Platons Politeia (347 v. Chr.), der utopische Entwurf eines gerechten Staats, gilt nicht nur als sein "Hauptwerk", sondern auch als das wirkungsgeschichtlich bedeutendste Werk der politischen Philosophie in der Geschichte des europäischen Denkens. Für die 11. Auflage überarbeitete K. Bormann die Apeltsche Übersetzung anhand der Oxforder Ausgabe von Burnet und anderen. Beigegeben wurde eine ausführliche Literaturübersicht, Anmerkungen und Register sowie eine Einleitung.

Excerpt from Beitrage zur Geschichte der Griechischen Philosophie und Religion Die alte Diatribe lebt mehr in der Satirendichtung als in der Philosophie fort. Nur Epiktets Diatriben nahern sich ihr wieder, nicht nur durch bewusste Anknupfung und Nachahmung, sondern auch schon dadurch, dass sie als wirkliche Gesprache, in denen der Lehrende die Horer zu mitforschender Teilnahme zwingt, dem sokratischen Dialoge, aus dem zum Teil die Diatribe hervorgewachsen ist, verwandt sind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and (...) classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

previous editions or to the original lectures, the nature of the lectures themselves , and what role Dooyeweerd had in bringing the lectures to publication or seeing them later revised. Some 45 years distant from the original publication, some of these questions can be answered, but not all. Nevertheless, they should not be ignored. For In the Twilight of Western Thought to be valuable in the present-day to readers interested in Dooyeweerd’s thought, what little can be established concerning the editorial (...) process must be made known and the remaining uncertainties of its publication and revision history must be publicly established. Furthermore, differences between the editions must also be catalogued and made accessible to readers of his work. The purpose of this essay is to document the history of the lectures, their initial publication, and revisions. Secondly, this essay includes a catalog of the differences between the various editions. As the publishing history of In the Twilight of Western Thought makes evident, in order for the work of Herman Dooyeweerd to continue to have influence, his published and unpublished works must be carefully catalogued, their provenance clearly determined, and the publishing, translation, and revision history of each carefully delineated. (shrink)

This volume comprises studies written by prominent scholars working in the field of German Idealism. These scholars come from the English speaking philosophical world and Continental Europe. They treat major aspects of the place of religion in Idealism, Romanticism and other schools of thought and culture. They also discuss the tensions and relations between religion and philosophy in terms of the specific form they take in German Idealism, and in terms of the effect they still have on contemporary culture. The (...) authors consider figures such as Kant, Fichte, Hegel, and Jacobi. The book will prove very informative to researchers and teachers working in the fields of philosophy, philosophy of religion, and classical German philosophy. (shrink)

Die Stellung Otto Neuraths zur Deutschen Schulsoziologie der Zwanziger und Dreißiger Jahre wkd dargestellt, zum Teü anhand von Zitaten aus seinen Schriften, zum Teü anhand von Auszügen aus Briefen an seinen Sohn, in denen er gegen dessen Wunsch, Soziologie zu studieren, argumentiert. Hauptargument: daß Soziologie kein "Fach" mit einem einigermaßen klar definierten Wissen sei, das man durch systematisches Studium erwerben und in dem man dann einem gesellschaftlich anerkannten Beruf nachgehen kann. Die Briefe enthalten einiges über Otto Neuraths, wie (...) er sagt, etwas zufälligen Weg zu den Sozialwissenschaften. (shrink)

Die Stellung Otto Neuraths zur Deutschen Schulsoziologie der Zwanziger und Dreißiger Jahre wkd dargestellt, zum Teü anhand von Zitaten aus seinen Schriften, zum Teü anhand von Auszügen aus Briefen an seinen Sohn, in denen er gegen dessen Wunsch, Soziologie zu studieren, argumentiert. Hauptargument: daß Soziologie kein "Fach" mit einem einigermaßen klar definierten Wissen sei, das man durch systematisches Studium erwerben und in dem man dann einem gesellschaftlich anerkannten Beruf nachgehen kann. Die Briefe enthalten einiges über Otto Neuraths, wie (...) er sagt, etwas zufälligen Weg zu den Sozialwissenschaften. (shrink)

Clark and Chalmer’s conception of spatially extended memory is underpinned by an objectified conception of biological memory. To the extent that this can be identified with a ‘storage’ approach to memory, criticisms of it are well known and an alternative approach, perhaps more suited to an enactive account of cognition, might be one which focuses on remembering as a type of action. In the Otto story the objectification of memory is apparent not only in C&C’s characterization of the notebook (...) but also in the notion that Inga’s memory is notebook-like. Insofar as Inga’s practices, or conceptions, of remembering might be notebook-like this should not be taken as evidence of the existence of an internal store, but could instead be the result of prior interaction with notebook-like artifacts. (shrink)

Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multidisciplinary book synthesises methodologies drawn from art history, psychology and neuroscience, (...) history of science, and philosophy. This title will be of interest to scholars in art history, art theory, and the history of science and technology. (shrink)

Jaina-Onomasticon. By Johannes Klatt. Edited by Peter Flügel and Kornelius Krümpelmann. Jaina Studies, vol. 1. Wiesbaden: Otto Harrassowitz, 2017. Pp. 1012. €178.

In lieu of an abstract, here is a brief excerpt of the content:A Response to David Carr, “The Significance of Music for the Promotion of Moral and Spiritual Value”Iris M. YobDavid Carr has addressed a question that has been lurking in philosophical literature for centuries and, I might add, in our collective intuition as well: Just what is the connection between music and the moral and spiritual life? And as we have come to expect from his work, he brings a (...) new perspective to this perennial question in his answer. First he traces a line of thinking since Plato about music and the ordering of the soul, he touches on the role of music and the other arts in exploring the complexities of the moral imperative as it is lived out in human lives, and returns at the end to give a new take on the old Platonic idea of ordering of the soul. Just maybe, he suggests, the detachment, however temporary, "from the trials and tribulations that beset us in the day to day rough and tumble of human practical affairs" "in the interests of some more balanced perspective" on spiritual and moral matters "might be easier to achieve in the contemplation and appreciation of great works of 'music alone.'"This conclusion does not lay claim to more than what is perfectly reasonable. Allowing oneself to be immersed in a great work of music or art or architecture or dance may very well provide that distance from every day life where one might [End Page 209] re-center and refocus, refresh and renew one's outlook on the world. Such an engagement with an artwork can interrupt the patterns of thinking and acting that might have become increasingly thoughtless and ego-centric. It can be a re-creation in the true sense of the word. Paul Tillich, one of the great twentieth century religious philosophers, tells of an experience he had during the First World War where he served as a chaplain in the German army. On a brief leave from the front he visited Kaiser Friedrich Museum in Berlin and stood entranced before Botticelli's "Madonna and Child with Singing Angels." The moment was spiritually transformative, he tells us, lifting his spirits beyond the mud and grime of the battlefield to contemplate life and meaning on a different plane altogether. The experience enabled him to return to duty with renewed inner strength and calm.1 I believe this is a rather powerful and compelling example of what Carr is talking about.In coming to his conclusion, Carr is relying on the particularly difficult case of "music alone," that is, music that does not have words, title, or any other kind of representative function. In other words his argument does not depend on any didactic nature or morally or spiritually directive intent of the music. Rather, it is centered on music that ostensibly is not about anything. This is musical sound composed and performed for the appreciation of what it is in itself. And yet, in providing distance from the every day world, according to Carr, it can give expression to "realms of spiritual experience that lie beyond the sensual and empirical." Here we enter the world of the metaphorical and symbolic, what Rudolf Otto would call the "irrational" or "superrational," or the realm of the Holy. While Carr does not state this explicitly I would go so far as to say that this realm of the wordless and sacred is where the spiritual and the moral are grounded and from where they draw their power.Against this background, I would like to ask how does "music alone," in the sense intended by Carr and Peter Kivy from whom he borrowed the term bring about this effect? We are unable now to ask Tillich what it was that gave the Botticelli its impact for him, but it is curious that what it did for him it most likely did not do for all the other soldiers from the front who happened upon it the way he did. Tillich would most likely explain its effect by resorting to his theory of symbols, because after all this painting does have a literal meaning that might very well have inspired him. But... (shrink)

During the interwar period, the encyclopaedia became a popular educative instrument for demonstrating knowledge. Within the field of cultural internationalism, the pioneer of documentation Paul Otlet redefined the encyclopaedia as a documentary product or as we would say today a "multi-media" product. This article discusses the exchange of ideas between Otlet, Patrick Geddes and Otto Neurath and shows how the graphic and scenographic demonstration of encyclopaedic knowledge at the beginning of the twentieth century applied the values of scientiic (...) universalism to programs of international education and cultural reform. (shrink)