This chapter contains sections titled: The Problem: Perspectives on Method, Or, How to Approach Being Hegel's “Vorbegriff” of Logical Method Absolute Method and the Truth of Being The Method of the Logic of Being Conclusion.

An unprecedented reading of Hegel’s Logic that sets this difficult work in a dialogue with literary texts. In this book, Angelica Nuzzo proposes a reading of Hegel’s Logic as “logic of transformation” and “logic of action,” and supports this thesis by looking to works of literature and history as exemplary of Hegel’s argument and method. By examining Melville’s Billy Budd, Molière’s Tartuffe, Beckett’s Endgame, Elizabeth Bishop’s and Giacomo Leopardi’s late poetry along with Thucydides’ History in this way, (...) class='Hi'>Nuzzo finds an unprecedented and productive way to render Hegel’s Logic alive and engaging. She argues that Melville’s Billy Budd is the most successful embodiment of the abstract movement of thinking presented in Hegel’s Logic, connecting Billy Budd’s stutter to the puzzlingly inarticulate beginning of Hegel’s Logic, “Being, pure Being,” identical with “Nothing,” and argues that the Logic serves as an especially appropriate tool for understanding the sudden violent action that strikes Claggart dead. Through these and other readings, Nuzzo finds a fresh way to address interpretive issues that have remained unresolved for almost two centuries in Hegel scholarship, and also presents well-known works of literature in an entirely new light. This account of Hegel’s Logic is framed by the need for an interpretive tool able to orient our understanding of the contemporary world as mired in an unprecedented global crisis. How can the story of our historical present—the tragedy or the comedy we all play parts in—be told? What is the inner logic of our changing world? “Angelica Nuzzo presents an original interpretation of Hegel’s Logic by representing it as a logic of action. This novel approach is supported by insightful readings of the literary texts she covers in the book.” — Andrew Cutrofello, author of All for Nothing: Hamlet’s Negativity. (shrink)

The book ends with a Hegelian interpretation of the idea of memory mobilized in Toni Morrison's and Primo Levi's literary works—examples of spirit's 'absolute memory.'.

Angelica Nuzzo - Kant and Herder on Baumgarten's Aesthetica - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 577-597 Muse Search Journals This Journal Contents Kant and Herder on Baumgarten's Aesthetica Angelica Nuzzo While philosophers since antiquity have offered reflections and theories on subjects such as the beautiful, the sublime, art, and its appreciation, "aesthetics" as a discipline in its own right dates back only to the second half of the (...) eighteenth-century. We owe to Alexander Gottlieb Baumgarten the introduction of 'aesthetics' into philosophical discourse. At the moment of its inception, however, this discipline had little to do with art and was not primarily concerned with the beautiful. It was instead a theory of the cognitive value of human sensibility—a doctrine of "sensible cognition." A general historical and systematic question presents itself at this point: How shall human sensibility be conceived in order for aesthetics as a theory of sensibility to gain an independence of its own in philosophical discourse? And accordingly: How shall the human being be conceived in order for our aesthetic experience to claim a philosophical value of its own? In this essay, I elaborate the results of the hypothesis that I submit in response to these questions. My claim is that the mind/body dualism dominating the rationalist tradition of modern philosophy is the principal obstacle.. (shrink)

: This essay analyzes the U.S. political situation before the 2003 invasion of Iraq and ties this conflict to the events of 9/11. The guiding thread of the discussion is the definition of “terrorism” that has led to George W. Bush's declared “war on terrorism.” By means of Hegel's dialectic logic, the essay exposes the problem offered by the category of causality involved in the definition of terrorism: Is terrorism the original “cause” of the war declared on it by the (...) United States or is terrorism rather the very “consequence” of that war? (shrink)

Taking as point of departure Hegelrsquo;s early reflections on his historical present, this essay examines the relationship between dialectical reason and the activity of the understanding in generating contradiction. Dialecticmdash;as logic and methodmdash;is Hegelrsquo;s attempt at a philosophical comprehension of the conflicts and the deep changes of his contemporary world. This idea of dialectic as logic of historical transformation guides the development of consciousness in the emPhenomenology of Spirit/em. Since my claim is that the dialectic of consciousness and its capacity (...) of overcoming contradiction are rooted in the historical situation of 1807, the question is raised of what would be the specific problems encountered by consciousness in our contemporary worldmdash;in 2007. What are the challenges posed by our globalized world to a phenomenology of contemporary spirit; and what is the role that contradiction and dialectic play in the understanding of our own historical present? (shrink)

Angelica Nuzzo offers a comprehensive reconstruction of Kant's theory of sensibility in his three Critiques. By introducing the notion of "transcendental embodiment," Nuzzo proposes a new understanding of Kant's views on science, nature, morality, and art. She shows that the issue of human embodiment is coherently addressed and key to comprehending vexing issues in Kant's work as a whole. In this penetrating book, Nuzzo enters new terrain and takes on questions Kant struggled with: How does a (...) body that feels pleasure and pain, desire, anger, and fear understand and experience reason and strive toward knowledge? What grounds the body's experience of art and beauty? What kind of feeling is the feeling of being alive? As she comes to grips with answers, Nuzzo goes beyond Kant to revise our view of embodiment and the essential conditions that make human experience possible. (shrink)

Kant and the Unity of Reason is a comprehensive reconstruction and a detailed analysis of Kant's Critique of Judgment. In the light of the third Critique, the book offers a final inter­pretation of the critical project as a whole. It proposes a new reading of Kant's notion of human experience in which domains, as different as knowledge, morality, and the experience of beauty and life, are finally viewed in a unified perspective. The book proposes a reading of Kant's critical project (...) as one of the most sophisticated attempts in the history of philosophy to articulate a complex notion of human "sensi­bility" as an alternative to both eighteenth-century empiricism and rationalism. The fun­damental contribution of rationality to human experience cannot be fully appreciated if the sensuous component of experience is not adequately taken into account. For Kant, "sensibility" includes functions as different as sensation, intuition, perception, emotion, passion, drive, moral feeling, and feeling of pleasure and displeasure. Kant's idea of "reflective" judgment is the peculiar discovery of the third Critique. Re­flective judgment articulates the interplay between sensibility and rationality, the world of nature and the human mind, in order to constitute human experience and the sphere of human intersubjective relationships. In the act of reflection, Kant's philosophy fi­nally comes to reflect upon itself and the meaning of its critical endeavor. (shrink)

An important collection of essays that rectifies a long-standing misconception in the history of the relation between Hegel and analytic philosophy.>.

1. There is a sense in which, quite generally, with his logic Hegel can be considered the forerunner of many projects taken up by successive (non-classical) logics—and this despite the fact that He...

_Critical essays on Hegel's views concerning the relationship between religion and politics._.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 44.4 (2006) 577-597 MuseSearchJournalsThis JournalContents[Access article in PDF]Kant and Herder on Baumgarten's AestheticaAngelica NuzzoWhile philosophers since antiquity have offered reflections and theories on subjects such as the beautiful, the sublime, art, and its appreciation, "aesthetics" as a discipline in its own right dates back only to the second half of the eighteenth-century. We owe to Alexander Gottlieb Baumgarten (1714–1762) the introduction of 'aesthetics' (...) into philosophical discourse. At the moment of its inception, however, this discipline had little to do with art and was not primarily concerned with the beautiful. It was instead a theory of the cognitive value of human sensibility—a doctrine of "sensible cognition." A general historical and systematic question presents itself at this point: How shall human sensibility be conceived in order for aesthetics as a theory of sensibility to gain an independence of its own in philosophical discourse? And accordingly: How shall the human being be conceived in order for our aesthetic experience to claim a philosophical value of its own?In this essay, I elaborate the results of the hypothesis that I submit in response to these questions. 1 My claim is that the mind/body dualism dominating the rationalist tradition of modern philosophy is the principal obstacle preventing aesthetics from becoming an independent science of human sensibility. 2 In the rationalist tradition within which Baumgarten's work is placed, truth concerns the higher cognitive faculty. Besides logic, the investigation of this faculty occupies the discipline of psychology traditionally divided into rational and empirical psychology. While rational psychology abstracts from sensibility in dealing with a disembodied metaphysical soul and its properties, empirical psychology is still viewed as a branch of metaphysics bound to the reduction of all faculties to the theoretical one. Such a view prevents the important results of empirical research from connecting to fields such as history, anthropology, and moral philosophy in a way that can positively defy the charge of materialism and the attacks of skepticism. [End Page 577] In other words, since empirical psychology is still metaphysica specialis, its results do not qualify it to the status of an independent empirical science.Kant and Herder are the crucial protagonists of the transformation of aesthetics after Baumgarten. In their intellectual itinerary, both philosophers dedicate important reflections and critical considerations to the new idea of "aesthetics" first introduced by Baumgarten. They both take up his heritage and work in the direction of overcoming its rationalistic presuppositions. For both philosophers, the confrontation with Baumgarten's theory of "sensible cognition" prompts a new understanding of the role that "sensibility" plays in constituting philosophical discourse and, in connection with this issue, a new understanding of what can be properly called a "philosophical" aesthetics. The critical reflection on Baumgarten's doctrine leads both Kant and Herder to a new view of the relation between logic, epistemology, psychology, and anthropology. It is precisely the different set of relations that Kant and Herder respectively establish among these disciplines that determines the different role that they attribute to aesthetics in their philosophy.In what follows, I offer a confrontation between Kant's and Herder's views of aesthetics that is mediated by their respective critiques of Baumgarten. The aim of this confrontation is not historical but systematic. The issue at stake is the positioning of aesthetics between epistemology, on the one hand, and psychology and anthropology, on the other. I am interested in the way in which Kant and Herder propose different models for integrating "sensibility" into the philosophical discourse by establishing ontological and epistemological conditions which radically break with the rationalist paradigm of mind/body dualism. I want to suggest that Kant's and Herder's starting point and first objective is the same, although the realization of the program differs significantly. Their general aim is to attribute to human sensibility a new central place in philosophy, thereby steering the philosophical focus from the metaphysics of a "disembodied soul" to the inquiry into an "embodied mind." With Kant and Herder, rational psychology yields... (shrink)

This essay reconstructs the argument of Kritik der Urteilskraft §§76 –77 by placing it in the context of the “Critique of Teleological Judgment”. What role does the problematic and historically so successful figure of the intuitive understanding play in the antinomy of teleological judgment? The answer is considered indispensable to address the issue of the reception of §§76 – 77. The claim is that these sections institute the “closure” of transcendental philosophy—a closure fundamentally misunderstood by the post Kantians. On the (...) series of distinctions drawn to characterize the “peculiarity” of our human understanding and, by contrast, that of a non-human mind hinges the specific transcendental character of Kant’s philosophy. Once the condition that sustains those distinctions is abandoned transcendental philosophy is abandoned as well. (shrink)

Taking as point of departure Hegelrsquo;s early reflections on his historical present, this essay examines the relationship between dialectical reason and the activity of the understanding in generating contradiction. Dialecticmdash;as logic and methodmdash;is Hegelrsquo;s attempt at a philosophical comprehension of the conflicts and the deep changes of his contemporary world. This idea of dialectic as logic of historical transformation guides the development of consciousness in the emPhenomenology of Spirit/em. Since my claim is that the dialectic of consciousness and its capacity (...) of overcoming contradiction are rooted in the historical situation of 1807, the question is raised of what would be the specific problems encountered by consciousness in our contemporary worldmdash;in 2007. What are the challenges posed by our globalized world to a phenomenology of contemporary spirit; and what is the role that contradiction and dialectic play in the understanding of our own historical present? (shrink)

This article discusses the role that history and historiography play in Brandom’s Tales of the Mighty Dead . I claim that Brandom’s attempt to integrate a historical dimension in his inferentialist project fails, and argue that the reason for that failure lies in the misconstruction and misreading of Hegel’s idea of rationality with regard, at least, to two fundamental points: to the Hegelian concept of ‘history’ and to his notion of the ‘social’. The further point that I make remains an (...) open question and regards the ideological motives that lead American analytic pragmatists to repeatedly try to institute such a misconstrued contact with Hegel - a contact that is necessarily bound to fail unless the historical dimension of Hegel’s philosophy is not only recognized but somehow integrated into the very idea of philosophy that one systematically practises. Key Words: Robert Brandom • G.W.F.Hegel • history • history of philosophy • historiography. (shrink)

Stephen Houlgate's long-awaited two volumes on Hegel's Logic of Being offer a thorough presentation and a detailed reconstruction of the Doctrine of Being, which constitutes the first part of the first division of Hegel's Science of Logic (appeared in 1812 in the first edition; revised in the second edition of 1832 published after Hegel's death). The first volume takes on the logic of Quality and the transition to Quantity while the second volume addresses the logic of Quantity and Measure leading (...) up to the transition to Essence. Along with the Doctrine of Essence, the Doctrine of Being occupies the first main division of Hegel's Logic or Objective Logic, which is followed by the Subjective Logic, or Doctrine of the Concept, as its second main division. Within Hegel's philosophical system, the Logic is followed by the Philosophy of Nature and the Philosophy of Spirit, the three main parts of the Encyclopaedia of the Philosophical Sciences (appeared in the three editions of 1817, 1827, 1830). Chronologically, but also systematically (at least in a qualified way),1 the Logic is preceded by the 1807 Phenomenology of Spirit. This brief sketch may help us locate the object of Houlgate's volumes within Hegel's philosophy as a whole. (shrink)

This essay is a renewal of Hölderlin’s poetic question as raised again philosophically by Heidegger, and is an attempt to frame the issue anew bringing Hegel into the conversation. At stake, first, is the way in which poetry and philosophy respectively—or perhaps in conjunction—are able to address the chief question of the time as a question of “truth.” What is it that poetry and the poet properly and uniquely do in relation to their time? Does the poet think, and how (...) does she think poetically in language? And, crucially, how does poetic thinking differ from philosophical thinking? But at stake is also, second, the way in which philosophy can—and should—itself speak of poetry. Significantly, both Heidegger and Hegel propose a thoroughly new way of addressing the question of poetry in philosophy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Translation, (Self-)Transformation, and the Power of the MiddleAngelica NuzzoThe etymologies of the word translation—the real and the imaginary ones—are many and varied across languages and traditions. I want to frame my present remarks by appealing to the well-known derivation of the Latin traducere from trans-ducere, the verb that designates the movement of carrying across, of bringing over across and between heterogeneous and apparently incompatible terms—different languages, different places and (...) times, and more generally different identities and cultures. I propose to indicate with translation the dynamic space of the action that takes place in-between, in the middle between two extremes—whatever these extremes may be. And I propose to dwell in this in-between space—not in order to get anywhere, but to stay there and learn how to appreciate the powerful condition of the middle. My suggestion will be that translation is the intermediate and intermediary space of transformation that precedes that which it transforms as well as that into which it transforms; that translation is the middle that comes before the extremes between which it lies and which it connects, and makes them possible for the first time. The logic of translation, I submit, is the logic of immanent self-transformation that is based on the power of the middle. This is a logic that may help us advance beyond the binary static logic in which everything is instead dictated by the predetermined, fixed identity of the extremes, and by the exclusive choice of either one or the other—the logic that Virginia Woolf aptly describes in this way: “Either we are men, or we are women. Either we are cold, or we are sentimental. Either we are young, or growing old” (Woolf 1990, ch. 5). While this may sound logically indisputable it is also—to [End Page 19] Woolf at least—existentially unacceptable and cognitively faulty when at issue is the understanding of the movement of our lives. Thus, in what follows, I am interested in exploring the meaning—the existential, historical, linguistic meaning—of the predicament of being-in-the-middle, of being-in-transition or in-translation—of being neither one extreme nor the other but both of them at the same time and also neither of them. I want to dwell, in particular, on the cipher of movement proper to this condition, on the idea of transformation that translation constitutively entails—the self-transformation that is proper to translation as such an in-between dynamic activity. But to push this point further, I also want to suggest that the movement of translation is essential for an understanding of how processes move on and advance precisely as processes; of how change and something truly new are achieved beyond the present standpoint and beyond the standpoint of the present; of how, more concretely, the individual and collective self is reconstituted and immanently transformed after a crisis and through it. For translation, in this sense, is the powerful, destabilizing moment of crisis and open possibility that invests individuals and societies alike (but also texts and languages); it is also, at the same time, a strategy of survival and a fundamental tool of advancement and progress.Let me begin with a famous philosophical scene. Plato’s Symposium opens with the intriguing account of Socrates’s unusual habits in a speech delivered by Aristodemus, and culminates with Alcibiades’s story regarding Socrates’s strange behavior during the campaign of Potidaea. Upon meeting Socrates all dressed up1 on his way to Agathon’s banquet, Aristodemus is asked to come along to Agathon’s house. He accepts, a bit embarrassed at the thought of showing up uninvited. On the way to Agathon’s, however, Socrates becomes absorbed in his thoughts and falls behind his companion. Aristodemus repeatedly waits for him, but Socrates encourages him to go on ahead alone. This puts Aristodemus in a “ridiculous position” when he arrives, all by himself, at Agathon’s house. He shows up, indeed uninvited, as there is still no sign of Socrates. Now everybody at Agathon’s is waiting and looking for him. This perplexing situation goes on until a servant discovers Socrates calmly standing... (shrink)