Mental health has become a key concern within social discourse in recent years, and with it, the discussion about the lived experience of pain. In dealing with this experience there has been a shift away from merely relying on medical care towards more holistic approaches involving community support, public awareness, and social change. However, little if any attention has been paid in this context to the contribution of aesthetic experience engendered by art that expresses and publicly shares with others the (...) lived experience of pain. With reference to Phantom Limb, an art exhibition curated by Euan Grey and held at the Victoria Galleries and Museum Liverpool in 2016, I argue that aesthetic experience plays a crucial role in making sense of pain and suffering, thus breaking new ground in the appreciation of the significance of art for public mental health and holistic approaches towards patients. (shrink)

The soul is an elusive thing, and anyone who wants to describe it must do so with metaphors, painting it in a picture of words. The metaphors one chooses for this task will reflect the aspects one is most eager to promote of what it is to be a person, a living, breathing, thinking presence in the world. Popularly, the soul is often pictured as a little fellow inside one's head, a homunculus with whom one is in constant communication. Such (...) a picture lends color to the idea that to be a sentient being is to be in a condition of inner dialogue with oneself, reasoning things out, talking things over, and perhaps also being guided by one's conscience, an inner voice heard only by oneself. Notice that the soul so. (shrink)

Late Antique Epistemology explores the techniques used by late antique philosophers to discuss truth. Non-rational ways to discover truth, or to reform the soul, have usually been thought inferior to the philosophically approved techniques of rational argument, suitable for the less philosophically inclined, for children, savages or the uneducated. Religious rituals, oracles, erotic passion, madness may all have served to waken courage or remind us of realities obscured by everyday concerns. What is unusual in the late antique classical philosophers is (...) that these techniques were reckoned as reliable as reasoned argument, or better still. Late twentieth century commentators have offered psychological explanations of this turn, but only recently had it been accepted that there might also have been philosophical explanations, and that the later antique philosophers were not necessarily deluded. (shrink)

That the analysis of a complex object into its elements yields knowledge of it is a fundamental article of philosophical faith, which motivates the “analytic” dimension of the philosophical enterprise . On par with it, however, there is also the belief that knowledge of a complex object involves grasping it as a totality, over and beyond its constituent parts . The paradigmatic object of philosophical speculation inviting both these approaches is, of course, the universe itself. Already in Plato’s Timaeus, we (...) encounter a fully elaborated philosophical exercise of this kind—the world is simultaneously dissected into its elements , and also explicitly conceived in terms of its totality .Plotinus engages with this cosmological tradition on many levels throughout his work, yet more systematically in the treatise II.1 , entitled On the Universe or On the Heaven . The treatise concentrates on the diachronic identity of the universe, and the. (shrink)

Of all the topics in the history of philosophy, the history of different forms of thinking and contemplation is one of the most important, and yet is also relatively overlooked. What is it to think philosophically? How did different forms of thinking--reflection, contemplation, critique and analysis--emerge in different epochs? This collection offers a rich and diverse philosophical exploration of the history of contemplation, from the classical period to the twenty-first century. It covers canonical figures including Plato, Aristotle, Descartes and Kant, (...) as well as debates in less well-known areas such as classical Indian and Islamic thought and the role of speculation in twentieth-century Russian philosophy. Comprising twenty-two chapters by an international team of contributors, the volume is divided into five parts: - Flourishing and Thinking from Homer to Hume - The Thinking of Thinking from Augustine to Gödel - Images and Thinking from Plotinus to Unger - Bodies of Thought and Habits of Thinking from Plato to Irigaray - The Efficacy of Thinking from Sextus to Bataille Thought: A Philosophical History is the first comprehensive investigation of the history of philosophical thought and contemplation. As such, it is a landmark publication for anyone researching and teaching the history of philosophy, and a valuable resource for those studying the subject in related fields such as literature, religion, sociology and the history of ideas. (shrink)

At the core of Plotinus’ exploration of human selfhood, lies a reference to the myth of Dionysus-Zagreus and his mirror, one of the toys the Titans used to seduce the young Dionysus. In interpreting the myth within this context, the mirror has been invariably regarded by scholars as a symbol for matter, an external surface on which the soul is projected and becomes embodied as a human individual by dispersing in the material depths. This paper challenges this established view and (...) advances a new interpretation of Plotinus’ allusion to the myth and its philosophical significance. It argues that the mirror is not a symbol for matter, but rather a symbol for the soul itself, for its power to transform itself and retain its identity in the process of becoming a human individual. The function of the mirror is thus both deceptive and protective. While the desire that the soul, deceived by the mirror, feels for its own image guides it to leave behind its original condition and unity, it is this same desire that keeps the soul within itself: protected by the Dionysian mirror, even the most dispersed soul cannot desire anything other than what it takes to be itself, hence rather than disappearing in the radical alterity of matter, soul reaffirms its identity as an individual human self. (shrink)