While there has been considerable interest in the writings of Søren Kierkegaard and Fyodor Dostoevsky, both of whom are considered seminal existential thinkers, relatively little has been said about similarities in their thought. In this paper, I propose to read their philosophical and literary works together as texts that offer an elaborate model of an existential religious transformation. Both Kierkegaard and Dostoevsky sketch a path leading from the inauthentic, internally fragmented and egotistic self to the authentically Christian, humble and loving (...) individual. By examining the underlying structure of this transformative process, I try to show that its portrayal is in many ways similar in the account of both writers. Furthermore, I maintain that they set out not only to describe the inner workings of the existential religious transformation, but that their effort constitutes a direct appeal to the reader to initiate the transformative process herself or himself. (shrink)

The present study poses a simple question, namely, what are the specific forces that might at times hinder rather than advance individual moral development? To answer this inquiry, I will investigate the writings of Kierkegaard and Dostoevsky, examining the two aesthetic protagonists found in their works—Johannes the Seducer and Dmitri Karamazov. I will utilise the Kierkegaardian framework of the three existential stages to illustrate that it is an over-reliance on gratification, coupled with an instrumental approach towards beings that not only (...) prevents these two aesthetes from behaving morally, but also from even recognising the ethical perspective as a viable existential position. (shrink)