This paper investigates Newton’s ontology of space in order to determine its commitment, if any, to both Cambridge neo-Platonism, which posits an incorporeal basis for space, and substantivalism, which regards space as a form of substance or entity. A non-substantivalist interpretation of Newton’s theory has been famously championed by Howard Stein and Robert DiSalle, among others, while both Stein and the early work of J. E. McGuire have downplayed the influence of Cambridge neo-Platonism on various aspects of Newton’s own (...) spatial hypotheses. Both of these assertions will be shown to be problematic on various grounds, with special emphasis placed on Stein’s influential case for a non-substantivalist reading. Our analysis will strive, nonetheless, to reveal the unique or forward-looking aspects of Newton’s approach, most notably, his critical assessment of substance ontologies, that help to distinguish his theory of space from his neo-Platonic contemporaries and predecessors. (shrink)

In this paper Hildebrand’s moral ontology is discussed. It is shown that his moral ontology is, in essence, Platonic rather than Aristotelian. Although Hildebrand’s language differs from that of Plato, the ideas are very similar, given that both are moral absolutists who think that moral eidê are ante rem rather than in re. They agree on the structure of the moral realm and have identical views on participation of the ideal in the real. They also have similar (...) ideas on man’s relationship towards the moral realm. (shrink)

In this paper Hildebrand’s moral ontology is discussed. It is shown that his moral ontology is, in essence, Platonic rather than Aristotelian. Although Hildebrand’s language differs from that of Plato, the ideas are very similar, given that both are moral absolutists who think that moral eidê are ante rem rather than in re. They agree on the structure of the moral realm and have identical views on participation of the ideal in the real. They also have similar (...) ideas on man’s relationship towards the moral realm. (shrink)

How to read Plato's Dialogues? -- Freedom-general and universal -- Dialectic of library -- Participation and appropriation -- Onto-politics and political ontology -- Equality and difference -- The good-rationality, totality, dialectic -- Justice, politics and philosophy -- Foundations of responsibility -- The politics of virtue -- Dialectic of liberty revisited-democracy and Politeia -- Liberty in the Polis.

The subject of the book is a reconsideration of the internalistic model of composition of the Platonic type, and its application in the ontology of quantum theory. Nonseparability is at the centre of quantum ontology. Quantum wholes are atemporal wholes governed by internalistic logic, requiring a relativization of fundamental notions of mechanics.

This article offers a reading of Plato in light of the recent debates concerning the unique ‘ontology’ of International Relations (IR) as an academic discipline. In particular, this article suggests that Plato’s metaphysical account of the integral connection between human individual, the domestic state, and world order can offer IR an alternative outlook to the ‘political scientific’ schema of ‘levels of analysis’. This article argues that Plato’s metaphysical conception of world order can not only provide IR theory with a (...) way to re-imagine the relation between the human, the state, and world order. Moreover, Plato’s outlook can highlight or even call into question the post-metaphysical presuppositions of contemporary IR theory in its ‘borrowed ontology’ from modern social science, which can in turn facilitate IR’s re-interpretation of its own ‘ontology’ as well as its distinct contributions to the understanding of the various aspects of the social world and human life. (shrink)

Die Beschäftigung mit Platon hat eine lange Geschichte, Rezeptionen seines Denkens sind so prägend für die Philosophiegeschichte geworden, dass diese verständlicherweise zuweilen als eine Sammlung von Fußnoten zu seinem Werk begriffen wurde. Das gilt besonders für einen durchgängigen metaphysischen Zug des abendländischen Denkens, ein grundsätzliches Ordnungsmodell aus der Antike, das, christlich gewendet, die Theoriebildung bis in unsere Tage fundiert. Aber mit einer Reihe anderer Gewissheiten ist auch dieser erfolgreiche Platonismus Gegenstand der Kritik geworden. Kann und soll man den metaphysischen Platon (...) retten oder muss man Platon vielmehr gegen die metaphysische Tradition neu verstehen? Muss man Platon gegen die Platonisten verteidigen, ist er der Anfang einer philosophischen Verirrung? -- Dorothea Frede, Ekkehard Martens, Arbogast Schmitt, Gernot Böhme, Hermann Schmitz, Wolfgang Detel und andere entdecken – auch durch ihre Kritik – Platon als Gesprächspartner der Gegenwart neu. (shrink)

Der vorliegende Band umfasst Beitrage zu einem zentralen Thema bei Platon: 'Physis' kann bei Platon im naturwissenschaftlichen Sinne als physische, biologische, materielle Natur oder im ubertragenen Sinne als eigenes Wesen, etwa hinsichtlich Seele, Kosmos oder Gottlichem, verstanden werden. So werden in diesem Band medizinische, biologische und kosmologische Ansatze ebenso wie ontologische, epistemologische und padagogische Themen zu Platons 'Physis'-Konzept fokussiert. Die zeitgenossische Nomos-Physis-Diskussion Platons mit den Sophisten sowie seine sprach- und kulturphilosophischen Uberlegungen spielen hier eine wichtige Rolle. Die anspruchsvolle literarische Gestaltung (...) der Platonischen Dialoge ist fur die genannten Fragestellungen hochst relevant, ebenso die Auseinandersetzung spaterer platonischer Philosophen mit Platons Physis-Konzept. Mit Beitragen von:Michele Abbate, Christian Brockmann, Ramon Cornavaca, Diego De Brasi, Pantelis Golitsis, Julia Knauss, Dietmar Koch, Mai Oki-Suga, Irmgard Mannlein-Robert, Oliver Primavesi, Mario Regali, Carlos Steel, Angela Ulacco. (shrink)

This edited volume brings together contributions from prominent scholars to discuss new approaches to Plato's philosophy, especially in the burgeoning fields of Platonic ontology and psychology. Topics such as the relationship between mind, soul and emotions, as well as the connection between ontology and ethics are discussed through the analyses of dialogues from Plato's middle and late periods, such as the Republic, Symposium, Theaetetus, Timaeus and Laws. These works are being increasingly studied both as precursors for Aristotelian (...) philosophy and in their own right, and the analyses included in this volume reveal some new interpretations of topics such as Plato's attitude towards artistic imagination and the possibility of speaking of a teleology in Plato. Focusing on hot topics in the area, Psychology and Ontology in Plato provides a good sense of what is happening in Platonic scholarship worldwide and will be of interest to academic researchers and teachers interested in ancient philosophy, ontology and philosophical psychology. (shrink)

A Platonic explanation of non-modal and modal truths is explained and defended using non-spatiotemporal entities as their truthmakers. It is argued, further, that this theory is parsimonious, naturalistic, and ontologically serious. These features should commend the view to a wide swath of philosophers.

Hans Georg-Gadamer is best known in the English-speaking world for his major work on philosophical hermeneutics, _Truth and Method;_ he has also written extensively on the subject of Plato. Most commentators on Gadamer's work therefore view Gadamer either as a historian of philosophy or as a philosopher in his own right, critically engaged in the philosophical issues of our time. In _Beyond Being,_ Brice R. Wachterhauser contends that this perceived bifurcation in Gadamer's work oversimplifies and distorts important parts of Gadamer's (...) thought. Wachterhauser argues that only by viewing Gadamer's contribution to philosophy as an integrated whole and by reading Gadamer's hermeneutical studies in light of his Plato studies are we able to avoid certain key misunderstandings of Gadamer, as well as to comprehend more clearly the radical implications of Gadamer's thought. (shrink)

Hans Georg-Gadamer is best known in the English-speaking world for his major work on philosophical hermeneutics, _Truth and Method;_ he has also written extensively on the subject of Plato. Most commentators on Gadamer's work therefore view Gadamer either as a historian of philosophy or as a philosopher in his own right, critically engaged in the philosophical issues of our time. In _Beyond Being,_ Brice R. Wachterhauser contends that this perceived bifurcation in Gadamer's work oversimplifies and distorts important parts of Gadamer's (...) thought. Wachterhauser argues that only by viewing Gadamer's contribution to philosophy as an integrated whole and by reading Gadamer's hermeneutical studies in light of his Plato studies are we able to avoid certain key misunderstandings of Gadamer, as well as to comprehend more clearly the radical implications of Gadamer's thought. (shrink)

The study reconstructs the concept of the image as the basic concept of Plato's philosophy. Within the overall framework of this philosophy of the image, the appearance of the invisible in itself rather than the depiction of the likewise visible proves to be its uniform core. The picture thus moves into the direct vicinity of the body and is finally integrated into the ontology of the sequence of dimensions. This implies far-reaching reinterpretations of the line and cave parables as (...) well as art criticism and establishes systematic references to the ontology of ideas, to the philosophy of language and the doctrine of parables as well as to Plato's own dialogue design. Plato's concept of the image is thus not merely a deprecating figure of thought, but constitutively dialectical: he formulates not only the differentiation of reality, but also the connection between the sensual and the spiritual, and consequently the unity of reality. Understanding the sensual world as an image does not mean declaring it meaningless or worthless, but to really come to terms with it. (shrink)

This paper purports toshow that it is not necessary to read the early Platonic dialogues starting from the "classic" theory of Forms. It argues, instead, that it is possibleto analyze them and, above all, to explain the use of the vocabulary of "presence" starting from the more general and prior possibility of distinguishing a subject from its accidental predicates, especially quality. The relation of "present in" or "being in" to which Plato recurs. is inherited by Aristotle. The distinction between (...) "being said about something as asubject" and "being in something as in a subject" (Categories 2) seems to be a"natural" development of Platonic ontology. It is argued that the Aristotelian conception is closer to the earlier than to the intermediate dialogues. (shrink)

In this note I examine the two main differences between Plato's and Dennett's views of the self as an abstract object. I point out that in the presence of certain forms of ontological realism, abstract-object theories of the self are compatible with the full reality of the self. I conclude with some remarks on the relationship between ontology and ethics.

This article offers a reading of Colin Gunton’s trinitarian theology in light of recent theological attempts to develop accounts of ‘new trinitarian ontologies’ in a strongly Christian Neo-Platonic vein. In particular, this article seeks to situate Gunton’s work within the broader context of late twentieth-century European thought by comparing his ‘trinitarian ontology’ to the anti-Platonic ontologies of Martin Heidegger and Gilles Deleuze. By way of considering the ‘anti-Platonic’ aspects of Gunton’s trinitarian theology, this article presents his (...) theological project as a testcase which highlights the stakes in constructing ‘new’ trinitarian ontologies as well as possible objections to the affirmative attitude towards Christian Neo-Platonism in contemporary theological metaphysics. (shrink)

Plato’s statements on art have met with countless commentators and almost as many different interpretations. In most cases, comments and hints that are scattered through various dialogues are taken out of context and played off against each other – depending on whether the intention is to portray Plato as a modern art lover or as an ageing political reactionary. In the face of the confusing range of contending opinions, there is an urgent need to examine and clarify the textual basis (...) in Plato. For this purpose, a meticulous analysis of Book 10 of the Politeia is initially carried out – the only part of the corpus of Plato’s works that is concerned with art in detail and exclusively. The results are surprisingly clear. The corrupting and dangerous aspect of art is not attributed to individual artists or a specific artistic orientation, nor to the style of the depiction, nor to the content that is narrated or presented; instead, it is ascribed to its essential nature as the μίμησις of a μίμησις. Since even the objects of sense perception are imitations of the archetypal Ideas, which are ultimately accessible only to rational cognition, the artist is an imitator of something imitated. He merely touches on the appearance of a reality that is in turn already a defective, mutable and ephemeral imitation of the only true, immutable and eternal archetypal Ideas. As the imitation of an imitation, art is insurmountably distant from truth and knowledge, ontologically and therefore also epistemologically worthless and useless – and also damaging, because it attempts to shackle us and domesticate us at a level three steps below truth. However, it not only holds us captive, but also corrupts us even further by appealing not to reason, but to the lower part of the soul with its desires and affections. It is because of this that it is corrupting and dangerous, initially for the individual character and individual spiritual welfare, and ultimately – through the individual – also for human society as a whole. Art thus creates precisely the situation which for the philosopher represents the fundamentally distorted condition from which he is attempting to liberate people. Art is constantly re-fastening the shackles that the philosopher releases. This is why art has to be excluded from Plato’s ideal state, with philosophy alone taking its place. The condemnation of all forms of art could not be expressed more clearly. Despite this, repeated efforts have been made to weaken the condemnation or even disprove its existence, either in order to save art from Plato or, conversely, to save Plato from condemning art. To achieve this, alleged contradictions between Books 10 and 3 of the Politeia have been pointed out ; a differentiation or alteration in Plato’s understanding of the concept of μίμησις has been postulated; and reference has been made to passages in Plato’s works in which, it is claimed, the philosopher concedes that art has direct access to the world of the Ideas or in which he speaks of the artist’s divine inspiration , as well as the numerous passages that discuss Beauty . Finally, it is claimed that Plato did not condemn all art, but only a certain contemporary trend in art , or more generally, only illusionistic art in contrast to an abstract form of art – namely Egyptian art . In the second part of the study, these lines of argumentation are discussed individually and in detail and their content is tested. In each case, the findings obtained initially in the analysis of Book 10 of the Politeia are confirmed. The present study does not offer any new hypotheses; instead, its goal is to use a detailed and differentiated examination of the relevant texts to clearly distinguish Plato’s view of art from later neo-Platonic views, as well as from obfuscations created by modern interpreters, in order to obtain a secure basis for future investigations of Plato’s view of art in particular, as well as of ancient aesthetics in general. The extensive review of the secondary literature also documents part of the history of twentieth-century scholarship. (shrink)

In this paper I intend to examine the notion of intermediate in Plato´s dialogues, especially Theaetetus and Symposium. In the first section, I investigate previously in Theaetetus the notion of to metaxy as the result of mixture between percipient and perceived, by which the realm of phenomenon can be explained by the third genre, identified as to metaxy, born from a certain kind of dynamis. In the second section, I examine the mentioned notion s Symposium, expressed by Diotima of Mantineia (...) on her encomium of Eros as daimon. My purpose in this last section is to demonstrate that the apprehension of Form of Beauty itself requires a new hermeneutic approach, which I call cultual hermeneutic, by which Plato conceives an inherent link between mythical and rational conceptions of Ideas. (shrink)

The ontology of Stoic causes and effects was clearly anti-platonic, since the Stoics did not want to admit that any incorporeal entity could have an effect. However, by asserting that any cause was the cause of an incorporeal effect, they returned to Plato’s syntax of causes in the Sophist, whose doctrine of the asymmetry of nouns and verbs identified names with the agents and verbs with the actions. The ontological asymmetry of causes and effects blocked the multiplication of (...) causes by reducing it to an efficient cause. However, while ontology and syntax merged into the doctrine of the effect as an incorporeal predicate, this was further complicated by a relational description of a cause as the effect of a body on a body and by the distinction of causes. Since there are different kinds of causes, not every kind of cause has the same syntactical role in the nexus of causal relations. This refinement of the original syntactical model presumably allowed the Stoics to give a more coherent view of human action than is usually assumed. (shrink)

In this paper, we develop an alternative strategy, Platonized Naturalism, for reconciling naturalism and Platonism and to account for our knowledge of mathematical objects and properties. A systematic (Principled) Platonism based on a comprehension principle that asserts the existence of a plenitude of abstract objects is not just consistent with, but required (on transcendental grounds) for naturalism. Such a comprehension principle is synthetic, and it is known a priori. Its synthetic a priori character is grounded in the fact that it (...) is an essential part of the logic in which any scientific theory will be formulated and so underlies (our understanding of) the meaningfulness of any such theory (this is why it is required for naturalism). Moreover, the comprehension principle satisfies naturalist standards of reference, knowledge, and ontological parsimony! As part of our argument, we identify mathematical objects as abstract individuals in the domain governed by the comprehension principle, and we show that our knowledge of mathematical truths is linked to our knowledge of that principle. (shrink)

Tenu en 1983-1984, le séminaire intitulé L'Un, qui porte sur Descartes, Platon et Kant, est le premier du point de vue chronologique. Il inaugure le cycle de cinq années où Alain Badiou revisite toute l'histoire de la philosophie, de Parménide à Heidegger. Cette excursion passionnante aboutira à la rédaction de L'être et l'événement, dont l'Un est le concept majeur, avec la thèse radicale que, d'une certaine façon, le Sujet a toujours été l'objet de la philosophie.

This is a collection of essays written by leading experts in honour of Christopher Rowe, and inspired by his groundbreaking work in the exegesis of Plato. The authors represent scholarly traditions which are sometimes very different in their approaches and interests, and so rarely brought into dialogue with each other. This volume, by contrast, aims to explore synergies between them. Key topics include: the literary unity of Plato's works; the presence and role of his contemporaries in his dialogues; the function (...) of myth (especially the Atlantis myth); Plato's Socratic heritage, especially as played out in his discussions of psychology; his views of truth and being. Prominent among the dialogues discussed are Euthydemus, Phaedo, Phaedrus, Republic, Theaetetus, Timaeus, Sophist and Laws. (shrink)

ABSTRACTThe aim of this article is twofold: first, to show that, in Plato'sHippias Major,Hippias is the mouthpiece of a materialist ontology; second, to discuss the critique of this ontology. My argument is based on an interpretation ofHippias Major300b4–301e3. I begin by revealing the shortcomings of P. Woodruff's and I. Ludlam's interpretations. Next, I define the concept of materialism as it was understood in ancient Greece in order to outline the specificity of Hippias' materialism. Finally, I argue that the (...) opposition between the two characters of theHippias Majorrepresents in fact an ontological opposition between two conceptions of what a unity is, i.e., Hippias' elementary corporal unities and Socrates' “formal unity.”. (shrink)

The book is a collection of papers and aims to unify the questions of syntax and semantics of language, which are included in logic, philosophy and ontology of language. The leading motif of the presented selection of works is the differentiation between linguistic tokens (material, concrete objects) and linguistic types (ideal, abstract objects) following two philosophical trends: nominalism (concretism) and Platonizing version of realism. The opening article under the title “The Dual Ontological Nature of Language Signs and the Problem (...) of Their Mutual Relations” provides a broad introduction into the problem area connected with this differentiation, while the logic-formal characteristics of the distinction are framed in the work entitled “On the Type-Token Relationships” (Chapter 1). The basic part of the book deals with issues relating to syntax (Chapters 2-4) and semantics of language (Chapters 5-6), as well as pertaining to syntactic-semantic pragmatic questions (Chapters 7-13). Throughout the book, language, categorial language, is characterized syntactically as generated by classical categorial grammar (Chapter 2) and formalized on two opposing levels: as language of expression-tokens (level of tokens) and language of expression-types (level of types). The author’s considerations contained in Chapters 2 and 4 lead to the important philosophical conclusion that in formal-logical syntactic studies on language the assumption that expression-types constitute the primary language layer while expression-tokens make the secondary one, can be neglected; thus, this speaks in favour of the opposing standpoint—the concretistic one—in the ontology of language syntax. In the works “Meaning and Interpretations”, Parts I and II (Chapters 5 and 6), it is underlined, however, that such semantic concepts as: meaning, denotation and interpretation are defined on the types level, yet their formal definitions require making use of notions of the tokens level. The semantic notions introduced in the above-mentioned articles are also used in the following works of the present selection, under the titles: “Three Principles of Compositionality” and “On Metaknowledge and Truth” (Chapters 7 and 8). They formalize two principles of compositionality that are well known in the literature on the subject, deriving from Frege, i.e. those of meaning and of denotation; they are related to the syntactic principle of compositionality which was introduced by the author. All the three principles are, at the same time, three conditions of homomorphism of categorial language algebra into three kinds of non-standard models of language (one syntactic and two semantic ones: intensional and extensional), which allows introducing three definitions of truthfulness into these models. The next two works in the collection, entitled: “On Language Adequacy” and “What is the Sense in Logic and Philosophy of Language” (Chapters 9 and 10) concern adequacy of categorial language syntax along with its dual semantics: intensional and extensional, and categorial compatibility of any of its syntactic categories with two corresponding semantic categories: intensional and extensional, based on the compatibility the syntactic category of each language expression with the ontological category assigned to its denotatum. The well-known problem of categorial compatibility for first-order quantifiers finds its solution in the paper “Categories of First-Order Quantifiers” (Chapter 11). In the work “Logic and Ontology of Language” (Chapter 12), being in a sense a summary of the considerations presented in the preceding chapters of the book, language is treated as an ontological being, characterized in compliance with the logical conception of language proposed by Ajdukiewicz. Application—like throughout the book—of tools of classical logic and set theory has resulted in emergence of a general formal logical theory of syntax, semantics and pragmatics of language, which takes into account duality in the understanding of linguistic expressions as tokens (concretes) and types (abstract objects). In terms that take into account a functional approach to language itself, there comes out an ontological neutrality of logic with respect to existential assumptions relating to the ontological nature of linguistic expressions and their extra-linguistic ontological counterparts. The issues connected with applying logic while explaining the manner of using linguistic tokens and linguistic types to determine notions of language communication are raised and illustrated in the last chapter of the work, bearing the title “A Logical Conceptualization of Knowledge on the Notion of Language Communication”. (shrink)

It is argued that Plato views forms as the proper objects of mathematical research, in contrast to what Aristotle says about the ontologically intermediate state of math?matiká in Platonism. Plato’s particularistic conception of ideas is compared with the nowadays customary mathematical practice of studying types of structures by examining canonical representatives. The case is illustrated by considering the shift from a universalistic conception of natural numbers, in the Frege-Russell-tradition, to a particularistic conception, as in von Neumann. Finally, the characterization of (...) dialectical thinking ventured by Plato at the end of Politeia VI is related, by evaluating Gödel’s incompleteness result, to the Gödelian model of what can be recognized as a partial transcending of the limits of axiomatic systems. (shrink)

Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} Focusing mainly on a number of unpublished texts by Collingwood, especially his “Lectures on the Ontological Proof of the Existence of God,” the study examines the English philosopher’s innovative interpretation of the Anselm’s main contribution to the philosophical-theological tradition. Collingwood insightfully shows how the ontological argument can be used in (...) analyzing and discussing the religious experience, not in trying to formulate a logical proof of God’s existence. When abstracted from the individual’s practical religious life, that is, from the experience of prayer, worship, and the like, mind’s awareness of God cannot be understood. Resorting mainly to Anselm, Augustine, Thomas Aquinas, and Descartes, Collingwood argues that the externality of the Platonic absolute is that of an absolute transcendent whereas the Christian God is not only conceived as the transcendent cause of all things, but also as the immanent spirit in them. By asserting the unity of the mind—regarded as identical with its acts—this interpretation is meant to serve both as a means towards self-knowledge, and as a starting point for a future conceptual unification of religion and philosophy. (shrink)

In this paper, we explore a selection of Castoriadis’ writings, paying special attention to the seminars devoted to Plato’s Statesman, and discuss his divorce from the Platonic and Platonic tradition. Castoriadis places Plato beyond a theoretical and academic interpretation: the Ancient Greece that Castoriadis claims, from his political ontology, is not a paradigm, but a “germ” of autonomy, by which understand the birth of democracy, philosophy and history in order to transform himself and society.

From an epistemological viewpoint, the Forms constitute the objects of true knowledge. From an ontological point of view, they are the principles that underlie the order of the universe.

This paper analyzes and explains certain parts of Syrianus’s Commentary on book M of Aristotle’s Metaphysics, which details Syrianus’s response to Aristotle’s attack against the Platonic position of the separate existence of numbers. Syrianus defends the separate existence not only of eidetic but also of mathematical numbers, following a line of argumentation which involves a hylomorphic approach to the latter. He proceeds with an analysis of the mathematical number into matter and form, but his interpretation entails that form is (...) the constituent of number, which has the status and role of a Platonic Form. This solution allows him not only to explain and justify the unity of number, but also to apply the Platonic thesis of the separate existence of numbers, to the mathematical or monadic numbers themselves. It also betrays its tendency to combine theses of the Platonic Ontology with fundamental Aristotelian doctrines. (shrink)

In several late dialogues, Plato uses the paradeigma of the letters to illustrate the methods of dialectics. This study examines why letters in particular represent suitable models, and explores important themes of Plato's late ontology and epistemology from this viewpoint. The author thereby reveals the nature of the paradeigma and its central role as a method.

This paper tries to undertake one more time the well-know image of the divided line to take out its political meaning by situating it in its context: a dialogue in which the justice is inquired. But it has at once the intention to intepret the question: what is justice? Not only as a moral or political question, but also as ontological, the question for that that makes posible every delimitation and every discernment. The place where both topics converge is the (...) pólis, the place where the absence of principle, of arkhé, rest alive. (shrink)

The usual interpretation of Republic 10 takes it as Socrates’ multilevel philosophical demonstration of the untruth and dangerousness of mimesis and its required excision from a well ordered polity. Such readings miss the play of the Platonic mimesis which has within it precisely ordered antistrophes which turn its oft remarked strophes perfectly around. First, this argument, famously concluding to the unreliability of image-makers for producing knowledge begins with two images—the mirror (596e) and the painter. I will show both undercut (...) the argument they introduce. Secondly, Socrates repeats the “three removes” argument three times. Each has its own object and philosophical axis. The “bed” argument (596a-598d) concerns the ontological status of images vis-à-vis human makers and the divine idea. The bit and bridle,” 601b-601d) emphasizes the epistemological status of image-making as beneath the human maker of bridles (having correct opinion) and the human user, who knows. This second takes away the ontological distinction which was the point of the first. Thus, any human being could be in any of the three positions—user, maker, imitator. This dance might bring one to doubt the conclusion that the imitator has “neither knowledge nor right opinion” (602a). Plato leads into his concluding psychological and moral argument (602c-605c) after a third variation of the 3 removes. This last gives us the image of the flute player (601d-602) as the one who knows and so can order the flute maker. We will conclude by considering what it is this flutist could know, and given that his art is itself a mimesis, who the imitator of this imitative artist could be. Thus attention to the differences among these examples opens a defense of the arts, which reverses many of the claims made against the arts within the ostensible “Platonic” argument. (shrink)

In Republic V, Plato makes the astonishing claim that knowledge is a different and independent power from belief, in the way, for example, that sight differs from hearing. I will argue that this is a fundamentally different conception of knowledge than the, also Platonic, conception of knowledge as 'true belief with an account'. I examine the reasons why Plato holds this position, and the ontology and epistemology which sustain its claims.

In Republic V, Plato makes the astonishing claim that knowledge is a different and independent power from belief, in the way, for example, that sight differs from hearing. I will argue that this is a fundamentally different conception of knowledge than the, also Platonic, conception of knowledge as 'true belief with an account'. I examine the reasons why Plato holds this position, and the ontology and epistemology which sustain its claims.

Heidegger’s thinking, according to his own testimony, is rooted in two traditions of philosophy: Platonic-Aristotelian ontology and Husserl’s phe­nomenology. Heidegger’s claim that the original understanding of Being is lost and has to be rediscovered conjoins the phenomenological claim that there is a certain mode of seeing that enables a revelatory philosophical insight. I would like to show how Heidegger combines both these claims in his supposition that the original philosophical conceptuality, as developed by Plato and Aristotle, was lost (...) but can be retrieved by means of applying the phenomenological method to the interpretation of texts. Furthermore, I would like to interpret this retrieval in the context of Heidegger’s project of “overcoming metaphysics” and Nietzsche’s suggestion that “Plato was essentially a pantheist, yet in the guise of a dualist”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:THE ONTOLOGICAL OBSESSIONS OF RADICAL THOUGHT1 Stephen Gardner University ofTulsa Rather than make an inventory ofthis hodgepodge ofdead ideas, we should take as our starting point the passions that fueled it. François Furet (4) Any synthesis is incomplete which ends in an object or an abstract concept and not a living relationship between two individuals. René Girard (Deceit 178) Karl Marx offers two observations which I take as the (...) point of departure for a critique ofthe anti-liberal historicism in thinkers like Martin Heidegger, Friedrich Nietzsche, and Marx himself. The first is that the modern project of emancipation presupposes that "man is the supreme being for man," and the second is that modern equality gives rise to its own type of relations of /«equality, indeed of "master and slave." I will not interpret these observations as Marx himself did, in economic terms. Instead, I use them as clues to uncover the kind of human relation implicit in but also hidden by the ontology of freedom on which radical historicism rests. By ontology offreedom, I mean the view that "being" is historical and grounded in radical freedom or contingency. For this theory, history is a process ofcreation ex nihilo, a power traditionally reserved for God. Such atheory is advanced in different forms by Heidegger, Nietzsche, ' I thank the Earhart Foundation and the University ofTulsa for their support for the project of which this is a part. I also thank Jim Williams and Jake Howland their comments. 2 The Ontologica! Obsessions ofRadical Thought and Marx, as the key to a radical critique of bourgeois society. Thus the ontological obsessions ofanti-bourgeois ire. I suggest that the fascination ofthe radical critique ofbourgeois society with historical "being" reflects the transformation of human relations by "equality of conditions," in the sense of Alexis de Tocqueville, the French sociologist and student ofthe democratic soul.2 As modern equality subverts the old orthodoxies, human beings tend to seek their gods in each other, as models of "freedom." And so there arises a "master-slave" psychology from the impact of equality, legitimized by romanticism and the modern cult ofEros. This, I suspect, is the effectual truth offreedom in Heidegger, Nietzsche, and Marx.3 René Girard offers a classic description of this psychology in his analysis ofthe modern novel, Deceit, Desire, and the Novel, to which I am indebted throughout this paper. As regards that book, my general thesis—applicable not only to Marx but also to Heidegger and Nietzsche—may be stated as follows.4 Girard's analysis of the literary characters Don Quixote, Julien Sorel, Emma Bovary, Raskolnikov, and others is in effect a devastating if indirect critique of modem radical thought, or the pursuit ofradical freedom. Modern novels, he argues, tend to divide into two types: either "romantic" or "romanesque." The latter reveal the romantic illusions of the modern psyche, rather than merely reflect them like the former. "Romanesque" novelists such as Cervantes, Stendhal, Flaubert, Dostoevsky, and Proust are great because they uncover the human relations behind romantic passions and the theories that legitimate them. The "romanesque" novel is a Socratic labor of selfknowledge in which the author emancipates himself from his own past romantic illusions. In effect, it exposes the fictions associated with the modern novel itself. The "romantic" novel, to the contrary, abandons self2 By "equality of conditions" is meant the de-legitimation of accidents of birth such as aristocratic lineage (or today race, gender, or ethnicity) as limits on one's social ambition or destiny. It is equivalent to the rise of vocational choice. 3 For a development of this theme in the context of early modern thought (Descartes to Hegel) as an indirect critique of the radical critics from Marx to Heidegger and after, see Stephen Gardner, Myths of Freedom- Equality, Modern Thought, and Philosophical Radicalism. 4 Cesareo Bandera, in The Sacred Game The Role ofthe Sacred in the Genesis ofModern Literary Fiction, also makes a "mimetic" critique of Marx, stressing his work as seeking to restore a sacrificial mythology as the bond ofsociety, an attempt at the basis oftotalitarianism (see his Appendix). The Ontologica! Obsessions ofRadical Thought3 knowledge for the platonic pursuit of "authentic being."5 It offers us "romantic... (shrink)

This article examines work by the artist Eduardo Paolozzi related to the philosopher Ludwig Wittgenstein, arguing that Paolozzi’s print series As Is When, executed in 1964-65, together with work from nearly three decades later (Manuscript from Cassino), can be seen as a comprehensive examination of Wittgenstein’s earlier and later philosophy. Further, this article argues that Paolozzi’s take on Wittgenstein forms a new aesthetic ontology of “film”, embedding its reading of Wittgenstein in a reified Platonic cave, whose escaped philosopher (...) finds himself basking only in the light of the artificial sun of the flickering cinema light. (shrink)

The article introduces and defends Aristotelian ontological theory of the possible as that which a power is capable of bringing about. It regards this conception to be a sort of middle way between Platonic explanation based on abstracta on one hand and the possibilist theory ultimately making everything possible into actual on the other. The doctrine defended leads to the conception of necessary being. Combined with other assumptions concerning this being, there arise some interesting issues and apparent tensions to (...) be resolved. The article outlines some of the discussions related to these problems in medieval and early modern Scholasticism. (shrink)

This volume examines the historical end of the Platonic tradition in relation to creation theories of the natural world through the Neoplatonist philosopher Proclus' (412-485) elaboration of an investigation of Plato's theory of metaphysical archetypal Forms. Proclus proceeds to a systematic construction of this theory and grounds it in ontological monism. He presents the Forms as constructing, through their combinations, the presuppositions for the creation of the natural world, in such a way that it functions in an orderly and (...) harmonious way, showing the natural world is not produced by chance or means of automatizations, but on the basis of a teleological planning. This volume also reflects Proclus' dealing with the topics of objective reality and the nature of the "universals.". (shrink)

In his commentary on the Platonic dialogue Philebus, the Neoplatonic philosopher Damascius investigates the ontological question of the relation between the One as the highest principle and the many sensible beings produced through it. Three points are emphasized: 1. Damascius attempts to situate movement in the metaphysical realm and avoid a static metaphysical model by propounding a connection between sensible beings and their productive archetype through what he conceives as metaphysical amplification. 2. His explication of the relation between the (...) physical and the metaphysical indicates that he is not concerned with just a general description, but instead intends to specify the forms of their mutual communication. To a certain degree, physical beings are presented as developments of metaphysical states in terms of the relation of "appearance" to "being," in the sense that the appearance teleologically portrays that which is ontologically complete. 3. Because Damascius sets logic in analytic relation to ontology and defines the conditions of this coordination, it gains no independent status, even as its propriety becomes explicit, for he shows its principal determination by ontology. Hence, Damascius remains within the framework of a consistent ontological realism. (shrink)