Features of semantic prosody -- The evaluative and the hidden -- The diachronic and the synchronic -- Semantic prosody and lexical environment -- Semantic prosody and corpus data -- Semantic prosody and the concordance -- Intuition, introspection, and corpus data -- Semantic prosody and lexical priming.

Recent experiments have shown that people iconically modulate their prosody corresponding with the meaning of their utterance. This article reports findings from a story reading task that expands the investigation of iconic prosody to abstract meanings in addition to concrete ones. Participants read stories that contrasted along concrete and abstract semantic dimensions of speed and size. Participants read fast stories at a faster rate than slow stories, and big stories with a lower pitch than small stories. The effect (...) of speed was distributed across the stories, including portions that were identical across stories, whereas the size effect was localized to size-related words. Overall, these findings enrich the documentation of iconicity in spoken language and bear on our understanding of the relationship between gesture and speech. (shrink)

Conveying emotions in spoken poetry may be based on a poem’s semantic content and/or on emotional prosody, i.e. on acoustic features above single speech sounds. However, hypotheses of more direct sound–emotion relations in poetry, such as those based on the frequency of occurrence of certain phonemes, have not withstood empirical (re)testing. Therefore, we investigated sound–emotion associations based on prosodic features as a potential alternative route for the, at least partially, non-semantic expression and perception of emotions in poetry. We first (...) conducted a pre-study designed to validate relevant parameters of joy- and sadness-supporting prosody in the recitation, i.e. acoustic production, of poetry. The parameters obtained thereof guided the experimental modification of recordings of German joyful and sad poems such that for each poem, three prosodic variants were constructed: one with a joy-supporting prosody, one with a sadness-supporting prosody, and a neutral variant. In the subsequent experiment, native German speakers and participants with no command of German rated the joyfulness and sadness of these three variants. This design allowed us to investigate the role of emotional prosody, operationalized in terms of sound-emotion parameters, both in combination with and dissociated from semantic access to the emotional content of the poems. The findings from our pre-study showed that the emotional content of poems (based on pre-classifications into joyful and sad) indeed predicted the prosodic features pitch and articulation rate. The subsequent perception experiment revealed that cues provided by joyful and sad prosody specifically affect non-German-speaking listeners’ emotion ratings of the poems. Thus, the present investigation lends support to the hypothesis of prosody-based iconic relations between perceived emotion and sound qualia. At the same time, our findings also highlight that semantic access substantially decreases the role of cross-language sound–emotion associations and indicate that non-German-speaking participants may also use phonetic and prosodic cues other than the ones that were targeted and manipulated here. (shrink)

Prosody, in motherese as in all forms of language, has a very different form and a very different use than the central lexical, phonological, and syntactic components of language. Whereas the prosodic aspects of motherese probably derive from primate vocalization, this does not help us to understand how the more distinctive parts of language emerged.

This investigation examined whether speakers produce reliable prosodic correlates to meaning across semantic domains and whether listeners use these cues to derive word meaning from novel words. Speakers were asked to produce phrases in infant‐directed speech in which novel words were used to convey one of two meanings from a set of antonym pairs (e.g., big/small). Acoustic analyses revealed that some acoustic features were correlated with overall valence of the meaning. However, each word meaning also displayed a unique acoustic signature, (...) and semantically related meanings elicited similar acoustic profiles. In two perceptual tests, listeners either attempted to identify the novel words with a matching meaning dimension (picture pair) or with mismatched meaning dimensions. Listeners inferred the meaning of the novel words significantly more often when prosody matched the word meaning choices than when prosody mismatched. These findings suggest that speech contains reliable prosodic markers to word meaning and that listeners use these prosodic cues to differentiate meanings. That prosody is semantic suggests a reconceptualization of traditional distinctions between linguistic and nonlinguistic properties of spoken language. (shrink)

Introduction: Motherese, or emotional infant directed speech, is the specific form of speech used by parents to address their infants. The prosody of IDS has affective properties, expresses caregiver involvement, is a marker of caregiver-infant interaction quality. IDS prosodic characteristics can be detected with automatic analysis. We aimed to explore whether pregnant women “speak” to their unborn baby, whether they use motherese while speaking and whether anxio-depressive or obstetrical status impacts speaking to the fetus.Participants and Methods: We conducted an (...) observational study of pregnant women with gestational ages from 26 to 38 weeks. Women were recruited in a university hospital department of obstetrics. Thirty-five women agreed to participate in the study, and 26 audio records were exploitable. We collected obstetrical and sociodemographic data, pregnancy outcomes, anxiety and depressive status using the Covy and Raskin Scales, and life events using the Sensations During Pregnancy and Life Event Questionnaire. Each participant was left alone with an audio recorder with a recommendation to feel free to speak to her fetus as she would have done at home. The recording was stopped after 3 min. Audio recordings were analyzed by two methods: psycholinguist experts' annotation and computational objective automatic analyses.Results: Most mothers reported speaking to their fetuses. We found a correlation between maternal first perceptions of fetal movements and the start of mother's speaking to fetus. Motherese prosody was detected with both annotation and automatic analysis with a significant correlation between the two methods. In this exploratory study, motherese use was not associated with maternal anxiodepressive or obstetrical status. However, the more future mothers were depressed, the less they spoke with their fetuses during the recording.Conclusion: Fetal directed speech can be detected during pregnancy, and it contains a period of prosody that shares the same characteristics of motherese that can be described as prenatal motherese or emotional fetal-directed speech. This means that pregnant women start using motherese much earlier than expected. FDS seems to be correlated with maternal first perceptions of fetal movements and depression scores. However, more research is needed to confirm these exploratory results. (shrink)

Recently, dynamic text presentation, such as scrolling text, has been widely used. Texts are often presented at constant timing and speed in conventional dynamic text presentation. However, dynamic text presentation enables visually presented texts to indicate timing information, such as prosody, and the texts might influence the impression of reading. In this paper, we examined this possibility by focusing on the temporal features of digital text in which texts are represented sequentially and with varying speed, duration, and timing. We (...) call this “textual prosody.” We used three types of textual prosody: “Recorded,” “Shuffled,” and “Constant.” Recorded prosody is the reproduction of a reader’s reading with pauses and varying speed that simulates talking. Shuffled prosody randomly shuffles the time course of speed and pauses in the recorded type. Constant prosody has a constant presentation speed and provides no timing information. Experiment 1 examined the effect of textual prosody on people with normal hearing. Participants read dynamic text with textual prosody silently and rated their impressions of texts. The results showed that readers with normal hearing preferred recorded textual prosody and constant prosody at the optimum speed. Recorded prosody was also preferred at a low presentation speed. Experiment 2 examined the characteristics of textual prosody using an articulatory suppression paradigm. The results showed that some textual prosody was stored in the articulatory loop despite it being presented visually. In Experiment 3, we examined the effect of textual prosody with readers with hearing loss. The results demonstrated that readers with hearing loss had positive impressions at relatively low presentation speeds when the recorded prosody was presented. The results of this study indicate that the temporal structure is processed regardless of whether the input is visual or auditory. Moreover, these results suggest that textual prosody can enrich reading not only in people with normal hearing but also in those with hearing loss, regardless of acoustic experiences. (shrink)

This article investigates the role of prosody in conversational humor in the HBO series Sex and the City in an exploratory study. Specifically, we examine how pitch and pauses are part of the prosodic bundle that can be used to mark an utterance as humoristic. We find that the use of prosodic resources participates not only in the marking but also the creation of humor. In this regard, we view pitch variation and pauses as having communicative strategies and cognitive (...) benefits. They are part of the performance of humor and participate in the characterization of the personage. The authors suggest the existence of a repertoire of prosodic devices associated to humor and to a particular discourse. (shrink)

In this paper we evaluate the role of prosodic information in inferring dialogue-specific functions of speech acts. We report the results of an empirical study in which participants are exposed to recordings of certain utterances and, next, asked to recognize discursive contexts from which the heard utterances may come. The recorded utterances are quotations: staged utterances produced by speakers asked to read aloud dialogues specially constructed for the study. We analyse prosodic cues produced by recorded speakers and argue that they (...) play a key role in depicting demonstrated target utterance. We assume that participants’ decisions manifest their implicit understanding of dialogue-specific functions of target utterances. The empirical part of our study shows that the efficiency rate of the prosodic cues produced by recorded speakers is 76%. We use the results of our prosodic analysis of recorded utterances to account for some cases of incorrect interpretations reported in the study. (shrink)

Editors and writers on the prosody of Plautus and Terence disagree about the prosody of the final -a in the nominative and vocative of proper names taken from the Greek First Declension. The fact that they are often quoted as examples of syllaba anceps either at the diaeresis of longer iambic lines or at loci Iacobsohniani would seem to imply that they normally scan as Latin First Declension nouns with short -a in the nominative and vocative singular. So (...) R. Kauer in the commentary of his edition of Terence's Andria on line 301 writes ‘die griechischen Eigennamen auf -a —Sosia, Byrria, Chaerea, Phaedria usw.—haben bei Terenz stets kurzes -a’. (shrink)

Editors and writers on the prosody of Plautus and Terence disagree about the prosody of the final -a in the nominative and vocative of proper names taken from the Greek First Declension. The fact that they are often quoted as examples of syllaba anceps either at the diaeresis of longer iambic lines or at loci Iacobsohniani would seem to imply that they normally scan as Latin First Declension nouns with short -a in the nominative and vocative singular. So (...) R. Kauer in the commentary of his edition of Terence's Andria on line 301 writes ‘die griechischen Eigennamen auf -a —Sosia, Byrria, Chaerea, Phaedria usw.—haben bei Terenz stets kurzes -a’. (shrink)

Professor Skutsch has convicted me of one error—the inclusion of Eun. 465 in my list on p. 208. I do not feel, however, that he has proved that Phaedria is a dactyl in Terence. The essence of his argument, as I see it, depends on the figures in the last two rows of the first two columns on p. 90, and may be stated as follows: ‘Forms undeniably dactylic, such as Pamphile, are always followed by a disyllabic thesis. The thesis (...) after all critical examples of Phaedria is disyllabic. Therefore “Phaedria is proved to be a dactyl”.’ My objection to this argument is not that it is not a logical syllogism, but that it seeks to establish the prosody of Phaedria without considering the prosody of the other Phaedria-typt1 names in Terence. These are listed on p. 208 of my article . The following cases, I suggest, merit consideration. (shrink)

Motherese is a form of affective prosody injected automatically into speech during caregiving solicitude. Affective prosody is the aspect of language that conveys emotion by changes in tone, rhythm, and emphasis during speech. It is a neocortical function that allows graded, highly varied vocal emotional expression. Other mammals have only rigid, species-specific, limbic vocalizations. Thus, encephalization with corticalization is necessary for the evolution of progressively complex vocal emotional displays.

Our starting point for the origins of language goes beyond prosody or infant-directed speech to highlight the affective, multimodal, and co-constructed nature of meaning-making that was likely present before the split between African great apes and hominins. Analysis of vocal and gestural caregiving practices in hominins, and of meaning-making via gestural interaction in African great apes, supports our thesis.

The model presented in the target article is biased towards a cognitive-symbolic understanding of language, thus ignoring its other important aspects. Possible relationships of this cognitive-symbolic subsystem to pragmatics and prosody of language are discussed in the first part of the commentary. In the second part, the issue of a purely social versus biological mechanisms for transition from protolanguage to properly language is considered.

Based on the motor theory of language, which asserts an evolution from gestures along several stages to today's speech and language, we suggest that speech ontogeny may partly reflect speech phylogeny, in that perception of prosodic contours is an intermediary stage between a manual communication system and a fully developed language faculty.

Professor Postgate speaks of ‘the regrettable silence of the principal editors of Plautus upon the subject.’ As a minor editor, I beg to defend my colleagues by pointing out that the scansions dĭŭtíus and dyūtius are subject of a note in Dziatzko's and Hauler's editions of the Phormio of Terence and in the Plautus Report in Bursian of 1879 . Also that a reference to the index of my larger edition of the Captiui will show that the word is discussed (...) in my section on Prosody : ‘The same doubt exists regarding the scansion of diutius , the by-form of the fuller form dĭūtĭŭs .’. (shrink)

I Choose the word metrical rather than prosodical, to make it plain at the outset that I am not concerned with the rule in Priscian—not of Priscian, for its irrelevance is sufficient proof of that—G.L.K. II p. 82 7–9 ‘gnus quoque uel gna uel gnum terminantia longam habent uocalem paenultimam, ut regnum stagnum benignus malignus abiegnus priuignus Pelignus’, still less with the illegitimate inference sometimes drawn from it, that this pair of consonants, like ns and nf, lengthened a short vowel (...) whenever they followed it. The present dispute is not about vowels but about syllables; the power of gn to make position, as they say, like st or x, and so to impede the flow of verse. (shrink)

By manipulating the location of prosodic boundary and the semantic bias of the ambiguous “V+N1+de+N2” phrase, which is composed of one verb (V), one noun (N1), one functional word (de), and another noun (N2), this study investigated how prosodic boundary and the semantic bias affect the processing of temporary ambiguous sentences formed by the ambiguous phrase “V+N1+de+N2” through an eye movement experiment. We found the effect of prosodic boundary in the late processing stage and observed an interaction between prosodic boundary (...) and the semantic bias of ambiguous phrases as well. The participants required more time for fixation and more regressions occurred when the meaning of the ambiguous phrase guided by prosodic boundary was inconsistent with context, especially when the ambiguous phrase was biased to the narrative-object phrase. This result suggests that prosodic boundary affects the processing of temporal ambiguous sentences and is influenced by the semantic bias of the ambiguous phrase. These findings provide further evidence from Chinese that indicate that implicit prosody plays a general role in language comprehension. (shrink)

Any complete theory of lexical access in production must address how words are produced in prosodic contexts. Levelt, Roelofs & Meyer make some progress on this point: for example, they discuss resyllabification in multiword utterances. I present work demonstrating that word articulation takes into account overall prosodic context. This research supports Levelt et al.'s hypothesized separation between metrical and segmental information.

• Why does topicalization decline in Middle English but not disappear? If the change a parametric one, it should go to completion. Otherwise, topicalization, a clear case of stylistic variation might be expected to be stable in frequency over time.

Human–Human and Human–Robot Interaction are known to be influenced by a variety of modalities and parameters. Nevertheless, it remains a challenge to anticipate how a given mobile robot’s navigation and appearance will impact how it is perceived by humans. Drawing a parallel with vocal prosody, we introduce the notion of movement prosody, which encompasses spatio-temporal and appearance dimensions which are involved in a person’s perceptual experience of interacting with a mobile robot. We design a novel robot motion corpus, (...) encompassing variables related to the kinematics, gaze, and appearance of the robot, which we hypothesize are involved in movement prosody. Initial results of three perception experiments suggest that these variables have significant influences on participants’ perceptions of robot socio-affects and physical attributes. (shrink)

The study of conversational humor has received relatively little empirical attention with almost no examinations of the role of vocal signals in spontaneous humor production. Here we report an analysis of spontaneous humorous speech in a rural Brazilian collective farm. The sample was collected over the course of ethnographic fieldwork in northeastern Brazil, and is drawn specifically from the monthly communal business meetings conducted in Portuguese. Our analyses focused on humorous utterances identified by the subsequent presence of laughter. Acoustic features (...) of these utterances were compared to non-humorous utterances by the same speakers of similar length and immediately preceding them to look for prosodic contrasts. This corpus provided a unique opportunity for examining the way people mark their humorous productions in a non-humorous environment. Contrary to the notion that speakers must mark their production of humor in order to facilitate audience understanding, no significant marking of a joking “frame” was detected across a range of acoustic dimensions. The only consistent difference — that the set-up and punch line segments were louder than baseline speech before it — does not well support a marking hypothesis and more likely reflects speaker adjustments to the acoustic conditions of the meeting hall. We present these data from the perspective of the encryption theory of humor that predicts speakers will not generally mark spontaneous, conversational humor in most contexts. (shrink)

In this article we explore the semantic category of graduation, specifically force, which builds the symbolic dimension of time in historical discourses. Our aim is to provide a more refined and extensive theoretical framework to analyse the symbolic construction of time in historical discourses – one that allows us to take into consideration how social, political and economic processes and events are represented and valued in historical discourses. We propose that this symbolic ‘scenification’ of time is constructed in the discourse (...) by a combination and accumulation of congruent and metaphorical lexico-grammatical resources. In this manner, meanings of quantification of time as duration and sequencing tend to be expressed in a more congruent way, whereas meanings of intensification of time as accelerating, deepening and expectation tend to be expressed in a more metaphorical manner by means of processes and nominalizations. The chronological dimension of time imbricates the symbolic dimension in a way that allows historians and sociologists to legitimate particular historical memories of the recent Chilean past. (shrink)

The processing of emotional nonlinguistic information in speech is defined as emotional prosody. This auditory nonlinguistic information is essential in the decoding of social interactions and in our capacity to adapt and react adequately by taking into account contextual information. An integrated model is proposed at the functional and brain levels, encompassing 5 main systems that involve cortical and subcortical neural networks relevant for the processing of emotional prosody in its major dimensions, including perception and sound organization; related (...) action tendencies; and associated values that integrate complex social contexts and ambiguous situations. (shrink)

MR. MARTIN seems to have misread my table. He professes to summarize its last two rows, but he has got the last but one all wrong, and the last he omits altogether. My last row but one signifies: In the matter of a following disyllabic thesis Phaedria, Pamphilĕ, and Parmenō behave exactly alike: no argument here either for or against Phaedriā. The last row speaks plainly: If Phaedria were a cretic, we should expect to find it used as a cretic (...) at least six times. Mr. Martin had found it so used once, and I noted that this one example was in fact an ablative–a strange coincidence. But this was not, as Mr. Martin says, the only ‘error’ of which I ‘convicted’ him. I also, and primarily, pointed out that what he called ‘the significant thing’, viz. that the scansion Phaedriâ was never inevitable, held no significance whatever, since all dactylic words were in the same case. (shrink)

The aim of the present study is to describe the prosodic systems of the Greek and Latin languages and to find out the versification systems which have been realized in the poetical practice. The Greek language belongs typologically among the mora-counting languages and thus provides possibilities for the emergence of purely quantitative verse, purely syllabic verse, quantitative-syllabic verse and syllabic-quantitative verse. There is no purely quantitative or purely syllabic verse in actual Greek poetry; however, the syllabic-quantitative versification systems (the Aeolian (...) tradition) and quantitative-syllabic versification systems (the Aeolian tradition) were in use. The Latin language, on the other hand, has a number of features, which characterize it as a stress-counting language. Since at the same time there exists also the opposition of short and long syllables, there are preconditions for the syllabic, accentual and quantitative principle, as well as for the combinations of these. The Roman literary heritage shows examples of purely accentual, syllabic-quantitative, quantitative-syllabic, as well as of several other combinatory versification systems. (shrink)