This is an English translation of four of Plato’s dialogue (Protagoras, Euthydemus, Hippias Major, and Cratylus) that explores the topic of sophistry and philosophy, a key concept at the source of Western thought. Includes notes and an introductory essay. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato’s immediate (...) audience. (shrink)

Plato’s dialogue Cratylus focuses on being and human dependence on words, or the essential truths about the human condition. Arguing that comedy is an essential part of Plato's concept of language, S. Montgomery Ewegen asserts that understanding the comedic is key to an understanding of Plato's deeper philosophical intentions. Ewegen shows how Plato’s view of language is bound to comedy through words and how, for Plato, philosophy has much in common with playfulness and the ridiculous. By tying (...) words, language, and our often uneasy relationship with them to comedy, Ewegen frames a new reading of this notable Platonic dialogue. (shrink)

The first collective monograph on one of Plato’s most intriguing dialogues with interest for readers of ancient philosophy as well as those who study modern theories of language.

Plato's Cratylus is a brilliant but enigmatic dialogue. It bears on a topic, the relation of language to knowledge, which has never ceased to be of central philosophical importance, but tackles it in ways which at times look alien to us. In this reappraisal of the dialogue, Professor Sedley argues that the etymologies which take up well over half of it are not an embarrassing lapse or semi-private joke on Plato's part. On the contrary, if taken seriously (...) as they should be, they are the key to understanding both the dialogue itself and Plato's linguistic philosophy more broadly. The book's main argument is so formulated as to be intelligible to readers with no knowledge of Greek, and will have a significant impact both on the study of Plato and on the history of linguistic thought. (shrink)

This book aims to give a coherent interpretation of the whole dialogue, paying particular attention to these etymologies.The book discusses the rival theories ...

While the argument of Plato’s Cratylus supports both the claim that there is a natural correctness of names and the claim that correct names need not be descriptions or imitations of their referents, the protagonists of the Cratylus find it infeasible to reconcile these two claims. In my paper, I account for this puzzling observation by elaborating a novel interpretation of the Cratylus. I show that the protagonists of the Cratylus are unable to make sense of (...) the results of their joined investigation because they rely on a mistaken preconception of what a correct name is. Based on this diagnosis, I contend that Plato wants his readers to comprehend and overcome the dialectical predicament of his protagonists. I thus illuminate both the internal logic of the Cratylus and the philosophical agenda Plato pursues in staging a dialogue with this particular internal logic. (shrink)

Plato, the great philosopher of Athens, was born in 427 BCE. In early manhood an admirer of Socrates, he later founded the famous school of philosophy in the grove Academus. Much else recorded of his life is uncertain; that he left Athens for a time after Socrates' execution is probable; that later he went to Cyrene, Egypt, and Sicily is possible; that he was wealthy is likely; that he was critical of 'advanced' democracy is obvious. He lived to be 80 (...) years old. Linguistic tests including those of computer science still try to establish the order of his extant philosophical dialogues, written in splendid prose and revealing Socrates' mind fused with Plato's thought. In Laches, Charmides, and Lysis, Socrates and others discuss separate ethical conceptions. Protagoras, Ion, and Meno discuss whether righteousness can be taught. In Gorgias, Socrates is estranged from his city's thought, and his fate is impending. The Apology, Crito, Euthyphro, and the unforgettable Phaedo relate the trial and death of Socrates and propound the immortality of the soul. In the famous Symposium and Phaedrus, written when Socrates was still alive, we find the origin and meaning of love. Cratylus discusses the nature of language. The great masterpiece in ten books, the Republic, concerns righteousness. Of the six so-called dialectical dialogues Euthydemus deals with philosophy; metaphysical Parmenides is about general concepts and absolute being; Theaetetus reasons about the theory of knowledge. Of its sequels, Sophist deals with not-being; Politicus with good and bad statesmanship and governments; Philebus with what is good. The Timaeus seeks the origin of the visible universe out of abstract geometrical elements. The unfinished Critias treats of lost Atlantis. Unfinished also is Plato's last work of the twelve books of Laws, a critical discussion of principles of law which Plato thought the Greeks might accept. The Loeb Classical Library edition of Plato is in twelve volumes. (shrink)

In the last century, philosophers turned their attention to language. One place they have looked for clues about its nature is Plato’s Cratylus, which considers whether names are naturally or conventionally correct. The dialogue is a source of annoyance to many commentators because it does not take a clear position on the central question. At times, it argues that language is conventional, and, at other times, defends the view that language is natural. This lack of commitment has led to (...) a longstanding dispute over the outcome of the dialogue. I argue that the Cratylus provides no clear resolution to this problem because it presupposes certain unexamined metaphysical commitments about the nature of reality, which are in need of thorough investigation. (shrink)

Yet, that the Cratylus is of philosophical significance seems to me to be an assumption we can safely make. Plato rarely discusses other than philosophical problems--and even these other discussions are raised and carried on in the context of philosophical questions. Moreover, he could hardly be expected to write a whole dialogue of no philosophical concern and significance. To understand what the philosophical significance of the Cratylus is in general, and for Plato's thought in particular, we must (...) be clear about the question Plato is trying to answer and the answer he gives to this question. That is, we must be clear about the question of the Cratylus: What is the correctness of names? and the two answers to the question Plato considers: convention, and natural correctness. (shrink)

This book explains how the Cratylus, Plato's apparently meandering and comical dialogue on the correctness of names, makes serious philosophical progress by its notorious etymological digressions. While still a wild ride through a Heraclitean flood of etymologies which threatens to swamp language altogether, the Cratylus emerges as an astonishingly organized evaluation of the power of words.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Plato’s CratylusRosamond Kent SpragueDavid Sedley. Plato’s Cratylus. New York: Cambridge University Press, 2003. Pp. xi + 190. Cloth, $60.00Discussion of Plato's Cratylus, to which this book is a notable contribution, must straightway come to terms with the question of Plato's seriousness (or lack thereof) in the etymology sections of the dialogue. Professor Sedley is a strong advocate of the seriousness of the etymologies, a (...) position which, he remarks, will not surprise most classicists, although it "may cause apoplexy among many of Plato's philosophical admirers" (23). More colloquially he writes, "if Plato was joking, the joke flopped" (39).But need we assume that Plato was either serious or joking? His sense of humor was peculiar, and seems to me nicely characterized by Guthrie when, in commenting on the present dialogue, he speaks of Plato as "tumbling together with an equally straight face absurdities and deeply held convictions" (History V, 25). I also incline more than Sedley to the frequent topicality of Plato's work.Nevertheless, the Sedley thesis may be seen to pay rich rewards. Perhaps most notable is the perception that the etymologies constitute a philosophical curriculum, moving along a well-defined trace from cosmology to the consideration (a watershed here) of ethical terms. This progression is especially significant in marking the emancipation of Plato from his early association with Cratylus and his subsequent allegiance to Socrates.Another mandatory topic is, of course, chronology. The Cratylus is seen to be unusual here in that what we have is most probably a reedited version. (A substantive point is at issue because the earlier version fails to distinguish clearly between the lawmaker and the [End Page 490] dialectician.) Thus to the question, where does the Cratylus fit in the traditional chronology, Sedley's answer is, "not in any one place" (7). As to the projected time of the revision, proximity to the Sophist is most likely.Sedley's general approach to the etymologies is hierarchical (here he identifies two important principles, Uniformity and Groundedness) rather than one of mutual support. He writes that the "'imitation' relation between sounds and things will be found [at] not just the primary level, but all the way up the chain" (126). Similarly with Socrates' painting analogy: "the primary pigments which the painter uses already imitate the simplest objects of vision" (128). In both cases the principles of Uniformity and Groundedness "are to some extent permitted to merge" (127).The business of name-making is of course a techne, as is that of painting. That both of these arts are approximate in nature is not an "ad hoc postulate [but] lies at the heart of Platonic metaphysics," since "any craftsman's embodiment of a Form in matter is necessarily less than perfect" (45). (As Sedley tellingly points out, "it is the Sophist Thrasymachus, and not Socrates, who proposes that a craftsman, qua craftsman, never gets anything wrong" [44].) As for Socrates' final position, it is "not the reversion to conventionalism that it has so often been taken to be" (145). Convention does play some part in signification, but it is also the case that names are some kind of vocal imitations, "a thesis, massively documented in the etymological section, from which Socrates never retreats" (145).One point on which I would like to have had Sedley's comments is the following: what does he think of Diogenes Laertius's remark (III, 6) that not only did Plato, after the death of Socrates, "attach himself to Cratylus the Heraclitean," but also to Hermogenes "who professed the philosophy of Parmenides"? Now the only real Parmenideanism in the dialogue (the position that a name is either a true name or not a name at all) is attributed not to Hermogenes but to Cratylus! (Is Descartes an empiricist? Is Hume a rationalist?) Furthermore, even though Cratylus adopts this position on a variety of occasions (429d, 432a, 433c, 436c, and 438c), he is too flighty (or, one might say, too fluxy) to stick with it, and continually relapses (431a, 432d, 433b, 435e, for instance). At the risk of being categorized as a non-serious reader of the Cratylus (which I am not... (shrink)

When Mr. Levinson refers to the etymologies as a "circus parade" without underscoring the fact that they take up better than half of the dialogue, he is suppressing a detail that fits his figure of speech rather badly: surely this is an extravagantly long parade for the one-ring Heraclitean-taming act that follows! If this major section were an unordered collection of linguistic facts, puns, and free associations, one could only think that Plato's usual uncanny sense of coherence and proportion (...) had lapsed completely when he perpetrated it. (shrink)

Proclus' commentary on Plato's Cratylus is the only ancient commentary on this work to have come down to us, and is illuminating in two special ways. First, it is actually the work of two Neoplatonists. The majority of the material is supplied by the Athenian-based Proclus, who is well known for his magisterial commentaries on Plato's Timaeus and Parmenides, as well as for a host of other works involving the study of Plato. This material we have consists (...) of excerpts from Proclus' commentary edited by another figure who appears to be a Platonist working somewhat later in Alexandria. Consequently it contains insights into the philosophy of both of the principal late antique centers of Platonism, Athens and Alexandria. Secondly, the material is divided between the grittier issues of language-theory, on which it engages freely with other ancient philosophies, and theological discussion mostly involved with the etymologies of the names of Greek gods, in which Proclus is more concerned to relate his own brand of Platonism to the 'Orphic' and 'Chaldaean' theological systems, and also to Homer. Brian Duvick's extensive notes bring out all these facets of the ancient text. (shrink)

In Plato's Cratylus, Hermogenes contends that the correctness of names is conventional. Appealing though this claim sounds to modern ears, it does not meet with approval in the Cratylus. Why? I argue that the conventionalism promoted by Hermogenes is discredited by unacceptable relativist implications because it incorporates the mistaken assumption that correct names are individuated exclusively by their phonetic composition.

This study offers a ckomprehensive new interpretation of one of Plato's dialogues, the _Cratylus_. Throughout, the book combines analysis of Plato's arguments with attentiveness to his philosophical method.

Plato's main concern in the "Cratylus," I claim, is to argue against the idea that we can learn about things by examining their names, and in favour of the claim that philosophers should, so far as possible, look to the things themselves. Other philosophical questions, such as that of whether we should accept a naturalist or a conventionalist theory of namng, arise in the dialogue, but are subordinate. This reading of the "Cratylus," I say, explains certain puzzling (...) facts about the dialogue's structure and dramatic emphasis, as well as making the dialogue look better on philosophical grounds. In support of my claim, I argue that Hermogenes' conventionalist theory of naming is quite sensible, and is not refuted by Socrates; that the main purpose of the etymological section is to undermine our confidence in etymology as a form of philosophical enquiry; and that the apparently tangential and inconclusive discussions in the final section of the dialogue are best understood as illustrations of Plato's thesis about philosophical methodology. (shrink)

This paper addresses Socrates’ claim in the Cratylus that he and Hermogenes must learn of the correctness of names from “Homer and the other poets.” I argue that, in treating poetry as the starting point for investigating the relationship of language to reality, Plato reveals language to be a discursive articulation of non-discursive divine Being. Thus, while language cannot fully capture Being once and for all, it can function as a moving image of it by being kept in continual (...) motion. Poetic language, as divinely inspired, sits at the threshold between language’s discursivity and the unified reality it strives to articulate, and can therefore reinvigorate philosophical contemplation by de-sedimenting concepts articulated in language that have become stagnant, re-opening them for examination in new, previously unarticulated, ways. This vision of philosophical contemplation through language is part of a greater theme of the tension between mortal and divine modes of knowing. Humans desire divine understanding but only approach it through the motion of contemplation. Plato’s treatment of Apollo at 404e–406a reveals the two-fold nature of philosophical contemplation as relying on a certain tension between the revelation of the inarticulable, unchanging divine Being and the attempt to employ reason to test and interpret such disclosures through the unfolding motion of dialectic. (shrink)

The interlocutors of Plato’s Cratylus agree that “it is far better to learn and to inquire from the things themselves than from their names”. Although surprisingly little attention has been paid to these remarks, at least some commentators view Plato as articulating a preference for direct, nonlinguistic cognitive access to the objects of inquiry. Another commentator takes Plato simply to recommend first-hand, yet linguistic, experience in addition to instruction from experts. This paper defends, in contrast to both interpretations, the (...) view that inquiry without names is dialectical, linguistic inquiry into metaphysical first principles. As such, inquiry without names is prior to inquiry from or through names. Inquiry without names is a form of transcendental metaphysics. (shrink)

For Plato, the crucial function of human cognition is to grasp truths. Explaining how we are able to do this is fundamental to understanding our cognitive powers. Plato addresses this topic from several different angles. In the Cratylus and Theaetetus, he attempts to identify the elemental cognitions that are the foundations of language and knowledge. He considers several candidates for this role, most notably, perception and simple meaning-bearing concepts. In the first section, we will look at Plato’s worries about (...) semantic instability and its epistemic consequences. The central role of basic cognitions in Plato’s account of knowledge in the Theaetetus will be explored in the second section. In the final section, the relevance of Plato’s conception of cognition to modern discussions in the philosophy of language and epistemology will be noted. (shrink)

The Cratylus is Plato's principal discussion of language, and has generated immense interpretive controversy. This thesis offers a new interpretation of the Cratylus, starting from the idea that it is essentially a normative enquiry, to be interpreted alongside Plato's ethical and political works. Just as the Statesman attempts to determine the nature of the statesman, so too the basic project of the Cratylus is to discover what constitutes a true, correct name. But this aim is (...) doomed in the case of language: names turn out to be a kind of imitation, and as such incapable of real correctness. ;The Cratylus discusses two theories of 'the correctness of names': conventionalism and naturalism. First, Socrates refutes the conventionalist thesis that any name anyone sets down for an object is correct. This thesis is, I suggest, of interest as a reasonable way to support the commonsensical assumption that all actual names are correct--an assumption which would preclude Plato's normative project. Socrates then elaborates naturalism, with an outsize, vaguely playful etymological discussion which has baffled interpreters. I argue that the etymological section serves above all as an agonistic display, establishing the authority of the philosopher to determine the value of etymologising and to treat the subject of names as he deems fit. ;Etymology is succeeded by the mimetic account of names as imitations. This is followed by a 'reexamination' of naturalism in which Socrates apparently turns against it, concluding with a partial rehabilitation of convention. This conclusion is the other major interpretive stumbling-block of the Cratylus. Here I argue that no rejection of naturalism is implied. Rather, its status is shown to be limited by its own consequences--a paradox, but one which does amount to or entail conventionalism. This reading is developed further by reference to the similar position expressed in the Seventh Letter. ;An End-Note discusses the explanation of false statement presented in the Sophist: I argue against the common view that it uses syntactic ideas in a way which represents a significant departure from the Cratylus. (shrink)

In section I of what follows, I will briefly discuss the reasons for taking the Cratylus to be concerned with the origin of language and explain what the question is which concerns Plato in the Cratylus, viz., what is the correctness of names? I will then state the two answers to this question he considers, i.e., conventional and natural correctness; finally, I will explain the criticisms that Plato advances against the two answers and, in particular, the sense in (...) which he "believed" the theory of the natural correctness of names. In section II, I will turn to the question of the significance of the dialogue. By this I mean to try to answer the following two questions: 1) Why does Plato raise the question of the correctness of names in the first place? i.e., What philosophical problem is he trying to solve by seeking a theory about the correctness of names? and 2) How would each of the two theories about the correctness of names examined in the Cratylus solve Plato’s problem? We shall then see that the importance of the dialogue for us is not so much that it is the first attempt at providing an empirical linguistic theory, nor that it is the earliest extant attempt to discuss the origin of language; but rather that it is perhaps the earliest attempt to solve a perennial philosophical problem about the relation between the nature and structure of language and the nature and structure of the world in order to use our knowledge of the nature and structure of the former to arrive at knowledge of the nature and structure of the latter. (shrink)

This study offers a ckomprehensive new interpretation of one of Plato's dialogues, the _Cratylus_. Throughout, the book combines analysis of Plato's arguments with attentiveness to his philosophical method.

This short article does not intend to disagree with the philosophical tradition, which states that the Cratylus is an ‘aporetic’ dialogue. The aim of this paper is to raise the possibility that the Cratylus’s true aporia is not the excluding antagonism of conventional view by Hermógenes and naturalistic theory by Cratylus, but the question of the relationship between language and knowledge. Like Plato asks: can you know things without the aid of language? For this question that matter (...) he does not have an answer in Cratylus. Thus, the aporia is configured. To find an answer to it we must use other Platonic dialogues, such as Fedun, Tiimaeus and Sophist. (shrink)

This bibliography, though not "complete," is nonetheless extensive. With respect to editions, translations and secondary literature appearing after 1900 it is virtually complete in several languages. It also includes the important editions and translations from the nineteenth century as well as a good deal of the philosophical and philological literature on the dialogue from that period. The works which have been cited fall into five main sections: I) Editions and Translations; II) Discussions devoted to a Comprehensive Interpretation of the (...) class='Hi'>Cratylus; III) Special Topics; IV) Historical Sources; and V) Other Secondary Literature which discusses the Cratylus only in Passing. Section III, "Special Topics," includes these subsections: a) Names vis-a-vis Knowledge and Reality; b) Truth and Falsity; c) The Etymologies; d) The Alphabet, Orthography, Onomatopoeia and Mimesis; e) The Personae: Cratylus and Hermogenes; f) Date of the Cratylus; g) Other Philological and Textual Issues; h) Miscellaneous Topics. (shrink)

The etymologizing which forms the torso of the Cratylus gives way, in the final pages, to an interesting, but brief, discussion of Heraclitean Flux. The transition is made on pages 437–8. Knowledge of reality through names has proved elusive because the names yield contradictory theses. This being so, it is argued that the truth is only to be obtained by a direct acquaintance with reality.