Western philosophy has been defined through the exclusion of non-Western forms of thought as non-philo-sophical. In this paper, I place the notion of what is “properly” philosophy into question by contrasting the essence/appearance paradigm governing Western metaphysics and its deconstructive critics with the more fluid, dynamic, and participatory forms of encountering and performatively enacting the world that are articulated in Chinese thinking and made apparent in Chinese painting. In this hermeneutical contrast, Western and Chinese thinking themselves are (...) interpeted as co-relational rather than as discrete, mutually indifferent or ethnocentrically nativist traditions. (shrink)

Understanding Chinese philosophy requires knowledge of the referential framework prevailing in Chinese intellectual traditions. But Chinese philosophical texts are frequently approached through the lens of Western paradigms. Analysing the most common misconceptions surrounding Western Sinology, Jana Rošker alerts us to unseen dangers and introduces us to a new more effective way of reading Chinese philosophy. Acknowledging that different cultures produce different reference points, Rošker explains what happens we use rational analysis, a major feature of the European (...) intellectual tradition, to read Chinese philosophy. We rely on impossible comparisons, arrive at prejudiced assumptions and fail to arrive at the truth, the consequence of applying a different methodology to the process of perceiving, understanding and interpreting reality. Instead of transferring concepts and categories from Western sinology onto socio-cultural Chinese contexts, Rošker constructs a new methodology of reading, understanding and interpreting Chinese philosophy. She opens our eyes to the basic problems of Western paradigms, encourages intercultural approaches and allows us to master a more autochthonous understanding of Chinese philosophy. (shrink)

Presenting a comprehensive portrayal of the reading of Chinese and Buddhist philosophy in early 20th-century German thought, Chinese and Buddhist Philosophy in early Twentieth-Century German Thought examines the implications of these readings for contemporary issues in comparative and intercultural philosophy. Through a series of case studies from the late 19th-century and early 20th-century, Eric Nelson focuses on the reception and uses of Confucianism, Daoism, and Buddhism in German philosophy, covering figures as diverse as Buber, Heidegger, and Misch. He (...) argues that the growing intertextuality between traditions cannot be appropriately interpreted through notions of exclusive identities, closed horizons, or unitary traditions. Providing an account of the context, motivations, and hermeneutical strategies of early twentieth-century European thinkers' interpretation of Asian philosophy, Nelson also throws new light on the question of the relation between Heidegger and Asian philosophy. Reflecting the growing interest in the possibility of intercultural and global philosophy, Chinese and Buddhist Philosophy in early Twentieth-Century German Thought opens up the possibility of a more inclusive intercultural conception of philosophy. - See more at: http://www.bloomsbury.com/uk/chinese-and-buddhist-philosophy-in-early-twentieth-century-german-thought-9781350002562/#sthash.1lY6OTYj.dp uf. (shrink)

The idea of the present sixth volume in the Boston Col lege Studies in Philosophy entitled "Contemporary Chinese Philosophy" was conceived by the editor several years ago, before the current resumption of Chinese American political and economic amity occurred offi cially. Several preceding volumes in this series had studied various aspects of Marxism especially Soviet Marxism. Possibilities for dialogue between Christians and Marxists were discussed not only in the series but elsewhere too in various philosophical journals and books (...) through the sixties and seventies. It was only a natural outcome then to wonder about the same possi bilities in regard to Chinese Marxism. Hence I sent off to many potential contributors - scholars in the field - the following proposal seeking papers for a volume on Contemporary Chinese Philosophy. The themes that should constitute the content of the articles were as follows: 1. How rigidly do contemporary Chinese adhere to Marxism-Leninism? Naturally this means principally the educated persons, but it might include the non-academic segment of the peop. le. By Marxism-Leninism here, J mean the contemporary Soviet brand. Hence, I do not. mean Marx's early writings or the developments of people like Kolakowski. 2 . Are they constrained to think in a kind of hori zontal materialism or are they open to a species of transcendence that might include the God problem or a belief in another life after this one on earth? 3. (shrink)

This book treats Chinese philosophy today as a global project, presenting the work of both Chinese and Western philosophers.

This book examines different views on the concept of truth in early Chinese philosophy, and considers a variety of theories of truth in Chinese and comparative thought.

The development of modern Chinese thought involves an ongoing interaction between internal processes and impacts of foreign ideas. Several intellectual controversies are interwoven into its history and among these one of the more philosophical ones began some 90 years ago, in 1923. In this controversy, supporters of science or scientism and supporters of metaphysics or Confucian tradition debated issues of what both sides referred to as "the view of life." The study of the view of life controversy by Gad (...) C. Isay discusses the positions of the view of life supporters who upheld metaphysics against scientism. It focuses on both the philosophical merit of their views and the relevance of these views to the question of culture in modern China. Considering the sources of the view of life problem in traditional Chinese thought and the discussions that followed after the controversy, it is argued that the view of life question was a central theme in Chinese thought from its beginning. In this respect, modern discussions of this problem indicate continuity with the past. However, these discussions demonstrate too, the dynamics of changing conceptions regarding the context of human relationships that are related directly to the meeting with the West. Isay's study traces the development of these discussions from their beginning up to our days giving a comprehensive survey of the philosophy of the view of life in modern Chinese thought. (shrink)

In contemporary academic philosophy, Chinese Philosophy remains a niche. This has a lot to do with its presentation, which often creates an impression of alienness and allegory, making its contribution, especially to analytical questions, not obvious. This paper examines how a change in presentation eases the inclusion of Chinese Philosophy into the mainstream. On the assumption that there has been an “activist turn” in the discipline in general, philosophical interest in a tradition that ranges from conceptual analysis, to (...) ethics and politics, but that is ultimately focused on motivating actions, becomes more relevant and pressing. Since, in much of Chinese Philosophy, the philosopher is an activist, if the wider discipline is indeed undergoing an “activist turn”, then there is a connection here that should be made. In this paper, the connection is explained using two examples, Mozi and Xu Fuguan. (shrink)

Chinese Philosophy provides a clear, accessible conception of the Chinese philosophical sensibility and its evolution throughout history.

Vittorio Cotesta's Eurasian Visions of the World traces the origin of the images of the world typical of the Graeco-Roman, Ancient Chinese and Medieval Islamic civilisations. Each of them had its own peculiar way of understanding the universe, life, death, society, power, humanity and its destiny. The comparative analysis carried out here suggests that they all shared a common human aspiration despite their differences: human being is unique; differences are details which enrich its image. Today, the traditions derived from (...) these civilisations are often in competition and conflict. Reference to a common vision of humanity as a shared universal entity should lead, instead, to a quest for understanding and dialogue. (shrink)

Goldin thus begins the book by asking the basic question "What are we reading?" while also considering why it has been so rarely asked. Yet far from denigrating Chinese philosophy, he argues that liberating these texts from the mythic idea that they are the product of a single great mind only improves our understanding and appreciation. By no means does a text require single and undisputed authorship to be meaningful; nor is historicism the only legitimate interpretive stance. The first (...) chapter takes up a hallmark of Chinese philosophy that demands a Western reader's cognizance: its preference for non-deductive argumentation. Chinese philosophy is an art he demonstrates, more than it is a rigorous logical method. Then comes the core of the book, eight chapters devoted to the eight philosophical texts divided into three parts: Philosophy of Heaven, Philosophy of the Way, and Two Titans at the End of an Age.. (shrink)

This book considers the Chinese conception of beauty from a historical perspective with regard to its significant relation to human personality and human existence. It examines the etymological implications of the pictographic character mei, the totemic symbolism of beauty, the ferocious beauty of the bronzeware. Further on, it proceeds to look into the conceptual progression of beauty in such main schools of thought as Confucianism, Daoism and Chan Buddhism. Then, it goes on to illustrate through art and literature the (...) leading principles of equilibriumharmony, spontaneous naturalness, subtle void and synthetic possibilities. It also offers a discussion of modern change and transcultural creation conducted with particular reference to the theory of the poetic state par excellence and that of art as sedimentation. (shrink)

• Sixteen collected essays examine Chinese Philosophy around 4 major topics • Furthers and deepens fundamental inquiries, including: What is philosophy? Is there more than one origin of philosophy? Have we embraced other traditions as well as integrated others into our own? How do we view Chinese philosophy in the multi-origins of the world philosophy and vice versa? • The second volume of the festschrift for celebrating the Journal of Chinese Philosophy’s 40th anniversary.

Western scholars read "dialectical materialism" in Chinese Marxism within a Western philosophical frame. Some hold that Chinese Marxism is Chinese in some important sense, but fail to see what is involved; others see nothing particularly Chinese about Chinese Marxism. Similarly, Chinese Marxists identify bianzhengfa with Marxian dialectic, without adequately realizing the difficulties attending that concept. ;The dissertation shows tongbian as a distinct but not necessarily unique style of Chinese "thought" , which was formulated (...) in ancient philosophical literature such as the Yijing. I argue that Chinese intellectuals understand Marxist thought in terms of tongbian. What tong-bian sees is a "world as such," or ziran ; with no transcendence, every element is relative to every other and all elements are thus "correlative." Each particular is both self-determinate and determined by every other. An explanation of relationships requires a contexualist interpretation of the world in which events are strictly interdependent. "Polarity" implies a relationship of two events, each constituting a necessary condition for the other. Yin always suggests becoming-yang, and vice versa. Any two events constantly alternate each another, change into each other, exchange with each other, displace each other, and so on. The salient feature of tongbian philosophy is that the complementary and contradictory interactions of the two basic elements of a polarity like yin-yang constitute the forces, and produce change. ;Chinese Marxism finds its roots in Engels but reads him in a distinctly different way and, by drawing on tongbian, develops into a strong and useful strand of thought. I examine this in the writings of Cai Yuanpei, Qu Qiubai, Ai Siqi, and Mao Zedong. I show that juxtaposing dialectics with bianzhenga is a misunderstanding. The version of Chinese Marxism that I recover seems close to Marx on certain points, especially In terms of "internal relations." However, it is rather a third way as developed from a culture and tradition that can not be understood in Western terms. (shrink)

In 1908, the first and second chapters of Kropotkin’s Mutual Aid were first translated into Chinese by Li Shizeng, greatly influencing Chinese anarchists. Li Shizeng followed Kropotkin’s scientific argument of anarchism and strengthened the viewpoint for praising “public” and suppressing “private”. When translating Kropotkin’s thoughts, Li Shizeng focused on political revolution, glossing over the criticism of the capitalist economy, and barely referenced Kropotkin’s original anarchist communist ideology.

Comparative philosophy is a relatively new field of study, research, achievement in understanding and teaching. The purpose of this work is to help clarify the nature of comparative philosophy; to survey views about the kinds of standards that may be used as bases for comparisons; and the propose an hypothesis comparing pervasive traits of the philosophies of Western, Indian, and Chinese civilizations.

An investigation into the reasons for the inclusion and exclusion of Chinese and Indian philosophical thought in 17th-and-18th-century Europe.

Philosophy is, generally speaking, divorced from real life, and therefore, monotonous and rigid. But the author maintains that philosophy must be poetic. He advocates philosophy with beautiful features. Western postmodern art is closely related to real life, so art becomes life-oriented and vitalized. Philosophy may be inspired by Western postmodern art as follows: It should philosophize about life; philosophers may use reason to argue for an art-oriented realm of life and achieve a philosophy featuring beauty. Traditional Western philosophy is typical (...) of pursuit of abstract concepts and ideals and an estrangement from the sensible world and life. To make philosophy achieve artistic beauty, we must bring to an end traditional Western philosophy. With the end of old philosophy, a new philosophy came into being with the name of “post-philosophy”. One of the features of “post-philosophy” is the union of philosophy and poetry, which is no other than making philosophy achieve artistic beauty. The union of philosophy and poetry is also an important feature of most of traditional Chinese philosophy. Traditional Chinese philosophy ,especially, that of Daoism is similar to Western post-modern art. Both of them stress the realm of life and uphold the beauty of life, mind and spirit. Since the middle of the last century, under the influence of traditional Western philosophy, Chinese philosophy lost its traditional beauty. To keep this beauty, we need to go further and understand philosophy as a discipline to upgrade the realm of life. The beauty of life realm comes before the beauty of philosophy. Therefore, Chinese philosophy needs to become life-oriented like postmodern art. Inheriting and developing Daoism philosophy while absorbing the philosophy of life shown through postmodern art, seems to be a good way for us to enhance the realm of life and pursue the beauty of philosophy. (shrink)

In "The Variation of Chinese Literature and the Formation of World Literature" Shunqing Cao and Lu Zhai discuss how Chinese works of literature entered other countries' literary circles through variation, and became an essential part of world literature. Both ancient Chinese literature and contemporary Chinese literature have undergone textual circulation, language translation and cultural filtering before becoming part of world literature, all of which are the reasons why literary variation occurs. According to Cao and Zhai, the (...) occurrence of variation is a key factor for Chinese literature to become world literature, and an important foundation for the formation of world literature. A country's literature absorbs the characteristics of other countries' literature through variation, thus adapting to the cultural background and reading habits of other countries' readers in terms of language and style, in order to enter the world literature market. Variation may lead to a certain loss of nationality in literary works, and result in significant differences from the original texts. However, the formation of world literature does not come at the cost of eliminating nationality; variation facilitates the formation of world literature. (shrink)

In this chapter, we outline the methods and aims of experimental philosophy as a methodological movement within philosophy, and suggest ways in which it may be employed in the study of Chinese philosophy.

"This book examines various issues concerning philosophical methodology, ethics, metaphysics, epistemology, philosophy of language, and logic, and investigates both the living-spring source of Chinese philosophy and its contemporary implications and development through contemporary resources." -- Half t.p.

이 연구는 21세기 세계 문명의 화합과 공존이라는 시대정신에 부응하여 과거 서구의 문명강권주의 논리를 정당화해온 부정적 의미의 오리엔탈리즘을 희석시키고 다원적이고 다층적인 개념으로 재조정하기 위해 기획된 것이다. 그 대안으로 상대적으로 간과되어온 ‘긍정적 함의’를 활성화시켜 4분적 층위의 오리엔탈리즘 범주를 제시하는 한편, 이 추상적인 이론이 동서 철학 교류사 연구를 통해서 어떻게 구체화될 수 있는지를 문명 내부의 담론 측면에서 독일 계몽주의 철학자 볼프의 ‘중국 형상’을 모델로 검증해 보았다. 또한 글의 구성은 수용자의 능동적 관점을 적극 반영한다는 차원에서 간-문명적 타자상을 음각하는 유럽의 문화 인자, 즉 ‘신앙 대 (...) 이성’이라는 헤게모니적 역학 관계 속에서 다각적으로 이루어졌다. 이 제반 연구 과정 속에서 결국 서구가 신학 체계로 응집된 보수적 종교 사회를 청산하고 근대 시민 사회로 진입하는 데 유학 인문주의가 중요한 추동력이 되었다는 역사 사실을 확인할 수 있다. 18세기 볼프의 계몽 의식 속에 담지된 신앙에 대한 이성의 문화 투쟁은 유럽의 근대적 문화 이행을 위한 중국 인문주의의 원조라는 문화철학적 의미를 갖는다. 그것은 18세기 신본 신앙에 기초한 신학 보수적 경건주의의 ‘억압적 타자상’과 대비되는 인본 이성에 기초한 계몽 진보적 볼프주의의 ‘저항적 타자상’으로서 자문명 비판과 혁신을 위한 고도의 오독이 빚어낸 간-문명적 저항의 은유라고 할 수 있다. (shrink)

Aquinas and the Early Chinese Masters lays intellectual foundations for the integration of Chinese philosophy into Catholic theology. Although Catholic theology in Chinese contexts has drawn upon Chinese philosophical concepts, few have attempted to develop a rigorous, systematic approach to testing what in the Chinese philosophical traditions can be fruitful or unfruitful for Catholic theological expression.

In the 20th century, the adaptation of William Shakespeare's classic dramas onto the Chinese stage have attracted great interest. The study of such cross-cultural adaptations has positive significance not only for development of literary theory, literary criticism and literary history, but also in that it promotes unusual forms of innovation with regards to the study of performance in general. Chinese adaptations to performance and opera have allowed Chinese people to understand the essence of Shakespeare's plays, presented in (...) a more forms, and as a consequence, such adaptations function as a bridge for Sino-foreign cross-cultural exchanges and interpretations. These paper traces a panorama of Shakespeare's adaptations onto the Chinese stage in the year that celebrates the 500 anniversary of his death. (shrink)

The essays in this special edition of the Chinese Journal of Philosophy represent a wealth of creativity stemming from the task of making connections between orientations that are geographically, historically and culturally separated from one another. This indicates that there are ways in which to land upon contextualised aspects of universality without any pretense toward universalism. In this respect, Professor Chung-ying Cheng’s onto-generative hermeneutics informs many of the ideas that find expression in the arguments. His thirty-years of research defines (...) the tone of the East-West conference and for that reason speaks to many of the themes addressed by the scholars at the conference such as creatively engaging ancient classical literature with a view to resolving modern philosophical dilemmas and extending avenues of research within Western philosophy, the formation of the self in the experience of interpretation, harmonising disparate and otherwise contradictory points of view. (shrink)

■ ■ 1 the historical context I am not of their age or time and so have not personally heard their voices or seen their faces, but I know this by what is ...