In this study, Paola Marrati approaches—in an extremely insightful, rigorous, and well-argued way—the question of the philosophical sources of Derrida's thought through a consideration of his reading of both Husserl and Heidegger. A central focus of the book is the analysis of the concepts of genesis and trace as they define Derrida's thinking of historicity, time, and subjectivity. Notions such as the contamination of the empirical and the transcendental, dissemination and writing, are explained as key categories establishing a guiding thread (...) that runs through Derrida's early and later works. Whereas in his discussion of Husserl Derrida problematizes the relationship between the ideality of meaning and the singularity of its historical production, in his interpretation of Heidegger he challenges the very idea of the originary finitude of temporality. This book is essential reading not only for those interested in the philosophical roots of deconstruction, but for all those interested in the central questions of history and temporality, subjectivity and language, that pervade contemporary debates in cultural, literary, and visual theory alike. (shrink)

Bergson's engagement with evolutionary theory was remarkably up to date with the science of his time. One century later, the scientific and social landscape is undoubtedly quite different, but some of his insights remain of critical importance for the present. This paper aims at discussing three related aspects of Bergson's philosophy of evolution and their relevance for contemporary debates: first, the stark distinction between the affirmation of the reality of change and becoming, on the one hand, and any notion of (...) progress on the other; second, the insistence on the intimate interplay between forms of knowledge and forms of life; third, his idea that machines and organisms, technology and biology, are not separate domains but, rather, stem from and answer to the same problems and needs that living beings express. Such a Bergsonian framework may prove very helpful in reassessing the implicit assumptions of several contemporary debates on the ethical and political stakes of evolution, biosciences, and technologies, as well as the increasingly problematic boundary between “biology” and “culture.”. (shrink)

This book aims at a philosophical reading of Derrida's work through a discussion of the most important issues of Derrida's confrontation with Husserl and Heidegger. The Derridean notions of trace and writing are elaborated as an answer to the difficulties of Husserlian conception of a transcendental genesis; they are also a challenge to the Heideggerian thinking of the originary finitude of Dasein, as well as to the determination of difference as ontological difference.

We invited five Cavell scholars to write on this topic. What follows is a vibrant exchange among Paola Marrati, Andrew Norris, Jörg Volbers, Cary Wolfe and Thomas Dumm addressing the question whether, in the contemporary political context, Cavell’s skepticism and his Emersonian perfectionism amount to a politics at all.

In 1964, Jacques Derrida’s long essay “Violence and Metaphysics” opened a dialogue with Emmanuel Levinas that would not be interrupted until Derrida’srecent death. Published only three years after the appearance of Totality and Infinity and at a moment when Derrida’s own early texts were still in the course of elaboration, this text right away recognizes the legitimacy and the import of Levinas’s philosophical project. Derrida pays homage to the Levinasian attempt to interrogate the whole of the western philosophical tradition beginning (...) from its Greek origin — which should not be understood as an empirical place but as a system of categories and fundamental concepts, elaborated for the first time in Greece and structuring the entire philosophical discourse. According to Levinas, these concepts are dominated by “the supremacy of the One and the Same” (cf. TO 35) making the long history of philosophy a history that takes place in the shadow of Parmenides, who would still command — all the more surely from afar — the phenomenology of Husserl and the ontology of Heidegger. The reservations that Derrida expresses in “Violence and Metaphysics” concern more Levinas’s discursive strategy than his intentions. He does not contest the desire to open philosophy to another origin than the Greek origin, no more than the necessity of making resonate in philosophical discourse the call of an alterity capable of contesting the supremacy of the One and the Same. His reservations are situated, rather, at the level of the strategy to follow in order to render this opening finally effective. (shrink)

In 1964, Jacques Derrida’s long essay “Violence and Metaphysics” opened a dialogue with Emmanuel Levinas that would not be interrupted until Derrida’srecent death. Published only three years after the appearance of Totality and Infinity and at a moment when Derrida’s own early texts were still in the course of elaboration, this text right away recognizes the legitimacy and the import of Levinas’s philosophical project. Derrida pays homage to the Levinasian attempt to interrogate the whole of the western philosophical tradition beginning (...) from its Greek origin — which should not be understood as an empirical place but as a system of categories and fundamental concepts, elaborated for the first time in Greece and structuring the entire philosophical discourse. According to Levinas, these concepts are dominated by “the supremacy of the One and the Same” making the long history of philosophy a history that takes place in the shadow of Parmenides, who would still command — all the more surely from afar — the phenomenology of Husserl and the ontology of Heidegger. The reservations that Derrida expresses in “Violence and Metaphysics” concern more Levinas’s discursive strategy than his intentions. He does not contest the desire to open philosophy to another origin than the Greek origin, no more than the necessity of making resonate in philosophical discourse the call of an alterity capable of contesting the supremacy of the One and the Same. His reservations are situated, rather, at the level of the strategy to follow in order to render this opening finally effective. (shrink)

Gilles Deleuze est le premier philosophe français (et l'un des très rares dans le monde) à avoir consacré l'intégralité d'un ouvrage de philosophie au cinéma. S'étant fixé comme objectif de penser le cinéma dans sa singularité, à la fois comme pratique artistique et comme pensée, le philosophe s'est trouvé conduit à reconsidérer certains aspects fondamentaux de son projet philosophique, et à produire des concepts nouveaux. Une synthèse claire et concise.