This paper argues that many so-called digital technologies can be construed as notational technologies, explored through the example of Monegraph, an art and digital asset management platform built on top of the blockchain system originally developed for the cryptocurrency bitcoin. As the paper characterizes it, a notational technology is the performance of syntactic notation within a field of reference, a technologized version of what Nelson Goodman called a “notational system.” Notational technologies produce abstracted entities through positive and reliable, or constitutive, (...) tests of socially acceptable meaning. Accordingly, this account deviates from typical narratives of blockchains, instead demonstrating that blockchain technologies are effective at managing digital assets because they produce abstracted identities through the performance of notation. Since notational technologies rely on configurations of socially acceptable meaning, this paper also provides a philosophical account of how blockchain technologies are socially embedded. (shrink)

This special issue introduces the study of financial technologies and finance to the field of philosophy of technology, bringing together two different fields that have not traditionally been in dialogue. The included articles are: Digital Art as ‘Monetised Graphics’: Enforcing Intellectual Property on the Blockchain, by Martin Zeilinger; Fundamentals of Algorithmic Markets: Liquidity, Contingency, and the Incomputability of Exchange, by Laura Lotti; ‘Crises of Modernity’ Discourses and the Rise of Financial Technologies in a Contested Mechanized World, by Marinus Ossewaarde; Two (...) Technical Images: Blockchain and High-Frequency Trading, by Diego Viana; and The Blockchain as a Narrative Technology: Investigating the Social Ontology and Normative Configurations of Cryptocurrencies, by Wessel Reijers and Mark Coeckelbergh. (shrink)

Globalisation has triggered a proliferation of translation practises, many of which are mediated by machines. This development raises fundamental philosophical questions about language, writing, meaning, reference, and representation. This chapter builds a bridge between the ethics of machine translation and philosophy of technology. It starts by considering the activity of translation as such and argues that this is an inherently ethical activity because it involves sacrifice, establishes commonality between foreign elements, and invokes certain professional virtues. Consequently, the chapter asks what (...) machines ‘do’ to translation practises, arguing that they fundamentally transform the activity of translation into the transcription of notations. This raises the philosophical questions of logocentrism, the extent to which machines translate the ‘presence’ of lived experience, and phonocentrism, the extent to which machines transcribe the spoken word. Based on this analysis, the chapter turns to three ethical questions that pertain to machine translation. The first is about responsibility: while machines rely on retrospective responsibility, can they deal with prospective responsibility in translation? The second is about hospitality: can machines adapt to foreign worlds without having the lived experience attached to these worlds? And the third is about virtue: can the exchangeability inherent to machine translation cohere with the incommensurability of the work of translation? (shrink)

This special issue introduces the study of financial technologies and finance to the field of philosophy of technology, bringing together two different fields that have not traditionally been in dialogue. The included articles are: Digital Art as ‘Monetised Graphics’: Enforcing Intellectual Property on the Blockchain, by Martin Zeilinger; Fundamentals of Algorithmic Markets: Liquidity, Contingency, and the Incomputability of Exchange, by Laura Lotti; ‘Crises of Modernity’ Discourses and the Rise of Financial Technologies in a Contested Mechanized World, by Marinus Ossewaarde; Two (...) Technical Images: Blockchain and High-Frequency Trading, by Diego Viana; and The Blockchain as a Narrative Technology: Investigating the Social Ontology and Normative Configurations of Cryptocurrencies, by Wessel Reijers and Mark Coeckelbergh. (shrink)