Background Various authorities recommend the participation of patients in promoting patient safety, but little is known about health care professionals' (HCPs') attitudes towards patients' involvement in safety-related behaviours. Objective To investigate how HCPs evaluate patients' behaviours and HCP responses to patient involvement in the behaviour, relative to different aspects of the patient, the involved HCP and the potential error. Design Cross-sectional fractional factorial survey with seven factors embedded in two error scenarios (missed hand hygiene, medication error). Each survey included two (...) randomized vignettes that described the potential error, a patient's reaction to that error and the HCP response to the patient. Setting Twelve hospitals in Switzerland. Participants A total of 1141 HCPs (response rate 45%). Measurements Approval of patients' behaviour, HCP response to the patient, anticipated effects on the patient–HCP relationship, HCPs' support for being asked the question, affective response to the vignettes. Outcomes were measured on 7-point scales. Results Approval of patients' safety-related interventions was generally high and largely affected by patients' behaviour and correct identification of error. Anticipated effects on the patient–HCP relationship were much less positive, little correlated with approval of patients' behaviour and were mainly determined by the HCP response to intervening patients. HCPs expressed more favourable attitudes towards patients intervening about a medication error than about hand sanitation. Conclusions This study provides the first insights into predictors of HCPs' attitudes towards patient engagement in safety. Future research is however required to assess the generalizability of the findings into practice before training can be designed to address critical issues. (shrink)

This article is devoted to Russian religious thinker Semyon L. Frank’s philosophical interpretation of Alexander S. Pushkin’s work. The article identifies the place and significance of the Pushkin...

Scholars have long been captivated by the parallels between birdsong and human speech and language. In this book, leading scholars draw on the latest research to explore what birdsong can tell us about the biology of human speech and language and the consequences for evolutionary biology. They examine the cognitive and neural similarities between birdsong learning and speech and language acquisition, considering vocal imitation, auditory learning, an early vocalization phase, the structural properties of birdsong and human language, and the striking (...) similarities between the neural organization of learning and vocal production in birdsong and human speech. After outlining the basic issues involved in the study of both language and evolution, the contributors compare birdsong and language in terms of acquisition, recursion, and core structural properties, and then examine the neurobiology of song and speech, genomic factors, and the emergence and evolution of language. Contributors: Hermann Ackermann, Gabriël J.L. Beckers, Robert C. Berwick, Johan J. Bolhuis, Noam Chomsky, Frank Eisner, Martin Everaert, Michale S. Fee, Olga Fehér, Simon E. Fisher, W. Tecumseh Fitch, Jonathan B. Fritz, Sharon M.H. Gobes, Riny Huijbregts, Eric Jarvis, Robert Lachlan, Ann Law, Michael A. Long, Gary F. Marcus, Carolyn McGettigan, Daniel Mietchen, Richard Mooney, Sanne Moorman, Kazuo Okanoya, Christophe Pallier, Irene M. Pepperberg, Jonathan F. Prather, Franck Ramus, Eric Reuland, Constance Scharff, Sophie K. Scott, Neil Smith, Ofer Tchernichovski, Carel ten Cate, Christopher K. Thompson, Frank Wijnen, Moira Yip, Wolfram Ziegler, Willem Zuidema. (shrink)

The common cause principle states that correlations have prior common causes which screen off those correlations. I argue that the common cause principle is false in many circumstances, some of which are very general. I then suggest that more restricted versions of the common cause principle might hold, and I prove such a restricted version.

One of our great contemporary scientists presents ten insights that illuminate what every thinking person needs to know about what the world is and how it works. Nobel Prize winner Frank Wilczek's Fundamentals is built around a simple but profound idea: the models of the world we construct as children are practical and adequate for everyday life, but they do not bring in the surprising and mind-expanding revelations of modern science. To do that, we must look at the world (...) anew, combining clear thinking with an openness to wonder. This "born again" world is in many ways larger, fuller, and much stranger than it appears. Through an exploration of space, time, matter, and ideas--and equipped with facts, questions, and brilliant speculations--Wilczek guides us through the past, present, and future of fundamental science. Readers will emerge with an expanded vision of our universe. Author Bio: Frank Wilczek won the Nobel Prize in Physics in 2004 for work he did as a graduate student. He was among the earliest MacArthur fellows, and has won many awards both for his scientific work and his writing. He is the author of A Beautiful Question, The Lightness of Being, Fantastic Realities, Longing for the Harmonies, and hundreds of articles in leading scientific journals. His "Wilczek's Universe" column appears regularly in the Wall Street Journal. Wilczek is the Herman Feshbach Professor of Physics at the Massachusetts Institute of Technology, founding director of the T. D. Lee Institute and chief scientist at the Wilczek Quantum Center in Shanghai, China, and a distinguished professor at Arizona State University and Stockholm University. (shrink)

Suppose that two geysers, about one mile apart, erupt at irregular intervals, but usually erupt almost exactly at the same time. One would suspect that they come from a common source, or at least that there is a common cause of their eruptions. And this common cause surely acts before both eruptions take place. This idea, that simultaneous correlated events must have prior common causes, was first made precise by Hans Reichenbach (Reichenbach 1956). It can be used to infer the (...) existence of unobserved and unobservable events, and to infer causal relations from statistical relations. Unfortunately it does not appear to be universally valid, nor is there agreement as to the circumstances in which it is valid. (shrink)

Moral puzzles about actions which bring about very small or what are said to be imperceptible harms or benefits for each of a large number of people are well known. Less well known is an argument by Warren Quinn that standard theories of rationality can lead an agent to end up torturing himself or herself in a completely foreseeable way, and that this shows that standard theories of rationality need to be revised. We show where Quinn's argument goes wrong, and (...) apply this to the moral puzzles. (shrink)

Does the universe embody beautiful ideas? Artists as well as scientists throughout human history have pondered this "beautiful question." With Nobel laureate Frank Wilczek as your guide, embark on a voyage of related discoveries, from Plato and Pythagoras up to the present. Wilczek's groundbreaking work in quantum physics was inspired by his intuition to look for a deeper order of beauty in nature. In fact, every major advance in his career came from this intuition: to assume that the universe (...) embodies beautiful forms, forms whose hallmarks are symmetry--harmony, balance, proportion--and economy. There are other meanings of "beauty," but this is the deep logic of the universe--and it is no accident that it is also at the heart of what we find aesthetically pleasing and inspiring. As he reveals here, this has been the heart of scientific pursuit from Pythagoras, the ancient Greek who was the first to argue that "all things are number," to Galileo, Newton, Maxwell, Einstein, and into the deep waters of twentieth-century physics. Gorgeously illustrated, A Beautiful Question is a mind-shifting book that braids the age-old quest for beauty and the age-old quest for truth into a thrilling synthesis. Yes: the world is a work of art, and its deepest truths are ones we already feel, as if they were somehow written in our souls.--From publisher description. (shrink)

Stand-up specials seem to resemble news reporting and documentary film in that they appear prima facie to be mere documentation of an event designed to give viewers the sense of what happened at a place at a time. Closer examination, however, throws doubt upon this transparency claim and it is argued that filmic realism is not the proper lens through which to understand stand-up specials, that they represent a more artistic medium in which the director of the special needs to (...) be seen as an artist along with the comedian. (shrink)

The major tenets of the recent hypothesis of punctuated equilibrium are explicit in Darwin's writing. His notes from 1837–1838 contain references to stasis and rapid change. In the first edition of the Origin (1859), Darwin described the importance of isolation of local varieties in the process of speciation. His views on the tempo of speciation were influenced by Hugh Falconer and also, perhaps, by Edward Suess (1831–1914). It is paradoxical that, although both topics were recorded in his unpublished notes of (...) 1837–1838, the second was not explicitly and fully discussed until the fourth edition of the Origin (1866). While no wholly satisfactory explanation of this paradox suggests itself, it seems probable that Falconer's work on the persistence of fossil species of elephant helped Darwin to see the wider significance of the tempo of evolution for his general theory. (shrink)

Produced in honor of White's eightieth birthday, _Re-Figuring Hayden White_ testifies to the lasting importance of White's innovative work, which firmly reintegrates historical studies with literature and the humanities. The book is a major reconsideration of the historian's contributions and influence by an international group of leading scholars from a variety of disciplines. Individual essays address the key concepts of White's intellectual career, including tropes, narrative, figuralism, and the historical sublime while exploring the place of White's work in the philosophy (...) of history, postmodernism, and ethics. They also discuss his role as historian and teacher and apply his ideas to specific historical events. (shrink)

We discuss findings on evaluative conditioning (EC) that are problematic for the account of learning, namely, dissociations between conscious beliefs and acquired (dis)liking. We next argue that, both for EC and for Pavlovian learning in general, conditioned responding cannot rationally be inferred from propositional knowledge type and that, therefore, performance cannot be explained.

There's no shortage of gloom-and-doom viewpoints about humanity: our history of violence and war, environmental profligacy, economic and social injustice, etc. Frank S. Robinson has written this "optimist manifesto" as an antidote to such poisonous pessimism. Here you will find some radical and refreshing assertions: that most people are fundamentally good, that global society is getting better all the time, and that, in the big picture, humankind is not at the end of a brief, tragic existence but, rather, has (...) just embarked on a long, bright future. What started as an extended letter to his daughter, one father's effort to leave an intellectual legacy, grew to comprehensively cover and tie together the big philosophical, political, social, and economic issues. Writing in a highly readable style, Robinson steadfastly emphasizes reason as our best tool for discovering truth and making objective decisions. It is through this consistently rational approach to life that he argues for a positive humanistic vision, based on people being left free to pursue their dreams. Celebrating our human character and achievement as well as American ideals of liberty and opportunity, this compelling work is packed with thought-provoking ideas that engage the mind. Good-humored and entertaining, yet intellectually rigorous, it has a positive, optimistic message: we can live good and happy lives; today's world is the best ever; and tomorrow's will be better still! (shrink)

Journal Name: Semiotica - Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique Volume: 2013 Issue: 196 Pages: 111-124.

Among those included in the lists of being sent out in 1922 as part of the “Philosophers’ Steamboat,” there was Sergei Nikolayevich (Father Sergius) Bulgakov (1871–1944). Prior to his deportation, Bulgakov, after many years of struggle, reunited his philosophical and theological journeys. This is reflected in his dialogues and essays, in particular, in At the Feast of the Gods and At the Walls of Chersonesus, and Tragedy of Philosophy. In exile, Bulgakov continued to reflect on the tragedy of a thinker (...) facing a spiritual catastrophe, the tragedy of Russia torn by wars and revolutions, and his personal tragedies. Having regained his firm foundation and a way to overcome his uprootedness, Bulgakov makes an outstanding contribution to preserving Russian culture. This paper focuses on Bulgakov as a person, and his philosophy of religion is considered from the vantage point of how it reflects his personal struggles and humanistic worldview. The Philosophers’ Steamboat, an act of ideological repressions that followed the turbulent years of the Bolshevik Revolution and the Civil War, bears a lesson for today when Russia is at war again, and many prominent cultural figures sever ties with their country. Sergei Bulgakov’s fate and work set an example of living and creating through tragedy. (shrink)

One of Hans Christian Andersen's most beautiful tales is "The Emperor's Nightingale." Its message—an exceptionally sobering one in the present context—is that nature is altogether finer and more enduring than art. It tells how a Chinese emperor, beguiled by a precious imitation bird that had been given him, forsook a natural songster he had once favored. But when that glittering counterfeit broke down, its clockwork sound silenced, the now aged ruler found welcome solace in the real bird's return, in its (...) more reliable and spiritually healing song. . . . Despite the artist's foregone defeat in any contest with nature , over the ages artists have been irresistibly drawn to the challenge of imitating nature. The persistence of these claims upon their skills and the inventive flight that have been elicited in the process testify to the extraordinary hold that the desire to mirror nature, or better still, to capture something of its essence, can exert over artists and their public. Accounts of imitative prowess go back to the most ancient days, beyond the fabled skills of Zeuxis and Apelles. There is no need here to summarize the complicated but almost domestically familiar history of illusionism. Rather, it is my present intention to reflect upon some contradictions inherent in the conception of art as illusion and to review some of the more exaggerated forms in which efforts have been made to break down the boundaries between art and nature. Frank Anderson Trapp, William Rutherford Mead Professor of Fine Arts, chairman of the department of art, and director of the Mead Art Museum at Amherst College, is the author of The Attainment of Delacroix and a number of essays on the history of art. (shrink)

This review essay seeks to direct attention to intellectual history as a new and flourishing subfield in the historiography of post-1945 Germany. The essay probes and critically interrogates some of the basic arguments of Dirk Moses' prize-winning monograph German Intellectuals and the Nazi Past. It does so by engaging with a series of German-language monographs on key intellectuals of the postwar period or groups of intellectuals that have appeared during the last few years. The essay also includes two books that (...) focus on intellectual transfers from and to the United States and hence transcend the purely national framework. The essay highlights some broader themes such as West German intellectuals' confrontation with the Nazi past and with the memory of Germany's failed experiment with democracy during the interwar Weimar Republic. It also discusses the significance of the West German student movement in the 1960s for West German intellectual history. The essay concludes with some broader reflections on writing intellectual history of the postwar period, and it points to some avenues for further research. It underlines the significance of intellectual debates—and hence of intellectual history—for charting and explaining the process of postwar democratization and liberalization in the Federal Republic of Germany. (shrink)

A number of recently-offered examples demonstrate that it is possible for films to be works of philosophy, but do not speak to just how many films are. Here I suggest one way in which a great number of films could be reasonably interpreted this way. My focus is on what I take to be our most crucial criterion for a film’s being philosophy: that it must present a philosophical argument. I present here a form that is plausibly shared by a (...) good number of arguments made by films, and provide a number of examples of films that present arguments of this form in favor of philosophical conclusions. (shrink)

"Diversität" soll gefördert und in den Strukturen von Staat und Gesellschaft verwirklicht werden. Der Be¬griff "Diversität" transportiert - und das macht ihn für die Staatswissenschaften besonders interessant - eine komplexe, überwiegend noch diffuse Demokratietheorie, in der sich Gesellschafts- und Verfassungstheorie treffen. Der Autor zeigt die theoretischen und dogmatischen Folgen für den modernen Verfassungsstaat auf. Die These lautet, dass eine diverse Gesellschaft notwendig mit Identitätspolitik einhergehe, in deren Folge identitäre Gruppen nach einem "exklusionsfreien Konsens" verlangen. So belegt z. B. die Entpolitisierung (...) gesellschaftlicher Konflikte, dass die Politik gegenüber Diversitätsansprüchen aus der Gesellschaft aufgeschlossen ist. Nicht mehr nur politische Minderheiten begreifen sich als identitäre Gruppen, auch Mehrheiten haben begonnen, diesen Schritt zu gehen. Wir sehen die Rückkehr des Hasses in die politische Auseinandersetzung. Das Diversitätskonzept sollte deshalb für die liberale Demokratie freiheitsgerecht gedacht werden. (shrink)