While we agree that the frame problem, as initially stated by McCarthy and Hayes (1969), is a problem that arises because of the use of representations, we do not accept the anti-representationalist position that the way around the problem is to eliminate representations. We believe that internal representations of the external world are a necessary, perhaps even a defining feature, of higher cognition. We explore the notion of dynamically created context-dependent representations that emerge from a continual interaction between working memory, (...) external input, and long-term memory. We claim that only this kind of representation, necessary for higher cognitive abilities such as counterfactualization, will allow the combinatorial explosion inherent in the frame problem to be avoided. (shrink)

We present four classical theories of counterpossibles that combine modalities and counterfactuals. Two theories are anti-vacuist and forbid vacuously true counterfactuals, two are quasi-vacuist and allow counterfactuals to be vacuously true when their antecedent is not only impossible, but also inconceivable. The theories vary on how they restrict the interaction of modalities and counterfactuals. We provide a logical cartography with precise acceptable boundaries, illustrating to what extent nonvacuism about counterpossibles can be reconciled with classical logic.

This chapter explores some of the major developments in the philosophical understanding of suicide in 19th Century Western thought. Two developments in particular are considered. The first is a widespread shift towards thinking about suicide in medical terms rather than moral terms. Deploying methods initiated by a number of French and German thinkers in the preceding century who worked at the then emerging interface between the social and biological sciences, a number of 19th century thinkers ejected what they took (...) to be old metaphysical superstitions about ‘good’ and ‘evil’, and replaced them with (allegedly) hard-nosed scientific diagnoses of ‘health’ and ‘sickness’. Dismissing traditional moral arguments against the permissibility of suicide, the phenomenon came to be viewed as a symptom of decline or degeneration. How variations of this view, in biological and social contexts, reorientated practical responses to suicide in terms of treatment rather than moral condemnation is explored. The second 19th century development in philosophical thought with respect to suicide the chapter considers concerns its place in one of the most significant controversies in Germany from 1860 to the turn of the century: the Pessimismusstreit or ‘pessimism dispute’. While philosophical pessimism might be thought to vindicate or even entail suicide, many of the most prominent pessimists—including Arthur Schopenhauer and Eduard von Hartmann—denied that this was the case, and perhaps surprisingly took suicide to involve a special kind of moral and/or epistemic failing. The chapter aims to elucidate the different arguments which pessimists appealed to in order to ground this position. (shrink)

Approaching God explores the ways in which phenomenology, metaphysics and theological enquiry can throw light upon each other. This is a matter of great interest and importance to the future of philosophical theology and the philosophy of religion. What, if anything, has philosophical reflection about God to contribute to Christian theology? And if indeed philosophy plays a positive role in theological reflection—what kind of philosophy? The first-person philosophical perspective of phenomenology or the objective philosophical perspective of metaphysics? Masterson devotes three (...) chapters to, respectively, phenomenological, metaphysical, and theological approaches to God. Each are seen as animated by a first principle from which a comprehensive account of everything is said to follow—‘Human Consciousness' in the case of phenomenology; ‘Being' in the case of metaphysics; and ‘God' in the case of theology. Although philosophers and theologians such as Ricoeur, Levinas, Kearney, Caputo, and Barth are considered briefly, Approaching God essentially provides a dialogue about theological and theistic issues between the phenomenological approach of the leading French Christian phenomenologist Jean-Luc Marion and the realist metaphysical approach of Aquinas. Masterson maintains that all three approaches are needed in trying to speak appropriately about God—they are irreducible but complementary. (shrink)

Fénelon may be the most neglected of all the major early modern philosophers. His political masterwork was the most-read book in eighteenth-century France after the Bible, yet today even specialists rarely engage his work directly. This problem is particularly acute in the Anglophone world, for while Fénelon's works have been published in several excellent modern French editions, only the smallest fraction of his vast and influential corpus has appeared in modern English translation. This volume aims to help remedy this (...) by bringing to English-language audiences the first collection of his moral and political writings in translation. By so doing it hopes to make more widely available the riches of one of the leading voices of resistance to the absolutism of Louis XIV. Fénelon's political thought will thus be of particular interest to students and scholars of French history, as well as to those today engaged in questions of political resistance and reform. But Fénelon's reach also extends to fields well beyond politics and ethics. In the Enlightenment, Fénelon came to be celebrated not only as a humanitarian political reformer but also as a pioneering theorist of education, a prescient student of economics and international relations, and a key voice in contemporary philosophical debates-not to mention his fame as one of the seventeenth-century's most preeminent theologians and spiritualists and masters of French prose. As such, his work will be of interest to students and scholars in fields ranging from philosophy and political science to economics, education, literature, French history, and religion. (shrink)

ABSTRACT In this article I consider alternate but often complementary models for women’s republicanism from those discussed by Sandrine Bergès. In particular, I make use of Bergès’s insights about extending philosophical inquiry beyond traditional texts to analyse how militant political action was both informed by and informed the creation of philosophical texts, and consider the possibility of bringing direct action into the realm of philosophical investigation.

While French biologists were turning a cold shoulder to On the Origin of Species in the 1860s, Charles Darwin was earnestly pursuing a professional connection with one French physiologist in particular: Charles Brown-Séquard. Darwin had been closely following Brown-Séquard’s startling experiments on guinea pigs, which demonstrated that experimentally induced epilepsy could pass from parent to offspring. In Darwin’s mind, Brown-Séquard had produced the most convincing evidence to date that acquired traits could be inherited. Darwin saw opportunities in Brown-Séquard (...) and his work. If Brown-Séquard realized the evolutionary implications of his experiments, and then endorsed the Origin in Paris, Darwin could be well on his way to securing a French audience for his theories. Darwin quickly mobilized his powers of correspondence to make this French connection, but Brown-Séquard received Darwin’s advances with caution. A connection with Darwin could be useful in London and America, where he was increasingly spending time, but to publicly support Darwin would be professionally damaging back home in Paris. This paper examines the dance of letters between Darwin and Brown-Séquard, the politics of citation, and the delicacy of sustaining a transnational biological career between France and Britain in the 1860s. This paper casts a new perspective on an old debate in the history of biology. I show that from within the “heavy cloud” of anti-evolutionary thought in France, there existed a live wire between Brown-Séquard and Darwin. I argue that British evolutionary theory in the age of Darwin was built, in part, with French participation. (shrink)

This article is one of the first sociological explorations of power struggles between intellectuals where matters of life and death are literally at stake. It counters the prevailing tendency within sociology to study intellectuals within confined academic institutions where power struggles are limited to matters of symbolic and institutional recognition. This study explores the conflict between collaborationist and Resistance intellectuals at the end of the Second World War in France, and it focuses in particular on the purge of collaborationist intellectuals (...) which culminated in several high profile trials. This article shows that the arguments and meta-arguments put forward in these trials led to broader intellectual debates outside the courtroom. These debates not only centred on the notion of the writer’s responsibility, but also dealt with anxieties about the disintegrative forces of modern society. Whereas collaborationist intellectuals portrayed their writing as either separate from politics or rescuing a defunct or degenerate nation, Resistance intellectuals such as Jean-Paul Sartre were keen to portray collaborators as outsiders, both socially and sexually, lacking in social integration and subservient to a strong external force. The Resistance intellectuals saw the notion of individual responsibility not as antithetical but as integral to the remaking of the French nation, and this concept would become the cornerstone of the reshaping of the intellectual landscape in the post-war era in France. (shrink)

Patrick Frierson - Learning to Love: From Egoism to Generosity in Descartes - Journal of the History of Philosophy 40:3 Journal of the History of Philosophy 40.3 313-338 Learning to Love: From Egoism to Generosity in Descartes Patrick R. Frierson The whole of philosophy is like a tree. The roots are metaphysics, the trunk is physics, and the branches emerging from the trunk are all the other sciences, which may be reduced to three principal ones, namely medicine, mechanics, (...) and morals. Descartes is well known for his metaphysics and physics, the roots and trunk of his philosophical project. But Descartes's morals are generally neglected, partly because they are so difficult to find. He does not dedicate a major published work to morality. His most direct comments on it are in letters to Princess Elizabeth and Pierre Chanut. The published work that most touches on moral issues is The Passions of the Soul, which is primarily a treatise on the relationship between mind and body. As a result of this lack of primary sources , there have been only a few significant studies of Descartes's moral philosophy in French, and only two major works devoted to it in English. This neglect of Descartes's ethics is unfortunate, not least since ethical concerns sometimes influence his work in other areas. This.. (shrink)

One hundred years of French social theory : from structuralism to pragmatism -- The biological metaphor : functionalism and neo-functionalism -- The enigma of everyday life : symbolic interactionism, the dramaturgical approach and ethnomethodology -- The invasion of economic man : from rational choice theory to the new institutionalism -- Sociology meets history : Giddens's theory of modernity -- The history and the present : Foucault's archaeology and genealogy -- The spread of reason : Habermas's critical theory and beyond (...) -- A brave new world? : the empirical turn in social theory -- Conclusion : social theory for the twenty-first century. (shrink)

At the end of the nineteenth century in France, there arose a literary movement, termed le naturisme by its founder, Saint-Georges de Bouhélier. Anti-symbolist in its conception, le naturisme contained as its tenets a return to clarity and simplicity of expression and a strict avoidance of symbolist hermeticism, characteristic of Mallarmé and others. Bouhélier and his disciples triggered a polemic that raged throughout the final years of the nineteenth century and involved writers such as Emile Zola and André Gide before (...) its demise in the early twentieth century. (shrink)

The European Legacy, Volume 17, Issue 5, Page 702-703, August 2012.

Identities were “murderous” in Algeria, to borrow an expression from Amin Maalouf. However, through this process, Algeria won its independence. Albert Camus, a son of France and a child of Algeria, caught between his two mothers’ identities, was torn apart and sometimes had to make choices; he was blamed for his Franco-French vision of Algeria and, above all, in the crucial hours, for preferring his biological mother to his cultural one. In other words, Camus had a poor record in (...) Algeria. And yet, there is something like a tuning fork vibrating in unison at the sound of “Camus” and “Algeria”: it is Camus’ Mediterranean, with its timeless and universal present, which takes its sense and essence from the “Algerian Mediterraneanness”. It is a fact: Algeria allows us to understand Camus, but Camus also allows us to know Algeria. Questionable dark areas lie within either of them, but would not it be better if we imagined that Camus and Algeria could find together a world beyond the absurd and revolt, on a quest for universality that would not abolish identities which are still asserted but played down today? (shrink)

The works of three well-remembered French historians- Jules Michelet, Alphonse Aulard, and François Furet - raise the issue of memory's relationship to history, but each treats it in a different way. History for Michelet concerned the sustaining of tradition. His conceptions of the past grew directly out of a living tradition, from which he established comparatively little distance. For Aulard, history meant consecrating its events in the guise of science. History for Furet demanded the deconstruction of the commemorative forms (...) in which the history of the Revolution had been enshrined. Today's historians may not wish to commemorate the past, but a historiography that dismisses the significance of a tradition of understanding the passions of the past is likely to lose its appeal to posterity. The writings emanating from this tradition hold great power to reveal the meaning the Revolution held for its participants. Overlooking the potency of these writings in order to underscore their power to shape the form of the Revolution's commemoration would be to deprive the event itself of enduring appeal. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 35.1 (2005) 136-146MuseSearchJournalsThis JournalContents[Access article in PDF]The Christian Bain de Diane, or the Stakes of an Ambiguous ParatextPatrick AmstutzTranslated by Gerald MooreUpon its publication, Le bain de Diane elicited few reactions on the part of criticism. Klossowski's name was still a secret and, despite its note among writers such as Bataille, Beauvoir, Camus, Parain, and Sartre and their public following, the number of readers to have read this (...) fifth work remained confined to those already familiar with Klossow-ski the essayist (Sade mon prochain, Méditations bibliques de Hamann), or the novelist (La vocation suspendue, Roberte, ce soir). The discreet silence that characterized the first reception of Le bain de Diane would last until the end of the seventies, despite a reedition in 1972 by the same publisher. During this time three important moments made Le bain de Diane resurface at the heart of the literary world: first, in fictional form, thanks to a subtle but explicit homage paid by Henri Thomas [Le promontoire]; second, in the form of a penetrating commentary article by Michel Foucault ["La prose d'Actéon"], and finally, at the hands of René Micha and Catherine Backès-Clément, key contributors to the issue that the review L'Arc dedicated to the writer. The reedition of Le bain de Diane by Gallimard1 would significantly relaunch interest in this work which, one comes increasingly to realize, is a major text in the Klossowskian oeuvre: offering a reflection on the image and writing, it was Gilles Quinsat who would open this new period of critical reception.An Uncertain IdentityQuinsat emphasizes the "series of 'tableaux' that glazes Le Bain de Diane" in accordance with a "circular" descriptive movement, he says, "from vision to commentary, attributed to the deferral without end of signs, and which feeds the entire work of Pierre Klossowski" [95]. And if he borrows the term "exegesis" from Foucault to describe the genre of the work, he immediately associates it with that of "narrative." A quarter of a century earlier, a commentary in the new Nouvelle revue française had already underlined the "disconcerting" character of Klossowski's book, by accentuating not only the strangeness of its thematic, but also the difficulties posed by the uncertainty of its generic belonging (which is echoed by the absent mention of a paratext): the critic, hesitating, suggested somewhat confusedly a typological kinship with philosophical commentary, theological scholasticism, prose poetry, series of paintings, historical narrative and even the analysis of myths [Amer 144]. In fact, this mythological "reverie," neither an essay nor a narrative, is, from this point of view, a typically Klossowskian [End Page 136] book, as Ian James has more recently reminded us [143]. Le bain de Diane mixes erudite commentary and narrative discourse so well that it entices its commentators into the traps of scholarly, historical, and philological annotation. Yet this would be to forget, as Maurice Blanchot has observed [92–94], that the written oeuvre of Klossowski belongs fully to the field of literature, even more so than to those of philosophy, theology, or psychoanalysis.When it comes to discerning the literariness of this literary object, which the different paratextual and intertextual stakes and levels underline, the principal difficulty consists in not losing oneself in a mythological labyrinth and innumerable variants of the cult of Artemis, which was one of the most significant, oldest, and popular cults of the Greco-Roman era and which plunges into a world on whose complexity historians and philologists have insisted on many occasions. The study of Klossowski's sources could lead one through multiple disciplines (philology, mythography, psychoanalysis, the history of religions, history of art, French literature—all centuries cobbled together, and so on) to overly vast inquiries: the goddess "of a thousand names" assumes a properly vertiginous semiotic richness, and the cult of Artemis, before being linked to that of Apollo, stretches back to time immemorial where, behind Artemis, can be glimpsed the Asiatic figure of a Great Mother Goddess, whose... (shrink)

Over the last two decades, the various attempts to “radicalize” Levinas have resulted in two interesting and often separated debates: one the one hand, there is the debate regarding the relationship between Levinas and colonialism and racism, and on the other hand, there is the debate regarding the relationship between Levinas and Judaism. Whether scholars interested in issues of colonialism disregard Levinas's Judaism or use his "subaltern" identity to challenge European hegemony, they do not take seriously the Jewish content of (...) Levinas's thought. In this essay, I challenge the prevailing postcolonial orinetation of the Levinas-colonialism conversation, approaching Levinas's phenomenology from an anticolonial perspective. I will use Frantz Fanon’s dualistic understanding of the colonial world to evaluate the adequacy of Levinas’s phenomenology in describing the ontological structure of the colony and the historical experience of the colonized within it. Levinas’s incomplete understanding of the Holocaust as colonialism contributes to his failure to recognize the dividing line of colonial ontology, the zone of nonbeing, the non-human status of the colonized, and ultimately contributes to the insufficiency of his phenomenology to describe the colony. Because my purpose is not to reject Levinas’s thought in general but to encourage a new approach to his work, in the conclusion I will gesture toward the need for an anticolonial reading of Levinas’s project for Jewish education. (shrink)

PresentationThis article is the first English translation of French scholar Patrick Wotling’s extensive research on Nietzsche. In order to understand Nietzsche’s work, Patrick Wotling follows closely Nietzsche’s well-known injunction to his readers: “learn to read me well!” Hence, he seeks to do a close reading of Nietzsche’s texts, which often resemble a seemingly random juxtaposition of ideas, looking for signs that allow the reader to follow Nietzsche’s thought and weave together a correct interpretation. In so doing it (...) is imperative to reject any reading based on an interpretive framework that is not found in the text itself. This approach is tied to the specificity of Nietzsche’s work in that unlike philosophers before him, he does not hold the pursuit of truth to be the genuine goal of philosophy, and therefore does not write traditional systematic treatises. It is thus necessary to use this close reading approach to reveal the new patterns of thought that Nietzsche uses in place of traditional logical frameworks. Using this method, P. Wotling contends that Nietzsche’s thinking is organized along two tightly bound lines: on the one hand there is a genealogical inquiry, which consists of identifying and evaluating the value of values, and on the other hand there is a concern for the cultivation, or breeding of human life, which aims at putting in place certain values with the goal of elevating humanity and creating human flourishing. The second goal implies the first, meaning that before knowing what values should be instituted, it is necessary to establish the hierarchy of values, in order to identify which ones are the most useful for the cultivation and enrichment of humanity.What are Nietzsche’s reasons for criticizing truth? How far does such criticism extend, and how does Nietzsche understand the consequences of his position as regards the philosophical praxis? The discovery of a radical opposition between truth and thought shows that being irrefutable cannot be assimilated to being true, and, at the same time, that truth is interpretation. On closer scrutiny, it appears to be not an essence, but a value, that is to say a type of error that has become essential for the continuation of our life, linked to a long process of physical-psychological absorption, and now productive of a deceptive feeling of necessity. As a consequence, philosophy cannot be equated with the pursuit of truth any longer: first, because, as a free spirit, the genuine philosopher is to be thought of as a lover of riddles, shaped on Epicurus’ pattern rather than on Plato’s; and more importantly, because the philosopher’s real aim is to investigate the value of all particular values for the development of human life, and, in accordance, to create and impose new “truths.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Citizens Without Sovereignty: Equality and Sociability in French Thought, 1670–1789Patrick HenryCitizens Without Sovereignty: Equality and Sociability in French Thought, 1670–1789, by Daniel Gordon; viii & 270 pp. Princeton: Princeton University Press, 1994, $39.50.Under examination here is the early modern period in France from Louis XIV to the French Revolution when kings ruled absolutely and citizens were without sovereignty. Discarding the traditional image of the Enlightenment (...) as the absolute enemy of absolutism, Gordon, in this sense, follows Norbert Elias and Robert Darnton who treat the Enlightenment as part of an elitist and hierarchical establishment. More specifically, as his subtitle indicates, Gordon portrays the invention of a “nonpolitical polis” (p. 6), an ideological social space where, despite political inequality, citizens could practice social equality in a hierarchical régime. The rise of this “nondemocratic egalitarian ethos” (p. 7) brought with it a new cult of sociabilité, a term invented in the eighteenth century to describe the idealization of the private sphere and the practice of social equality.The first chapter, then, ties sociability not to democracy, as in the Habermasian model, but to the absolutism that stimulated it and coexisted with it. A series of five ideal types of sociability depict how men and women, members of the bourgeoisie and the aristocracy, came together—in commerce, public welfare, scientific academies, salons, cafés, public libraries, and various other social situations not protorevolutionary in character—to create a bond among equals [End Page 279] under the ancien régime. In this framework, progress and modernity are born during the absolute monarchy where sociability suggests conviviality rather than class warfare. Every major French novel of the eighteenth century supports Gordon’s refutation of De Toqueville’s surprising statement that “noblemen and bourgeois never met except by chance in private life “in prerevolutionary France” (p. 27).In chapters two and three, Gordon examines the nature of the rules of sociability found in courtesy literature and their functioning as the imagined basis of the newly invented idealized space called société. In addition to analyzing in great detail the nature and frequency of the vocabulary invented to define and describe sociabilité, Gordon discusses sociabilité in the context of natural law theory in Hobbes, Bossuet, and among others, Pufendorf, who wanted to refute Hobbes by showing that self-interest leads humans to establish stable social relations even before government orders them to do so. Holbach surfaces here too for having amalgamated the older language of politeness and the newer language of natural law. In Holbach, as in the Encyclopédie, sociability, based on egalitarian premises of natural law, is nonetheless fully compatible with the hierarchical regime. Among other things, this shows clearly that the philosophes never preached the French Revolution. Striving to eliminate the abuses of despotism and establish equality in private life was not tantamount to working for political equality and the abolition of all rank. In this same vein, Gordon paints the apolitical essence of the private sphere and, by a rigorous study of the seventeenth-century manuals of polite living, shows convincingly (this time against Elias who saw the court as a model of refined behavior) that the salon was indeed a world unto itself, independent of preexisting social hierarchies. Rejecting Paul Hazard’s conception of absolute rupture between seventeenth-century culture and eighteenth-century thought, Gordon destroys the facile dichotomy between seventeenth-century hierarchy and eighteenth-century equality and, once again, admirably depicts the compatibility of Enlightenment and absolutism.If chapters one to three underscore a certain continuity between the seventeenth and eighteenth centuries, chapters four and five explain important changes. It is not, for example, the mere preservation of the idea of sociable communication but rather its new use that is germane in understanding the Enlightenment. Now “conversation” and “civility” no longer had meaning only for an urban elite but had in fact become ideals in all philosophical endeavors including the writing of universal history. Sociable communication had become the defining characteristic of modern nations. In the fourth chapter, by analyzing in detail the works of Jean-Baptiste Suard, Gordon demonstrates the meaning that the writing of universal history in Scotland acquired within the French... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Philosopher’s Demise: Learning FrenchPatrick HenryThe Philosopher’s Demise: Learning French, by Richard Watson; 133 pp. Columbia: University of Missouri Press, 1995, $22.50.An internationally known expert on caving and the life and works of Descartes, Watson writes traditional philosophical criticism as well as novels like The Runner (1981) and Niagra (1993). The Philosopher’s Demise, however, is the final part of a very loosely woven trilogy that is neither (...) traditional philosophical discourse nor fiction. These are certainly lighter texts than the ones on Cartesian metaphysics—indeed, they are all funny—but they also contain a good deal of practical philosophy.The Philosopher’s Diet. How To Lose Weight and Change the World (1985), for example, deals with the issue of fat, tells you how to get it off and keep it off but, in very lean prose, it also probes deeply into the form of commitment. It contains chapters on fat, food, and roughage but others entitled “Running,” “Sex,” “How to live,” and “How to die.” Fat functions here as a metaphor—it is “what clutters the unexamined life” (p. 26)—representing “the nagging triviality, the utter banality, and the inevitability of ordinary reality that separate us from what we think we want to be” (p. 145).With an occasional nod to Sartre (We are what we eat as we are what we do.) and Pascal (By altering our behavior, we can alter our beliefs.), Watson writes to provoke his readers to make a commitment to get the fat out of their lives, to take control of their actions and, perhaps, by changing themselves, to change the world. If we can, for example, “control [our] own eating habits apart from the norm imposed by society” (p. 75), we can begin to act as individuals in all other matters and completely transform our lives and, possibly, those of others. Watson, who contributed a chapter to World Hunger and Moral Obligation (1977) and who, during the 1960s, wrote a still unpublished volume entitled Sex and Revolution in which he claims that if people could revolt sexually against the [End Page 420] taboos of America, they could then perhaps be convinced to take control of the world’s food production, now remarks here, as if in passing, that if we fast for a day or two to make up for binges, we will get “a gut comprehension of what hunger really is for as many as a third of the world’s people” (p. 129). At its deepest level, The Philosopher’s Diet unveils an entire world obsessed with food—“the rich are worried about eating too much and the poor too little” (p. 56)—and underscores the immorality of not trying to change a system of food production and distribution in which we are overfed while millions are starving.The Philosopher’s Joke (1990) is a tougher book to get a handle on. It contains five chapters written in the dominant styles of philosophical writing popular in each of the last five decades. Two additional chapters complete the volume: “How to Die” which appeared almost verbatim in The Philosopher’s Diet and “A Pig’s Tail (The End of the Second Millenium).” As the book’s cover warns us, it is not always easy to ascertain the author’s position vis-à-vis the opinions reached in the specific essays. The first two chapters, though, are clearly parodies of purely formalistic writing, while the third is a skeptical but straightforward and serious attempt to establish that all interpretation is subjective. The fourth deals with deception in Kierkegaard and the themes of innocence sullied and human entrapment in Western culture. The main joke here has been played on Kierkegaard by God, “the original con man” (p. 87). Chapter six examines recent novels and films that treat the relationships between humans and apes and asks, seriously, what it would mean regarding animal rights and the place of human beings in the cosmos, if it could be shown that apes and humans can interbreed. Chapter seven brings the volume full circle. It shows how form carries content in its examination of the circular form, multiple circles, and epicycles of... (shrink)

“I have but one language—yet that language is not mine.” This book intertwines theoretical reflection with historical and cultural particularity to enunciate, then analyze this conundrum in terms of the author’s own relationship to the French language. The book operates on three levels. At the first level, a theoretical inquiry investigates the relation between individuals and their “own” language. It also explores the structural limits, desires, and interdictions inherent in such “possession,” as well as the corporeal aspect of language (...) and the question of the “countability” of languages. At the second level, the author testifies to aspects of his acculturation as an Algerian Jew with respect to language acquisition, schooling, citizenship, and the dynamics of cultural-political exclusion and inclusion. At the third level, the book is comparative, drawing on statements from a wide range of figures, from the Moroccan Abdelkebir Khatibi to Franz Rosenzweig, Gershom Scholem, Hannah Arendt, and Emmanuel Levinas. Since one of the book’s central themes is the question of linguistic and cultural identity, its argument touches on several issues relevant to the current debates on multiculturalism. These issues include the implementation of colonialism in the schools, the tacit or explicit censorship that excludes other languages from serious critical consideration, the investment in an ideal of linguistic purity, and the problematics of translation. The author also reveals the complex interplay of psychological factors that invests the subject of identity with the desire to recover a “lost” language of origin and with the ambition to master the language of the colonizer. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Art Education and the Emergence of Radical Art Movements in Egypt: The Surrealists and the Contemporary Arts Group, 1938–1951Patrick Kane (bio)So it wasn’t the aim of the artist to just toss out a work of art. A tradition of the exhibition of the natural, and its meaning was not that it fled from life, but that it had penetrated and plunged into reality. Its meaning was not a prescription (...) or plain exercise in the taste of the sublime, or harmony of forms and charming scenes; and its meaning was not as a decoration of life; it was in its expression of what life inspires in us to give back.—Henry Moore, as quoted by Ramses Yunan, in “The Aim of the Contemporary Artist”1In these crucial days of difficulty, the artists in this country live in tall aristocratic towers.... For this peasant has an art of his own that sustains him, and it is not that art of the educated class.—Kamil Al-Tilmisani (c. 1941–1942)By 1938, as the agrarian crisis in Egypt deepened, the Depression, food shortages, low wages, expropriations of crops, and forced rents opened a polemic among Egyptian intellectuals over the role of the state and the looming threat of fascism. With the dismissal of the government of Mustafa Al-Nahas at the end of 1937, the political turbulence underscored the weakening of the Wafd Party. Opponents of the old Wafdists and supporters of the monarchy resorted to openly fascist tactics, including the establishment of youth organizations and the Blue Shirts, the fascist front of the young Wafdists who modeled themselves on Mussolini’s Black Shirts. The serial crises of agrarian struggles and parliamentary stalemates between [End Page 95] nationalists and monarchists led to increasingly militant stances by the paramilitary fascist organization Misr Al-Fattah (Young Egypt) as a counter to the Muslim Brothers. When Mahmud Khalil resigned from the Wafd and assumed the presidency of the Senate in 1938, his ascension opened a new phase of struggle in politics through culture and the arts.2 In this context, caricatures and satirical sculptures of Khalil appeared in 1939 that parodied him as the icon of a “dictatorship of art.”3 Leading intellectuals from all political stances addressed these issues directly. The cultural journals were peppered with articles on the problems of everyday life and the material crises with such representative titles as ‘Abbas al-Aqqad’s “Food for the Rich,” in which he raised the problem of food shortages and inequity as an issue for reform.4 Within the year, articles in Al-Risala and Al-Thaqafa drew comparisons with French and Italian nineteenth-century landscapes as a model for the recognition of the countryside as a subject. In journalism and the arts, suffering became a part of the recognition of the everyday, as articles appeared on Millet’s nineteenth-century paintings of French peasants.As the war in Europe encroached into the cover pages of Egypt’s cultural journals, Zaki Muhammad Hasan wrote an essay for Al-Thaqafa entitled “The Angelus,” with a reproduction of the 1859 painting by Jean Francois Millet (1814–1874).5 Hasan wrote about Millet’s interest in the “the daily labors of the peasant” as a depiction of the conditions of French peasants. Hasan’s mention of Millet’s own peasant origins, and his listing of paintings of social conditions, including Les Glaneuses (The Gleaners), reflected a broadening interest in the artistic subject of the peasant and the rise of the peasant as artist. Although in Millet’s painting there is a prayer scene of a man and a woman in the fields that is generally regarded as the evening prayer with the sun setting, an Egyptian reader could link the prayer with the issue of workers taking breaks in the fields at a time when the issue of compensation of peasant farm workers was paramount.6 Hasan introduced “The Angelus” to his readers as a Catholic prayer in southern Europe offered at dawn, noon, and sunset and compared the origins of the prayer’s stanzas from the Gospel of Luke 1:28–31 with passages from the chapter on Maryam in the Quran... (shrink)

Written by leading scholars in the field, this collection analyses the notion of travel writing as a genre, while tracing significant examples of Mediterranean travel writing that return us to Ancient Greece, to Medieval pilgrimages, to Venetians diplomatic missions, to an Egyptian's account of Paris in the nineteenth century, to French artistic journeys in North Africa and to contemporary narratives of privileged resettlement, death and dislocation.

Author of the 'obscene' narrative Story of the Eye and of works of heretical philosophy such as Inner Experience, Georges Bataille is one of the most powerful and secretly influential French thinkers of the last century. His work is driven by a compulsion to communicate an experience which exceeds the limits of communicative exchange, and also constitutes a sustained focus on the nature of this demand. After Bataille takes this sense of compulsion as its motive and traces it across (...) different figures in Bataille's thought, from an obsession with the thematic and the event of sacrifice, through the exposure of being and of the subject, to the necessary relation to others in friendship and in community. In each of these instances After Bataille is distinctive in staging a series of encounters between Bataille, his contemporaries, and critics and theorists who extend or engage with his legacy. It thus offers a vital account of the place of Bataille in contemporary thought. Book jacket. (shrink)

THE following treatise on Sextus Empiricus and Greek Scepticism has been prepared to supply a need much felt in the English language by students of Greek philosophy. For while other schools of Greek philosophy have been exhaustively and critically discussed by English scholars, there are few sources of information available to the student who wishes to make himself familiar with the teachings of Pyrrhonism. The aim has been, accordingly, to give a concise presentation of Pyrrhonism in relation to its historical (...) development and the Scepticism of the Academy, with critical references to the French and German works existing on the subject. The time and manner of the connection of Sextus Empiricus with the Pyrrhonean School has also been discussed. As the First Book of the "Hypotyposes," or Pyrrhonic Sketches by Sextus Empiricus, contains the substance of the teachings of Pyrrhonism, it has been hoped that a translation of it into English might prove a useful contribution to the literature on Pyrrhonism, and this translation has been added to the critical part of the work. (shrink)

This paper argues against a common misunderstanding of Foucault's work. Even after the release of his lectures at the Collège de France, which ran throughout the 1970s until his death in 1984, he is still often taken to have made an "ethical" turn toward the end of his life. As opposed to his genealogies of power published in the 1970s, which are relentlessly suspicious of claims of individual agency, his final monographs focus on the ethical self-formation of free individuals. I (...) suggest that this basic misinterpretation makes possible interpretations of Foucault's work as being sympathetic to neoliberal government, by linking the ethical turn to a "liberal" or "neoliberal" turn in his thought. I present a case against the ethical turn by arguing that Foucault's main focus, throughout the 1970s and 1980s, is a concern for the ways in which we become obligated by truth. (shrink)

The living conditions of migrants, the discrimination to which they are exposed, does not appear on our colour-blind statistical radars. Categories based on ethnicity and race apparently contradict the goals of the French model, egalitarian and universalist. But accounting for them can help greatly in the struggle against inequalities, and constitutes a precondition to real universality.

This article offers a new explanation for the sudden rise in popularity of French existentialism, in particular of Sartre’s version, in the mid-1940s. It develops a multidimensional account that recognizes both structural and cultural factors. The explanation differs from, and more fully addresses the complexity of the situation than, the two most prominent existing explanations: namely Anna Boschetti’s Bourdieu-inspired account and Randall Collins’s network-based approach. It is argued that, because of specific socio-political circumstances, the intellectual establishment became tainted and (...) lost legitimacy, with its aesthetic and philosophical views now regarded as outdated if not politically dangerous. This hiatus brought unprecedented publishing opportunities for a new philosophical current, and skilful public performances by the main protagonists helped its ascendancy. Most importantly, existentialist writers colluded with de Gaulle in portraying a cohesive and defiant French nation; and their philosophy, especially in its notion of responsibility, enabled sections of French society to assimilate and make sense of the recent past, whilst drawing a line underneath it so as to move forward. (shrink)

This anthology assembles original contributions by leadinganalytical philosophers to a broad range of topics on whichSuppes set out ideas which still point the way ahead. All the papersincluded were originally given at the 1st International LauenerSymposium on Analytical Philosophy, which accompanied the Presentationof the first Lauener Prize to Patrick Suppes. His detailedcommentaries on each of the revised articles as well as the addedinterview elicit a spirit of constructive academic conversation.The book joins together contributions by Patrick Suppes, DagfinnFllesdal, Nancy (...) Cartwright, Wilhelm K. Essler, Steven French,Stephan Hartmann, and Michael Frauchiger. The collection as awhole puts a different and stimulating perspective on a varietyof issues in the methodology of science and philosophy. (shrink)

Some philosophers in recent discussions concerned with current ecological crises have attempted to address and sometimes to utilize poststructuralist thought. Yet few of their studies have delineated the ecological orientation of a specific poststructuralist. In this paper, I provide a discussion of the naturalistic ontology embraced by the contemporary French philosopher Gilles Deleuze, one of the most significant voices in poststructuralism. I interpret Deleuze as holding an ecologically informed perspective that emphasizes the human place within nature while encouraging awareness (...) of and respect for the differences of interconnected life on the planet. I also suggest that this view may be joined with Deleuze’s innovative ethical-political approach, which he refers to as micropolitics, to create new ways of thinking and feeling that support social and political transformation with respect to the flourishing of ecological diversity. Finally, I briefly show how Deleuze’s ecological orientation compares to several versions of ecological theory and politics. (shrink)

Some philosophers in recent discussions concerned with current ecological crises have attempted to address and sometimes to utilize poststructuralist thought. Yet few of their studies have delineated the ecological orientation of a specific poststructuralist. In this paper, I provide a discussion of the naturalistic ontology embraced by the contemporary French philosopher Gilles Deleuze, one of the most significant voices in poststructuralism. I interpret Deleuze as holding an ecologically informed perspective that emphasizes the human place within nature while encouraging awareness (...) of and respect for the differences of interconnected life on the planet. I also suggest that this view may be joined with Deleuze’s innovative ethical-political approach, which he refers to as micropolitics, to create new ways of thinking and feeling that support social and political transformation with respect to the flourishing of ecological diversity. Finally, I briefly show how Deleuze’s ecological orientation compares to several versions of ecological theory and politics. (shrink)

Emerging in the wake of the broad paradigm of semiotics in discourses in the human sciences in France in the 1960s, and from other developments and emergent tendencies in philosophy and critical theory, a cluster of works in French thought of the 1970s, by Gilles Deleuze and Félix Guattari, Jean-François Lyotard, and Roland Barthes, investigate the liminal spaces and dynamic relations between sense, sound, and noise. Depending on the angle adopted, these investigations bear upon the relations between articulated sound (...) and noise; language and sound, the formed and the unformed, the coded and the non-coded, sound and music, sound and silence, and other formulations of acoustic liminality. This article brings to light how noise is an operative concept across this material; I argue for its pertinence to the question of the “mental state of noise” as elaborated by Steven Sands and John Ratey in their seminal piece “The Concept of Noise,” and then critically assessed by Cécile Malaspina in The Epistemology of Noise. (shrink)

This monograph is set forth in three sections. The first presents Whitehead's "La théorie Relationniste De L'Espace" in the original French. With the exception of page numerals, this reproduction is an exact duplicate of the original printing. (See the Commentary, p.65, for references.) The second section consists of an English translation of this essay. Here the aim has been the faithful rendering of Whitehead's ideas—sometimes, perhaps, at the expense of rhetorical polish. The third section, the commentary, attempts to shed (...) some light on some of the philosophical and mathematical difficulties of the essay.My thanks are extended to Librairie Armand Colin for granting me permission to reproduce the French original. (shrink)

At its core, the evolution of democratic civil society is a process of transcending existing, historical social space, a process that desires to dissolve "political society" into "civil society" and with it to reformulate space as more democratic, participatory public space, and global spheres of interaction. In this article, the author examines the implications of globalization and the evolution of democratic civil society. Drawing on the work of French theorists de Certeau and Lefebvre, the author examines the nature of (...) space as a social construct and the importance of understanding space as a practiced place in relation to the evolution of democratic civil society that makes transnational space a practiced place for global civil society. The author argues that as globalization spreads across nation-states, spatial forces produced by economic, cultural, and political discourses and practices give way to the potential for the evolution of democratic civil society. (shrink)

On the one hand, anger and gratitude are crucial in appreciating what one owes to oneself or others; on the other, they disturb one's internal balance and reinforce one's dependence upon others. This book explores the tension between these two attitudes in the work of French Enlightenment writers such as Rousseau, Diderot, Marivaux, and Challe.

The work of the French literary review, intellectual grouping and publishing team Tel Quel had a profound impact on the formation of literary and cultural debate in the 1960s and 70s. Its legacy has had enormous influence on the parameters of such debate today. From its beginning in 1960 to its closure in 1982, it published some of the earliest work of Jacques Derrida, Julia Kristeva, Michel Foucault and Roland Barthes. It was also associated with some of the key (...) ideas of the French avant-garde, publishing key articles by Georges Bataille and Antonin Artaud. The Tel Quel Reader presents for the first time in English the key essays written by the Tel Quel group. Essays by Julia Kristeva, one of the review's editor's Michel Foucault, and a fascinating interview with Roland Barthes are here made available for the first time in English. It provides a unique insight into the post-structuralist movement and presents some of the pioneering essays on literature and culture, film, semiotics and psychoanalysis. Assembling key essays from over a twenty-year period, The Tel Quel Reader is an indispensible resource for students of literature, cultural and visual studies, philosophy and French studies. (shrink)