The importance of history has been powerfully reaffirmed in recent years by the appearance of major new authors, pathbreaking works, and fresh interpretations of historical events, trends, and methods. Responding to these developments, Roger Chartier engages several of the most influential writers of cultural history whose works have spread far beyond academic audiences to become part of contemporary cultural argument. Challenging the assertion that history is no more than a "fiction-making operation" Chartier examines the relationships between history and fiction and (...) proposes new foundations for establishing history as a specific kind of knowledge. Michel de Certeau's description of Michel Foucault's writings as "on the edge of the cliff," provides Chartier with an image he finds appropriate not only for Foucault but for many other recent historians--including de Certeau. Exploring the relationships between discursive practices and nondiscursive practices, Chartier examines the "heterology" of de Certeau pursues the "chimera of origin" and the causes of the French Revolution in Foucault's work and raises four pertinent questions for the metahistory of Hayden White. He follows the work of Louis Marin into the distinctions between interpreting a painting and interpreting a text. And a trio of essays treats the historical sociology of Norbert Elias and his work on power and civility. Throughout, Chartier keeps his focus on historians who have stressed the relations between the products of discourse and social practices. (shrink)

Any historical reflection of the fête (or feast) must depart from the observation of its actual conditions of subsistence, in order to understand the veritable “festive explosion” that has marked historical production this last decade. Although it is not specifically historical, the emergence of the fête (and in particular of the ancient feast) as a preferential object of study, leads one in effect to wonder about the reasons that have brought about that, in a given moment, an entire scientific class, (...) in this case the French historians, has felt attracted by a theme which until then was treated only in folklorist collections. Seemingly, three reasons, that pertain as much to the recognized function of the historical discipline as to its internal evolution, may be cited. It is clear, above all, that the increased research into the ancient feast constitutes a sort of compensation, as a means of understanding, to the disappearing system of civilization in which the fête had, or rather, is considered as having had, a central role. The historical analysis is therefore charged to explain, in its idiom and with its technique, the nostalgia evoked by a present which has eliminated the fête defined as an act of community participation. On these grounds it then becomes possible to rediscover one of the major functions assigned—implicitly or explicitly—to history today: to restore to the sphere of knowledge a vanished world of which contemporary society feels the heritage, but as an unfaithful heir. That the operation of understanding is difficult to separate from the fabrication of an imaginary past collectively desired, is, in the end, insignificant, unless it is meant to underline those themes that, by being the most neglected by our present age, become the most symptomatic of a world we have lost. The fête, vidently, is one of these. (shrink)

L'ouvrage rassembles les actes des neuvièmes rencontres Ina-Sorbonne, qui se sont tenues le 27 novembre 2004.

Avtor ugotavlja, da so se zamajale stare gotovosti zgodovine in zgodovinopisja, da se je črv dvoma zalezel najprej v spoznavno-epistemološke kriterije vede, v kritiko tako strukturalnih kot kvantifikativnih metod, potem pa se še razširil z razpravo o ločnici med zgodovinsko in literarno pripovedjo. Po njegovem mnenju se zato na doslej neznanem križišču srečujejo tekstna kritika, zgodovina knjige in sociologija kulture. Izzive vidi tako na metodološki kot na teoretski ravni in ugotavlja, da so se nekateri avtorji že uspešno spoprijeli z njimi: (...) nastajajo predlogi novih paradigem, med katerimi se mu med najbolj obetavnimi kažejo postopki mikrozgodovine. Opozarja tudi na novo branje zgodovine žensk oziroma na študij te zgodovine z novimi metodološkimi prijemi, kar bo zgodovino zopet in dokončno vrnilo med družbene vede - teza, za katere pripadnika se ima tudi avtor. (shrink)

Any historical reflection of the fête (or feast) must depart from the observation of its actual conditions of subsistence, in order to understand the veritable “festive explosion” that has marked historical production this last decade. Although it is not specifically historical, the emergence of the fête (and in particular of the ancient feast) as a preferential object of study, leads one in effect to wonder about the reasons that have brought about that, in a given moment, an entire scientific class, (...) in this case the French historians, has felt attracted by a theme which until then was treated only in folklorist collections. Seemingly, three reasons, that pertain as much to the recognized function of the historical discipline as to its internal evolution, may be cited. It is clear, above all, that the increased research into the ancient feast constitutes a sort of compensation, as a means of understanding, to the disappearing system of civilization in which the fête had, or rather, is considered as having had, a central role. The historical analysis is therefore charged to explain, in its idiom and with its technique, the nostalgia evoked by a present which has eliminated the fête defined as an act of community participation. On these grounds it then becomes possible to rediscover one of the major functions assigned—implicitly or explicitly—to history today: to restore to the sphere of knowledge a vanished world of which contemporary society feels the heritage, but as an unfaithful heir. That the operation of understanding is difficult to separate from the fabrication of an imaginary past collectively desired, is, in the end, insignificant, unless it is meant to underline those themes that, by being the most neglected by our present age, become the most symptomatic of a world we have lost. The fête, vidently, is one of these. (shrink)

Comment Sortir de la Terreur. by Bronislaw Baczko The Kiss of Lamourette. by Robert Darnton Les Origines Culturelles de la Revolution Francaise. by Roger Chartier Naissance du Journal Revolutionnaire. by Claude Labrosse; Pierre Retat "Mere Words," The Journal of Modern History, June 1991. by Dorinda Outram Revolutionary News: The Press in France 1789-1799. by Jeremy D. Popkin.