The objective of this study is to compare the quantity of citations that retracted and nonretracted articles received in engineering based on articles indexed in the Web of Science database and published between 1945 and 2015. For data analysis, the Statistical Package for the Social Sciences was used along with the Kolmogorov–Smirnov, Mann–Whitney, Tukey–Kramer tests and descriptive statistics. The data set included 238 retracted and 236 nonretracted articles, with the retracted articles cited 2,348 times and nonretracted articles cited 2,957 times. (...) The results highlight that retraction does not end citation, thus threatening scientific credibility. (shrink)

This study assesses the retractions of scientific articles in engineering journals indexed on the Web of Science from 1945 to 2015. The data set was built based on documents containing the keywords retracted, retraction, withdrawal, or redress. We used database exploration techniques, including Structured Query Language and analysis of variance, for data analysis. We analyzed 238 retractions published by 117 journals. The most common reason for retraction was unethical research, and higher impact factors journals tended to publish more retractions. In (...) conclusion, most of the analyzed retractions were the result of unethical research and were retracted by editors. (shrink)

In his 1903 Syllabus, Charles S. Peirce makes a distinction between icons and iconic signs, or hypoicons, and briefly introduces a division of the latter into images, diagrams, and metaphors. Peirce scholars have tried to make better sense of those concepts by understanding iconic signs in the context of the ten classes of signs described in the same Syllabus. We will argue, however, that the three kinds of hypoicons can better be understood in the context of Peirce's sixty-six classes of (...) signs. We analyze examples of hypoicons taken from the field of information design, describing them in the framework of the sixty-six classes, and discuss the consequences of those descriptions to the debate about the order of determination of the 10 trichotomies that form those classes. (shrink)

This article presents some results of a research on computational strategies for the visualization of sign classification structures and sign processes. The focus of this research is the various classifications of signs described by Peirce. Two models are presented. One of them concerns specifically the 10-fold classification as described in the 1903 Syllabus (MS 540, EP 2: 289–299), while the other deals with the deep structure of Peirce’s various trichotomic classifications. The first is 10cubes, an interactive 3-D model of Peirce’s (...) 10-fold classification, as described in the Syllabus. The second is 3N3, a computer program that builds equivalent diagrams for any n-trichotomic classification of signs. We are specially interested in how a graphic design methodology, associated with computer graphic resources and techniques, can contribute to the construction of interactive models that serve as tools for the investigation of C. S. Peirce’s theory of signs. (shrink)

Os signos e as classes dos signos estão entre os tópicos mais importantes do sistema filosófico de Charles S. Peirce. As 10, 28, e 66 classes de signos são classificações desenvolvidas especialmente a partir de 1903 e representam um grande refinamento da divisão fundamental de signos – ícone, índice, símbolo. Nossa abordagem aqui define uma estratégia de visualização das classificações dos signos, com especial atenção para as 10 e 66 classes de signos. O livro está dividido em duas partes: (i) (...) bases teóricas, (ii) diagramas para as classes de signos. Na Parte I (bases teóricas), são apresentadas introdutoriamente as noções fundamentais das categorias fenomenológicas, classes de signos, as tricotomias e diagramas, assim como implicações gerais de nossa abordagem, metodologia e aplicações. Na Parte II (diagramas para as classes de signos), são apresentados e discutidos os modelos das classes, propostos por Peirce e seus comentadores, incluindo uma introdução detalhadamente documental de nossos modelos, 10cubes e 3N3, diagramas dinâmicos para as classes de signos. (shrink)

Peirce’s system of sixty-six classes as represented in the Signtree visual model is considered in order to show the strong relation between experience and cognition in semiotics. In this Signtree model we find twenty-four different classes of sinsign, in which we can observe signs of experience, and thirty-six classes of legisign, in which we find general types or laws. Sinsigns and legisigns are predominant in the system of sixty-six classes and they are closely related. Ordinary experiences are used to illustrate (...) the relations and dependencies among these classes and show how a set of experiences may lead to a certain set of cognitions. They also point out one way to use the Signtree to conduct a semiotic analysis. (shrink)

Criado por homens de natureza poética e, portanto, obra por excelência da imaginação, o mundo civil dos primeiros tempos poderia ser conhecido, segundo Giambattista Vico, mediante a elaboração e a adoção de um aparato metodológico-científico que estabelece os princípios dos desenvolvimentos humanos. Tal aparato consistiria na própria Ciência Nova, obra viquiana que pretende conferir legitimidade ao conhecimento histórico, tão desprestigiado pela tradição cartesiana, mesmo de tempos remotos nos quais a faculdade imaginativa excedera à razão. Trata-se, então, neste artigo, de compreender (...) o conceito de imaginação na teoria do conhecimento de Vico e as rupturas e continuidades que o filósofo estabelece com o legado cartesiano proveniente do século anterior. (shrink)

In the passage of time from the 1960s to the 1970s, the Brazilian artist Waldemar Cordeiro developed his first works in computer art by applying the mathematical concept of “derivative function.” Around the same time, he organized and took part in exhibitions, and composed a series of essays envisaging that the use of digital resources would become an inevitable process for the future of information reception and artistic communication. A closer look at Waldemar Cordeiro's production, both artistic and theoretical, after (...) almost 50 years of his first forays into the field of art and technology, is an excellent opportunity not only to revisit his trajectory, but to rewrite the history of digital art and our conception of it, locating Brazil and Latin America as situated centrally, not peripherally, in relation to the European and North American narratives. Drawing from theorists in the field of informational esthetics as well as scholars in the field of media such as Arlindo Machado and Vilém Flusser, this article seeks to demonstrate, through the analysis of Waldemar Cordeiro's theoretical–artistic productions, the relationship between his work, the field of cybernetics, and his utopian and social vision of artistic production. (shrink)

As cidades brasileiras contemporâneas possuem espaços que ora privilegiam a realização de negócios e ora a construção de cidadania. Para compreender como são ocupados destes modos se faz necessário analisar as cidades; desde sua definição, passando pelo contexto político e econômico, para então compreender seu aspecto social. Assim, este artigo busca compreender se e em que medida as características dos espaços públicos impactam no processo de construção de cidadania. Analisando por meio de observação flutuante dois espaços públicos que são duas (...) praças urbanas centrais, localizadas em duas cidades no mesmo contexto metropolitanos. Perpassa-se pelo debate regional com o intuito de evidenciar que os conflitos são equivalentes nas diversas escalas; contudo a demonstração do contexto da Região Metropolitana do Vale do Paraíba e Litoral Norte/SP, objetiva tornar evidente que as estruturas físicas locais, dos espaços públicos urbanos centrais não direcionam as relações sociais e suas disputas, mas são um meio e resultado dessas. (shrink)

A catarse é considerada por muitos autores como um “efeito” ligado a um processo que leva à tomada de consciência. Que “efeito” é esse? Por quem foi sistematizado? Quais abordagens foram construídas a partir desse conceito? Qual a sua relação com a educação e com os espaços escolar e expositivo? O artigo em tela pretende refletir, por meio de pesquisa bibliográfica, sobre essas questões ao revisitar o conceito de catarse a partir de autores como Aristóteles, Vigotski, Jauss e, em especial, (...) Lukács. Busca relacionar as ideias desse esteta húngaro ao campo da educação e, principalmente, ao ensino da arte. (shrink)

This article presents the first results of a research on visual models for the classifications of semiotic processes. The main issue discussed is how a graphic design methodology, associated with computer graphics resources, may contribute to the construction of interactive models, that can be used as tools for the investigation of C. S. Peirce theory of signs. Two models are presented: the first is an interactive 3-D model of Peirce's 3-trichotomic classification; the second is a computer program that builds diagrams (...) for any n-trichotomic classification of signs, and facilitates the analysis and comparison of different hypothesis regarding their structures. (shrink)

Por meio de pesquisa bibliográfica e imagens de obras de arte, o artigo discute aspectos da história da Estética e da sociedade atual. Apresenta reflexões marxianas sobre a sociedade capitalista e o processo de embrutecimento dos sentidos humanos para, a seguir, abordar as relações estabelecidas entre a Indústria Cultural e a sociedade de consumo com o intento de debater o processo de estetização da sociedade. Finaliza ao apontar a obra de arte e o efeito catártico proporcionado por ela como modos (...) de estabelecer novas relações com a realidade e com as diferentes manifestações que buscam retratá-la. (shrink)

Journal Name: Semiotica Issue: Ahead of print.

Peirce’s classes of signs are instruments of inquiry, and, as such, they have an effective analytical power. We can find in Peirce’s texts four systems of sign classes that vary from having 3 to 66 classes. The system of 66 classes brings up the idea that to better represent a sign process, it would be necessary to consider an aspect of the sign before considering the relation that involves that aspect. However, if one observes the trichotomies in the system of (...) 10 sign classes, this method, which seems very reasonable, cannot be applied, for before considering the sign-object and the sign-interpretant relation, Peirce only proposes the examination of the sign itself. Considering the development of Peirce’s semiotics, I propose to look back to the system of 10 classes and add to it the trichotomies that will allow the consideration of every aspect of a relation in itself before examining it within the relation. This process brings up a system of 21 classes of signs, which will be suggested as an instrument of inquiry. The aim of this paper is not only to deduce the system of 21 classes, but also to allow the reader to understand how each class represents a step in a semiotic inquiry. With that in mind, I will work on an example of how to proceed with a semiotic analysis using the system of 21 classes. (shrink)

Uma seção da Gramática Especulativa de C.S.Peirce – Dez classes de signos – recebeu, a partir de 1903, um importante tratamento diagramático. Neste artigo, são apresentados e discutidos dois diagramas desenvolvidos por Peirce para as dez classes, incluindo esboços desses modelos.

Journal Name: Semiotica - Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique Volume: 2013 Issue: 196 Pages: 163-184.

The classifications of signs are among the most important topics of Peirce's theory of signs. The 10 classes of signs were developed from 1903 and represent an important refinement of the fundamental division of signs into icons, indexes, and symbols. In this paper we present two diagrammatic models for 10 classes, proposed by Peirce, and an interpretation of the reasoning behind their development, based on the analysis of preparatory versions of these models.

This paper informs the results of a research which aimed to analysed the meanings of work for women in a small poultry slaughterhouse, in Santa Catarina State, Brazil. The understanding of the meanings was supported by the Social Psychology related to social constructionism theory. The information w..

Partindo das analises do criticismo kantiano, este texto investiga as concepções romântica e moderna de sublime e de imaginação. Se, por um lado, a concepção romântica inaugura o mundo moderno, por outro, a expressionista mostra os limites dessa mesma modernidade. Para ambas, entretanto, a Crítica do Juízo de Kant é o âmbito privilegiado no qual podemos precisar as distinções.

Este artigo busca pensar os juízos estéticos da Terceira crítica de Kant, em relação aos discursos sobre a arte moderna. Propomos, de maneira didática, relacionar tais juízos kantianos à utopia da modernidade e às suas consequências (e críticas) contemporâneas. Não tencionamos, porém, fazer uma análise pormenorizada do pensamento de Kant, propriamente, mas expor as várias glosas que este recebeu, ao inaugurar um outro espaço para a Estética, principalmente no que se refere à arena comunitária na qual se agenciam os juízos (...) e que torna possível uma arte ao mesmo tempo universal e sem regras fixas. Mais do que pensar a arte como “livre jogo”, ou como “bela” e como “finalidade sem fim”, pontos nodais da crítica de Kant, sem dúvida, interessa-nos investigar a perspectiva autorreflexiva que os juízos estéticos permitem. A interpretação do objeto-arte moderno não seria, em última instância, o exercício comunitário de um juízo? (shrink)

Due to the pandemic and the suspension of in-person school classes, there was an interruption in the meals served to approximately 40 million students who benefited from the Brazilian National School Feeding Program. This article describes two case studies, comparing the strategies adopted by two municipalities for maintaining school feeding during the Covid-19 pandemic in the northern region of the state of Rio de Janeiro, Brazil, and discuss possible impacts of these strategies on food and nutrition security. These municipalities together (...) cover about 81% of the population in the region. In July 2020, we conducted interviews with PNAE municipal managers, following a qualitative approach. We discuss the results in relation to existing Brazilian guidance on food and nutrition security. The municipalities have developed distinct strategies to overcome operational obstacles and maintain PNAE goals, such as distributing food kits and making cash transfers to students’ families. The main determinants of these strategies are financial availability, the relationship between municipal teams and school communities, and the pre-pandemic PNAE logistics and management. Depending on the strategy and duration of the pandemic, the impacts on food and nutrition security can be wide-ranging, affecting food quality and local farmers who sell products to PNAE. It is necessary to acknowledge that this is not a short-term pandemic and find ways to perform school feeding in accordance with PNAE criteria. (shrink)

Este artigo visa introduzir o texto Descrição de Apolo em Belvedere, de Johann Joachim Winckelmann, escrito em 1755, em Roma. Tal introdução relaciona o pequeno texto traduzido à questão moderna do sublime.

Este artigo procura pensar qual a importância da noção de “liberdade” para o conceito de história em Rousseau e Voltaire. Em ambas as perspectivas de abordagem, a história moderna segue uma norma teleológica ou há um espaço para a ação política?

En este trabajo se estudia la propuesta filosófica de Leonardo Polo en torno al trabajo humano como encargo divino. Distinguimos el plano natural del sobrenatural para profundizar en el primero, en lo que concierne al respaldo de la filiación natural en la visión trascendental del trabajo. Tanto el descubrimiento de la persona como el sentido de su trabajo se engarzan en la relación nativa y final que existe entre el hombre y Dios. Éste es un aporte a la defensa actual (...) de la dignidad humana y explica el modo en el que la persona, mediante sus obras y aceptaciones, es capaz de enriquecer su unidad de vida, su entorno social e histórico, y así, trascender. (shrink)