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  1. Reflections on the "wonderful height and size" of Gothic great churches and the medieval sublime.Paul Binski - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the sublime in Medieval aesthetics: art, architecture, literature, music. New York: Palgrave-Macmillan.
     
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  2.  26
    Notes on artistic invention in Gothic Europe.Paul Binski - 2014 - Intellectual History Review 24 (3):287-300.
  3.  1
    The Painted Chamber at Westminster, the Fall of Tyrants and the English Literary Model of Governance.Paul Binski - 2011 - Journal of the Warburg and Courtauld Institutes 74 (1):121-154.
  4.  18
    Ashby Kinch, Imago Mortis: Mediating Images of Death in Late Medieval Culture. Leiden and Boston: Brill, 2013. Pp. xvi, 301; 45 color and black-and-white figures. $189. ISBN: 978-90-04-24369-9. [REVIEW]Paul Binski - 2014 - Speculum 89 (4):1173-1175.
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    Dorothy Gillerman, ed., Gothic Sculpture in America, 1: The New England Museums. New York and London: Garland, 1989. Pp. xxi, 403; 309 black-and-white illustrations. $99. [REVIEW]Paul Binski - 1991 - Speculum 66 (1):158-159.
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  6.  16
    Jean A. Givens, Observation and Image-Making in Gothic Art. Cambridge, Eng.: Cambridge University Press, 2005. Pp. xv, 231 plus 8 color plates; 63 black-and-white figures. $80. [REVIEW]Paul Binski - 2006 - Speculum 81 (4):1198-1200.