Although it is widely acknowledged that Foucault’s accounts of the concept of heterotopia remain briefly sketched and somewhat confusing, the notion has provoked many interpretations and applications across a range of disciplines. In particular, it has been coupled with different stages or processes of modernity and persistently linked to forms of resistance. This article re-examines Foucault’s concept through a close textual analysis. It contrasts heterotopia with Lefebvre’s conceptualization of heterotopy and wider formulations of utopia. Drawing on Foucault’s study of the (...) spaces of literature of Borges, and particularly Blanchot, the article argues that heterotopia refers to varied spatial and temporal disruptions that imaginatively interrogate and undermine certain formulations of utopia. It concludes by outlining how heterotopia contests the space in which we live. (shrink)

Frames of Deceit is a philosophical investigation of the nature of trust in public and private life. It examines how trust originates, how it is challenged, and how it is recovered when moral and political imperfections collide. In politics, rulers may be called upon to act badly for the sake of a political good, and in private life intimate attachments are formed in which the costs of betrayal are high. This book asks how trust is tested by human goods, moral (...) character and power relations. It explores whether an individual's experience of betrayal differs totally from that of a community when it loses and then seeks to recover a vital public trust. Although this is a work of political philosophy it is distinctive in examining three literary texts - Sophocles' Philoctetes, Shakespeare's Troilus and Cressida, and Zola's Thérése Raquin - in order to deepen our understanding of the place of trust in morality and politics. (shrink)

The place of moral innocence in politics is the central theme of Peter Johnson's subtle and original book.

In The Philosophy of Manners Peter Johnson makes a compelling case for manners as a subject for investigation by modern moral philosophy. He examines manners as 'little virtues', explaining their distinctive conceptual characteristics and charting their intricate detail and relationships with each other. In demonstrating why manners are important to our mutual expectations, Johnson reveals a terrain which modern moral philosophy has left largely unmapped. Through a critical examination of the ethics of John Rawls and Alasdair MacIntyre, Johnson shows how (...) the nature of manners constitutes a philosophical problem both for liberalism and its critics. Taking the recent revival of virtue ethics as its broad starting point, The Philosophy of Manners discusses the 'little virtues' as they are treated in the Aristotelian and Kantian traditions of writing on ethics. Original features of the book include discussions of nameless virtues, the logical intricacy of the 'little virtues' which compose manners, and the nature of their orchestration by the more substantial virtues and moral concerns. The aim throughout is to give manners a philosophically defensible place in the moral life - a place which neither inflates nor understates their importance. --an examination of why manners are essential to moral literacy and an ethical society --the first work of its kind - no other ethical investigation concentrates on manners --relevant to the recent revival of interest in virtue ethics and any course in contemporary ethics --will provoke argument and disagreement. (shrink)

The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, Performance and the Listening Experience: Bach's 'Erbarme dich' shows (...) that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles and finding creative solutions. (shrink)

The aim of this book is to provide a realist account of the constants in physics as an alternative to the prevailing conventionalist perspective of many philosophers. To do so the author first focuses on the discussion of the most primitive categories of physical constants which underlie modern science. Subsequently, the conventionalist case is examined in depth and, while held to be coherent, is shown to provide an incomplete account of how constants and related concepts of dimensions function in science. (...) Having repudiated the conventionalist challenge, the positive case for a realist account is then considered and is found to be comfortably accommodated by modest realist accounts such as the natural ontological attitude. (shrink)

The argument of this article is that the Albert Memorial acted as a catalyst for some of Collingwood's most well known ideas in the philosophy of history and aesthetics. It was not, however, the exclusive source of those ideas, and indeed they had philosophical expression elsewhere. One may view his contemplations, then, as work in progress. For example, the logic of question and answer promoted by the Memorial was also prompted by Collingwood's reading of Bacon and Descartes. This was a (...) reflection of his determination to depart from the realism of his philosophical teachers. Similarly, the Memorial directs Collingwood's thought forward. The Memorial acts as a facilitator of his thought on history, which in the course of its formulation undergoes many transformations. The logic of question and answer also finds a place in Collingwood's early thinking about art, but even here it is in the process of constant transition. Collingwood's reaction to the Memorial helps us to conclude that there is nothing ironic about the fact that Collingwood loathed the structure that was also the instigator of one of his most influential philosophical doctrines. (shrink)

ABSTRACTCollingwood's The New Leviathan is a difficult text. It comprises philosophy, political theory, political opinion and history in what is sometimes an uneasy amalgam. Despite its being the culmination of thirty years of work in ethics and political theory, the final text was clearly affected by the adverse circumstances under which it was written, these largely being Collingwood's illness which increasingly affected his ability to work as the writing of The New Leviathan progressed. This paper seeks to disentangle the composition (...) of the book thereby shedding light on its distinctive character as the last substantial piece of philosophical work published in Collingwood's lifetime. (shrink)

This article examines the arguments used by Robert Watts, a contemporary of John Stuart Mill, in his criticism of Mill's Utilitarianism. The pamphlet in which Watts expresses his views is a scarce and neglected work. Pioneering studies by J.C. Rees and J.B. Schneewind emphasize the importance of Mill's early critics for historians of nineteenth-century ethics and politial thought. Rees, however, confines his study to the responses to Mill's On Liberty. Schneewind's work is more comprehensive and does mention Watts, but without (...) examining in detail the actual arguments that Watts uses. Further, while Watts criticizes Mill's ethical views from a theological standpoint the arguments he uses are philosophical in character. Watts should not be thought of as a major philosophical critic of Mill, but his relative neglect leaves a gap in the study of the reception of Mill's thought which this article is intended to fill. (shrink)

In this paper, I examine Oakeshott's account of civility by drawing on the porcupine metaphor that Oakeshott borrows from Schopenhauer. I explain why Oakeshott thinks that civility is best understood as a moral practice, one which has a special significance for politics. I outline the conceptual differences between civility understood as a small virtue and as an attribute of the civil condition. Three major difficulties in Oakeshott's treatment are raised. The first concerns his view that 'civil' is an adverbial qualifier; (...) the second concerns the relation between civility in its moral and its political senses, and the third is about the relation between civility and justice. While recognizing what is distinctive about Oakeshott's account, I indicate reservations about his discussion through a series of comparisons with Schopenhauer, and I conclude that, on their own terms, neither philosopher is able to solve the problem the porcupines set for them. (shrink)

Frames of Deceit is a philosophical investigation of the nature of trust in public and private life. It examines how trust originates, how it is challenged, and how it is recovered when moral and political imperfections collide. In politics, rulers may be called upon to act badly for the sake of a political good, and in private life intimate attachments are formed in which the costs of betrayal are high. This book asks how trust is tested by human goods, moral (...) character, and power relations. It explores whether an individual's experience of betrayal differs totally from that of a community when it loses and then seeks to recover a vital public trust. Although this is a work of political philosophy it is distinctive in examining three literary texts--Sophocles' Philoctetes, Shakespeare's Troilus and Cressida, and Zola's The;rèse Raquin--in order to deepen our understanding of the place of trust in morality and politics. (shrink)

Why should modern philosophers read the works of R. G. Collingwood? His ideas are often thought difficult to locate in the main lines of development taken by twentieth-century philosophy. Some have read Collingwood as anticipating the later Wittgenstein, others have concentrated exclusively on the internal coherence of his thought. This work aims to introduce Collingwood to contemporary students of philosophy through direct engagement with his arguments. It is a conversation with Collingwood that takes as its subject matter the topics that (...) interested him 'philosophy and method, philosophy of mind, language and logic, the historical imagination, art and expression, action, metaphysics and life' and which still preoccupy us today. --the first introductory book on this major modern philosopher --includes critical investigation of his thought --there is no similar work available. (shrink)