The aim of this article is to understand an important passage in the history of the sciences of the psyche: starting from the psychiatric problematization — and the consequent emergence — of the concept and the object called ‘sexuality’ in the second half of the 19th century, it attempts to show a series of continuities and discontinuities between this kind of reasoning and the birth of psychoanalysis in the first years of the 20th century. The particular focus is therefore directed (...) on two texts: Krafft-Ebing’s Psychopathia Sexualis and Freud’s Three Essays on the Theory of Sexuality. The argument runs along three intertwined axes: (1) an historico-epistemological analysis of the concepts and their transformations in the field of the science of sexuality; (2) an analysis of the power relationships between patients and physicians; and (3) an account of the psychiatric technologies of the self that have as an effect the emergence of new forms of ‘objective’ knowledge of the subject. The broader goal is to trace a map of the simultaneous and correlate coming into being and transformations both of new forms of objects and of new forms of subjects through the mediation of scientific concepts and techniques. (shrink)

As is made clear by the exergue by Carlo Ginzburg at the beginning of the introduction to the volume, the topic of fakes, forgeries, deceptions, and hoaxes in early modern science touches upon several crucial issues for historians of science, such as the possibilities of disentangling the true from the false in writing history, and to assess criteria of demarcations of truth and falsity in knowledge. Moreover, dealing with fakes also means going beyond rigid disciplinary boundaries. Indeed, the editors Marco (...) Beretta and Maria Conforti underline that the inspirational sources for this book—which has its origins from the Second Watson Seminar in the History of Material and Visual Science held at the Museo Galileo in Florence in June 2013—range from Orson Welles to Trevor Roper’s famous The Hermit of Peking. Consequently, starting from the “rather naïve question” of why, since fakes, forgeries, and deception techniques proliferate in early modern sciences and culture, we still have v .. (shrink)

This article draws attention to several different practices of observation, manipulation, and experimentation with the surface of natural things. Beginning from the observation that the surfaces of natural things invited observation, manipulation, measurement, and re-configuration, with the promise to unveil the knowledge of depths, this article explores how practical knowledge about the surface of things and bodies led to new conceptions of nature and matter as composed of layers, corpuscles, and artificially reproducible solid parts in early modern Europe. This article (...) explores issues of knowledge production, and studies the ways in which material knowledge-making practices contributed to the habits of observing and experimenting with the surface of nature. By discussing three groups of cases in which nature was known by its surface and practice was mixed with theoretical appraisals of matter—surgeons, butchers, and food-cutters; gardeners and agronomists; and physicians—this article argues that “cognitive models” focusing on the description as well as the manipulation of natural surfaces informed both artisanal practices and natural philosophy, bridging the “high” and the “low” in the age of the “scientific revolution.”. (shrink)