons métaphysiques, son ironie contre toute forme d'autorité s'épanouissent sous forme de dialogues, fables et historiettes que l'auteur interprète et commente pour en dégager les enjeux.

Whereas Western moral philosophy has mainly accounted for recurrent failed or irrational actions through the concept of weakness of will, many early Chinese texts on self-cultivation, notably the Zhuangzi, stand for a philosophical position that explains our frustrations and failures as an "excess of the will." Leaving aside external factors such as accidents or mistakes, this essay explores the sources of thwarted plans and frustrated expectations that are due to factors internal to the individual—more precisely, to the nature of intentional (...) conscience. Such a view was generally inadmissible in Western moral philosophy, which revolves around the paradigm of a causal agent endowed with a 'muscular ethics' for which all that is desired, and indeed all that is achieved, may only be a direct effect of the will. In striking contrast to this orientation, the Zhuangzi presents a variety of situations in which things do not happen as planned because we were too aware of the plan that guided us. Here, I will use Jon Elster's concept of by-product states in order to explore this contrast between two contending models of action that, far from being culturally rooted, express an inner criticism in both traditions, European and Chinese. (shrink)

Este ensayo provee una visión general de la obra de la pintora mexicana María Izquierdo y ubica sus imágenes e ideas dentro de los debates sobre el rol del arte en la sociedad mexicana entre 1930 y 1950. En la primera década de su carrera ella estaba tangencialmente afiliada al grupo vanguardista literario conocido como los Contemporáneos, que abogaba por el arte puro. Después de 1939, cambió los temas y el estilo de su obra y enfatizó la mexicanidad, acercándose a (...) algunas de las ideas -aunque no a todas- propugnadas por los muralistas y otros artistas que compartieron su agenda. A través de su carrera, Izquierdo creó obras que abordaron cuestiones de género y promovieron una presencia positiva de las mujeres. Las representaciones de las protagonistas femeninas de Izquierdo contrastan con las de los muralistas, quienes generalmente las presentaron en papeles secundarios. (shrink)

The Zhuangzi is one of China's greatest literary and philosophical masterpieces, yet its complexities make it a challenging read. This English translation leads you confidently through the comic scenes and virtuoso writing style, introducing all the little stories Zhuangzi invented and unpicking its philosophy through close commentaries and helpful asides. In Graziani's translation, the co-founder of Daoism emerges as a remarkable thinker. It is a must-read for anyone coming to Chinese philosophy or the Zhuangzi for the first time, and one (...) that reminds us of the importance of thinking beyond our limited, everyday perspectives. (shrink)