Results for 'Parameshwar Srikantia'

5 found
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  1.  8
    Distributions of the sensible: Rancière, between aesthetics and politics.Scott Durham, Dilip Parameshwar Gaonkar & Jacques Rancière (eds.) - 2019 - Evanston, Illinois: Northwestern University Press.
    Distributions of the Sensible is a collection original essays by leading scholars on the relation of Jacques Rancière's thought to political theory, critical theory, philosophical aesthetics, and film.
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  2.  33
    Resistance to reflexivity.Dilip Parameshwar Gaonkar - 1997 - Social Epistemology 11 (2):165 – 170.
  3.  99
    The Revival of Rhetoric, the New Rhetoric, and the Rhetorical Turn: Some Distinctions.Dilip Parameshwar Gaonkar - 1993 - Informal Logic 15 (1).
    Each of the three phrases-the revival of rhetoric, the new rhetoric, and the rhetorical turn-points to a rediscovery of rhetoric in contemporary thought. However, the scholarly work, motivation and commitments associated with each phrase invokes and puts into playa different notion of rhetoric. In this paper, I explore those differences with a view to showing how the "rhetorical turn," unlike the "revival of rhetoric" and the "new rhetoric," repositions rhetoric as a "metadiscipline." Thus, it signifies a radical shift in the (...)
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  4.  11
    Review of Craig Calhoun, Dilip Parameshwar Gaonkar and Charles Taylor: Degenerations of Democracy[REVIEW]Jonathan Lear - 2023 - Critical Inquiry 50 (1):189-191.
  5.  5
    Time and Narrative, Volume 2.Kathleen McLaughlin & David Pellauer (eds.) - 1984 - University of Chicago Press.
    In volume 1 of this three-volume work, Paul Ricoeur examined the relations between time and narrative in historical writing. Now, in volume 2, he examines these relations in fiction and theories of literature. Ricoeur treats the question of just how far the Aristotelian concept of "plot" in narrative fiction can be expanded and whether there is a point at which narrative fiction as a literary form not only blurs at the edges but ceases to exist at all. Though some semiotic (...)
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