Abstract:Is it possible to speak about the unspeakable as it is represented in music, lyric poetry, and tragedy? The answer is yes, if we adopt a purely aesthetic perspective. The answer is no, if we adopt the perspective of the transcendental subject as the metaphysical source of music, lyric poetry, and tragedy. In this paper, I conceptualize the nondiscursivity of music, lyric poetry, and Attic tragedy in the philosophical aesthetics of Kant, Schopenhauer, and Nietzsche. I also make a few incidental (...) remarks to Plato's Socrates and Aristotle as well as the Theban plays by Sophocles. (shrink)

Sara Rappe has given us a stimulating book full of interesting suggestions concerning philosophers hardly known, in some cases, in the English-speaking world. She raises a question concerning these philosophers that has not previously been discussed on this scale. The question arises from the comparison of two features of Neoplatonism. For the Neoplatonist philosopher, discursive thinking does not yield knowledge. By discursive thought is meant the kind of thinking we normally practice. It has to do with objects external to thought, (...) objects mediated by images derived from sense perception or also from a higher form of thought. From these images discursive thought elaborates further ideas derived by methods of reasoning such as those codified in Aristotelian logic. This kind of thinking is open, however, to the attacks of Skepticism, against which the Neoplatonist argues by appealing to another form of thinking and to the knowledge it constitutes, a form of thinking free of all mediation separating subject and object of thought, where subject and object of thought are identical. This is not discursive thought; dis- cursive thought does not yield knowledge that is immune to skeptical attack and that is obtained by a form of thought beyond discursive thinking. To the extent that language is the expression of discursive thought, this knowledge is not expressed in language. Yet the Neoplatonists of Late Antiquity were plunged in discursivity. In particular, they did philosophy by interpreting texts, the authoritative texts of their tradition, not only Plato’s dialogues, but also the Aristotelian corpus and what they supposed were the more ancient sources of their philosophy, Pythagorean and Orphic texts and the Chaldaean Oracles. How are and to be reconciled? The thesis explored by Rappe in this book is that the Neoplatonists had recourse to nondiscursive textual strategies, images, symbols, myths, ritual formulae, so as to convey nondiscursive thought and knowledge through their reading of discursive texts. (shrink)

The purpose of this article is to show how moral imagination can be cultivated through meditation. Moral imagination was conceived as a three-stage process of ethical development. The first stage is reproductive imagination, that involves attaining awareness of the contextual factors that affect perception of a moral problem. The second stage, productive imagination, consists of reframing the problem from different perspectives. The third stage, creative imagination, entails developing morally acceptable alternatives to solve the ethical problem. This article contends that moral (...) imagination can be cultivated through three kinds of meditation: non-discursive, semidiscursive, and discursive meditation. Part one shows how the seed of reproductive moral imagination is planted during sessions of nondiscursive meditation. Productive moral imagination, as will be shown in part two, is nurtured through semidiscursive meditation. Part three will demonstrate the flowering of creative moral imagination through discursive meditation. Reflection and small group discussion on each form of meditation will help to show business people how to cultivate moral imagination. (shrink)

Michel Foucault surveyed the history of Western philosophy in terms of the Delphic ‘Know thyself’ and the Socratic ‘care of the self’. The former generates academic philosophy as we know it today whereas the latter conceives of philosophy as a ‘way of life’. At issue are competing notions of ‘truth’ and the philosophical relevance of the discursive/nondiscursive domains. Comparing this account with a similar but distinct reading of the same Greek texts by Greco-Roman historian Pierre Hadot, I underscore the (...) ‘existentialist’ tenor of this distinction and assess the challenges and liabilities of pursuing philosophy as a ‘way of life’. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Scepticism in the Sixth Century? Damascius’ Doubts and Solutions Concerning First PrinciplesSara RappeThe Doubts and Solutions Concerning First Principles, an aporetic work of the sixth century Neoplatonist Damascius, is distinguished above all by its dialectical subtlety. Although the Doubts and Solutions belongs to the commentary tradition on Plato’s Parmenides, its structure and method make it in many ways unique among such exegetical works. The treatise positions itself, at least (...) in part, as a response to Proclus’ metaphysical system. Thus the first principles alluded to in its title refer to a metaphysical structure consisting of five central elements, the Ineffable, the One, and the Noetic Triad, which Damascius both adumbrates in opposition to Proclus1 as well as subjects to his own, internal critique. In this article, I will be asking whether or not Damascius’ critique of Neoplatonic metaphysics is informed or inspired by ancient Scepticism. No doubt this question catches the reader off guard: if the last exponent of ancient Scepticism is Sextus Empiricus, how could this sixth-century Neoplatonist Scholarch, the last officially appointed Platonic Successor, revert to a tradition that seemingly disappears for well over three centuries?2 In what [End Page 337] follows, I suggest that a plausible historical context for such a reversion can be found in contemporaneous Neoplatonic allusions to Sceptical readings of Plato. I then analyze the Sceptical techniques deployed by Damascius in his critique of Neoplatonist metaphysics, focusing especially on his attacks on Neoplatonic theories of intellect and causation. I conclude by speculating on some ideological factors that shaped Damascius’ Sceptical affiliations, suggesting that here it is possible to see an initial volley in what was to become a centuries-long skirmish between reason and revelation.1. the neoplatonists read the sceptics?R. T. Wallis has suggested that Plotinus borrows from the Sceptics’ arsenal in voicing his own objections against Stoic or Stoicizing epistemology and theology. The seemingly radical stance that Plotinus takes against Stoic notions of divine rationality, virtue, and providence is anticipated by the Sceptics’ refusal to grant that an omniscient mind could stand in need of rational deliberation or exercise virtues that imply the presence of corresponding vices, etc. Not only is it the case that Plotinus makes a detailed use of specific Sceptical arguments in his own polemics against the Stoics, he seems to have been the first philosopher to have grasped the implications of Sceptical challenges to Stoic theology, and to have circumvented Sceptical dilemmas by means of his highly original formulations of nondiscursive thinking and negative theology.That this Platonist might side with Sceptics against dogmatic philosophy would hardly be surprising to the modern student of Plato, but it is also true that historically, this has been an uneasy alliance. In fact, it is just this question, the alliance between Platonists and the Sceptics, that gets rehearsed in the sixth century. Olympiodorus devotes Chapter 10 of his Prolegomena to the Study of Platonic Philosophy to the refutation of an ephectic, or nondogmatic Plato3: “Plato also superseded the philosophy of the New Academy since that school gave precedence to akatalepsia (nonapprehension), while Plato demonstrated that there do exist cognitions grounded in genuine knowledge. Nevertheless, some assert, assimilating Plato to the ephectics and to the Academicians, that he too maintained the doctrine of akatalepsia.” These remarks are curious, for we have no indication that a Sceptical reading of Plato was current or even conceivable at this time. In fact, as the context makes clear, the Sceptics are represented in this passage as a prior philosophical school; chapters 7 through 10 present a concise history of philosophy that is remarkably free from any notions of philosophical currency attributable to any of the views that fall [End Page 338] under its purvue: “there has been no shortage of philosophical haireseis [schools] both before and after Plato, yet he surpassed all of them by his teaching, his thought, and in every possible way”4 (Prolegomena, 7.1).Olympiodorus performs the exegete’s role throughout his refutation of a non-dogmatic Plato, turning first to the grammatical item, Plato’s use of what Olympiodorus terms the “hestitating” adverbs, such as “probably,” “perhaps,” and “as I imagine.” Nevertheless Olympiodorus manages... (shrink)

The social philosophy of meaning and emotions represented in the work of Susanne Langer was recognized by Talcott Parsons, but has yet to be incorporated into mainstream sociological theoritizations. Langer's work is as potentially important to contemporary microsociology, and the sociology of emotions, as the work of Peirce, Mead, or Schutz. The impediment to appreciating her work resides in contemporary confusions regarding the nature of logic. Sociologists often subscribe to Wittgenstein's denial of the validity of formal logic in constructing theories (...) of human behavior. Langer has been misunderstood because her theoretizations address more than discursive logics and meanings. The thrust of Langer's work is that logic and meaning exist on a nondiscursive level of emotions. Though her work is more than 50 years old, we are now in a position to appreciate it because we are now exploring and conceptualizing the notion of social inferencing as existing beyond formal logic. (shrink)

As scholars have recently suggested, rhetoric has long been remiss when it comes to nondiscursive concerns beyond its traditional purview. While many have sought to broaden rhetoric's scope, no one has yet undertaken a nondiscursive rhetorical investigation of social change in an effort to reconcile the tension between a critique of agency and the perception of human responsibility. This article undertakes such a critique through Alain Badiou's concept of the event, a concept that, I contend, offers the discipline (...) a means of rethinking the opposition between relativism and flat ontology. Analyzing the self-immolation of Mohamed Bouazizi through the frame of the event, I regard Bouazizi's act as an ontic occurrence exerting influence over protestors across the Arab world while demanding collective recognition to emerge as an event. (shrink)

The concept of death is of special importance in Schopenhauer''s metaphysics of appearance and Will. Death for Schopenhauer is the aim and purpose of life, that toward which life is directed, and the denial of the individual will to life. Despite his profound pessimism, Schopenhauer vehemently rejects suicide as an unworthy affirmation of the will to life by those who seek to escape rather than seek nondiscursive knowledge of Will in suffering. The only manner of self-destruction Schopenhauer finds philosophically (...) acceptable is the ascetic saint''s death by starvation. Here the individual will to life is so completely mastered as to refuse even the most basic desire for nourishment, and thereby passes into nonexistence in complete renunciation of the individual will. Schopenhauer''s attitude toward suicide nevertheless embodies an inconsistency. If, as Schopenhauer believes, the aim of life is death, and death is an unreal aspect of the world as appearance, then there appears to be no justification why the philosopher should not rush headlong into it - not to affirm the will to life in an abject effort to avoid suffering, but in order to fulfill life''s purpose by ending it for distinctly philosophical reasons immediately upon arriving at an understanding of the appearance-reality distinction. (shrink)

Professor Clark's splendid essay represents a step forward from which there should be no retreat. Ourde factomoral cognition involves a complex and evolving interplay between, on the one hand, thenondiscursive cognitive mechanisms of the biological brain, and, on the other, the often highly discursive extra-personal “scaffolding” that structures the social world in which our brains are normally situated, a world that has been, to a large extent, created by our own moral and political activity. That interplay extends the reach and (...) elevates the quality of the original nondiscursive cognition, and thus any adequate account of moral cognition must address both of these contributing dimensions. An account that focuses only on brain mechanisms will be missing something vital. (shrink)

Intrigues: From Being to the Other examines the possibility of writing the other, explores whether an ethical writing that preserves the other as such is possible, and discusses what the implications are for an ethically inflected criticism. Emmanuel Levinas and Maurice Blanchot, whose works constitute the most thorough contemporary exploration of the question of the other and of its relation to writing, are the main focus of this study. The book's horizon is ethics in the Levinasian sense: the question of (...) the other, which, on the hither side of language understood as a system of signs and of representation, must be welcomed by language and preserved in its alterity. Martin Heidegger is an unavoidable reference, however. While it is true that for the German philosopher Being is an immanent production, his elucidation of a more essential understanding of Being entails a deconstruction of onto-theology, of the sign and the grammatical and logical determinations of language, all decisive starting points for both Levinas and Blanchot. At stake for both Levinas and Blanchot, then, is how to mark a nondiscursive excess within discourse without erasing or reducing it. How should one read and write the other in the same without reducing the other to the same? Critics in recent years have discussed an ethical moment or turn characterized by the other's irruption into the order of discourse. The other becomes a true crossroads of disciplines, since it affects several aspects of discourse: the constitution of the subject, the status of knowledge, the nature of representation, and what that representation represses (gender, power). Yet there has been a tendency to graft the other onto paradigms whose main purpose is to reassess questions of identity, fundamentally in terms of representation; the other thus loses some of its most crucial features. Through close readings of texts by Heidegger, Levinas, and Blanchot the book examines how the question of the other engages the very limits of philosophy, rationality, and power. (shrink)

In this analysis, I address the recent debate over the functional characteristics of mental imagery, in which the question is whether the format for imagistic representation is pictorial or sentential. I offer an account of imagery and cognition as an important aspect of the theory of mental representation, one which serves as a test for prevalent views of the nature of explanation in cognitive science. ;The first chapter articulates a functionalist theory of internal states. I argue for the need to (...) individuate mental states by virtue of their formal features, but in a way which is consistent with the fact that natural representational systems are self-interpreting. To that end, I describe a basic capacity for imaging which underlies any mental representation. ;In the second chapter, I discuss recent experiments and argue that a correct interpretation of the data cannot be determined on methodological grounds. The substantive argument against mental pictures is set forth and shown to rest upon two distinct assumptions. ;The third chapter aims to show that the argument that mental pictures are inherently ambiguous fails as an argument for an exclusively sentential format. I argue further that sentential states alone are insufficient to account for all rational behavior. The conclusion is that conceptual considerations do not preclude nondiscursive images, and a view of cognition as broader than computation favors them. I propose a logical foundation for an account of access to mental images-under-descriptions. ;The fourth chapter sets forth principles governing operations in which images might occur naturally. I argue that such an account depends upon the possibility of pictorial attitudes, mental features which are theoretically important for the notion of representational competence. ;In the fifth chapter, I show the relevance of the general account described in the previous chapter by applying it to diverse contexts: animal representation, hypothesis in perception, and self-representation. (shrink)

This paper attempts to put forward an aesthetic theory of nature based on a biosemiotic description of the living, which in turn is derived from an autopoietic theory of organism (p. Varela). An autopoietic system's reaction to material constraints is the unfolding of a dimension of meaning. In the outward Gestalt of autopoietic systems, meaning appears as fonn, and as such it reveals itself in a sensually graspable manner. The mode of being of organisms has an irreducible aesthetic side in (...) which this mode of being becomes visible. Nature thus displays a kind of transparency of its own functioning: in a nondiscursive way organisms show traces of their conditio vitae through their material self-presentation. Living beings hence always show a basic level of expressiveness as a necessary component of their organic mode of being. This is called the ecstatic dimension of nature (G. Böhme, R. Corrington). Autopoiesis in its full consequence then amounts to a view reminding of Paracelsus' idea of the signatura rerum (c. Glacken, H. Böhme): nature is transparent, not because it is organized digitally as a linguistic text or code, but rather because it displays analogically the kind of intentionality engendered by autopoiesis. Nature as a whole, as «living fonn" (S. Langer), is a symbol for organic intentionality. The most fundamental meaning of nature protection thus is to guarantee the «real presence" of our soul. (shrink)

Professor Clark's splendid essay represents a step forward from which there should be no retreat. Ourde factomoral cognition involves a complex and evolving interplay between, on the one hand, thenondiscursive cognitive mechanisms of the biological brain, and, on the other, the often highly discursive extra-personal “scaffolding” that structures the social world in which our brains are normally situated, a world that has been, to a large extent, created by our own moral and political activity. That interplay extends the reach and (...) elevates the quality of the original nondiscursive cognition, and thus any adequate account of moral cognition must address both of these contributing dimensions. An account that focuses only on brain mechanisms will be missing something vital. (shrink)

Since Hegel, philosophy cannot stop thinking its end. The violent transformations which Hegel's philosophy has uncovered and caused in the structure of philosophical terms and in the terms under which philosophy is possible is Hamacher's topic. Starting from Hegel's commentaries on biblical scripture, Hamacher traces the genealogy and unfolding of Hegel's thought into his mature works--the Phenomenology of Spirit, the Encyclopedia, the Philosophy of History--focusing throughout on the limits and borders, the limitations and extremities of its conceptual and textual movements. (...) Because the concept for Hegel is the end of the thing--the point where it peaks--because it occurs by severance from its representational content, the trace of this splitting appears imprinted into its discursive articulation. The Hegelian text is punctuated by a series of terms and topics that operate according to the logic of the turning point: one function activating its opposite, they serve as pores between mutually exclusive experiences and establish their unity. This dialectical procedure falters, its unity dissolves, the pores turn into aporias, wherever conceptual exigencies surpass the reality they have instilled. Hamacher shows that dialectics, proceeding by way of aporias, remains unable to account for its own movement. Hegel's system must be read from the point where its rupture fails to converge with its end. Analyzing both the historical and the systematic aspects of Hegel's philosophy, addressing Kant and religious fetishism, Nietzsche and the impossible repetition of the same, Marx and the aroma of religion, Freud and the hysterical body, Hamacher's argument is directed toward what in Hegel's philosophy of spirit resists spiritualization and defeats philosophy. Aspiring to be the last philosophy, speculative idealism has to incorporate all previous systems and spiritualize its incorporation. Its logic of ingestion must, however, reject with repulsion and nausea everything that resists appropriation. Emphasizing Hegel's claim to present the political theology of modern society, Hamacher shows that the mechanism of nausea meant to keep the system intact is in fact itself a mechanism foreign to its body; it averts the promised incorporation, defeats idealization, leaves the body politic disintegrated, and voids the claim of the most powerful ontology of modern society to mark the end, the completion and plenitude--the pleroma--of philosophy and history. What remains--the indigestible, the unreadable, the nondiscursive--demands yet another kind of discourse and another practical gesture: toward a pleroma other than Hegel's. (shrink)

The importance of history has been powerfully reaffirmed in recent years by the appearance of major new authors, pathbreaking works, and fresh interpretations of historical events, trends, and methods. Responding to these developments, Roger Chartier engages several of the most influential writers of cultural history whose works have spread far beyond academic audiences to become part of contemporary cultural argument. Challenging the assertion that history is no more than a "fiction-making operation" Chartier examines the relationships between history and fiction and (...) proposes new foundations for establishing history as a specific kind of knowledge. Michel de Certeau's description of Michel Foucault's writings as "on the edge of the cliff," provides Chartier with an image he finds appropriate not only for Foucault but for many other recent historians--including de Certeau. Exploring the relationships between discursive practices and nondiscursive practices, Chartier examines the "heterology" of de Certeau pursues the "chimera of origin" and the causes of the French Revolution in Foucault's work and raises four pertinent questions for the metahistory of Hayden White. He follows the work of Louis Marin into the distinctions between interpreting a painting and interpreting a text. And a trio of essays treats the historical sociology of Norbert Elias and his work on power and civility. Throughout, Chartier keeps his focus on historians who have stressed the relations between the products of discourse and social practices. (shrink)

This paper attempts to put forward an aesthetic theory of nature based on a biosemiotic description of the living, which in turn is derived from an autopoietic theory of organism (p. Varela). An autopoietic system's reaction to material constraints is the unfolding of a dimension of meaning. In the outward Gestalt of autopoietic systems, meaning appears as fonn, and as such it reveals itself in a sensually graspable manner. The mode of being of organisms has an irreducible aesthetic side in (...) which this mode of being becomes visible. Nature thus displays a kind of transparency of its own functioning: in a nondiscursive way organisms show traces of their conditio vitae through their material self-presentation. Living beings hence always show a basic level of expressiveness as a necessary component of their organic mode of being. This is called the ecstatic dimension of nature (G. Böhme, R. Corrington). Autopoiesis in its full consequence then amounts to a view reminding of Paracelsus' idea of the signatura rerum (c. Glacken, H. Böhme): nature is transparent, not because it is organized digitally as a linguistic text or code, but rather because it displays analogically the kind of intentionality engendered by autopoiesis. Nature as a whole, as «living fonn" (S. Langer), is a symbol for organic intentionality. The most fundamental meaning of nature protection thus is to guarantee the «real presence" of our soul. (shrink)

RESUMEN: El uso de analogías en bioética es muy frecuente. Dado que son instrumentos especialmente eficaces desde un punto de vista retórico, resulta fundamental determinar bajo qué condiciones la formulación de analogías constituye un recurso discursivo legítimo. En este artículo, distinguimos entre usos no-discursivos y usos discursivos de las analogías, y dentro de estos últimos, entre usos explicativos y usos argumentativos. En base a esta clasificación, proponemos distintos conjuntos de criterios para determinar si una analogía particular constituye un recurso discursivo (...) legítimo o no. Para ello, ilustramos brevemente nuestra clasificación mediante algunos ejemplos tomados del reciente debate sobre los biobancos.ABSTRACT: Analogies are frequently used in bioethics. As they are particularly effective as rhetorical tools, it is essential to determine under which conditions they can be said to be a legitimate discursive resource. In this paper we distinguish between nondiscursive uses and discursive uses of analogies and, within the latter, between explanatory uses and argumentative uses. Taking this classification as a basis, we provide different sets of criteria for determining whether or not a particular analogy constitutes a legitimate discursive resource. In distinguishing between legitimate and illegitimate analogies, we briefly illustrate our classification by some examples from recent literature on biobanks. (shrink)

RESUMEN: El uso de analogías en bioética es muy frecuente. Dado que son instrumentos especialmente eficaces desde un punto de vista retórico, resulta fundamental determinar bajo qué condiciones la formulación de analogías constituye un recurso discursivo legítimo. En este artículo, distinguimos entre usos no-discursivos y usos discursivos de las analogías, y dentro de estos últimos, entre usos explicativos y usos argumentativos. En base a esta clasificación, proponemos distintos conjuntos de criterios para determinar si una analogía particular constituye un recurso discursivo (...) legítimo o no. Para ello, ilustramos brevemente nuestra clasificación mediante algunos ejemplos tomados del reciente debate sobre los biobancos.ABSTRACT: Analogies are frequently used in bioethics. As they are particularly effective as rhetorical tools, it is essential to determine under which conditions they can be said to be a legitimate discursive resource. In this paper we distinguish between nondiscursive uses and discursive uses of analogies and, within the latter, between explanatory uses and argumentative uses. Taking this classification as a basis, we provide different sets of criteria for determining whether or not a particular analogy constitutes a legitimate discursive resource. In distinguishing between legitimate and illegitimate analogies, we briefly illustrate our classification by some examples from recent literature on biobanks. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Somaesthetics and Racism:Toward an Embodied Pedagogy of DifferenceDavid A. Granger (bio)IntroductionThe philosopher Ludwig Wittgenstein once remarked that "The human body is the best picture of the human soul."1 There is a basic truth in this assertion that we recognize (I want to say) intuitively: the notion that human beings are parts both mental and physical, that these facets are ultimately interdependent, and that they are in some measure correlated (...) was a commonplace in the intellectual culture of ancient Athens, especially among Socratic thinkers. It can also be found as a central part of the basic ontology and ideals of self-cultivation espoused in much East Asian philosophy. In the West, however, this deep appreciation for the relationship between mind and body appears somewhat sporadically after the Socratics, only to be fervently reasserted as a main plank in the lived philosophy of the early American pragmatists, as when Henry David Thoreau proclaimed that "We are all sculptors and painters, and our material is our own flesh and blood and bones. Any nobleness begins to refine a mean's features, any meanness or sensuality to imbrute them."2I use the word "sporadically" above because it is likewise a basic truism that canonical Western philosophy has a long and storied history of rejecting, ignoring, or degrading the human body—that most formative part of our being and connection to the world and to others. The position of the later, more metaphysical Plato is iconic in this regard, and it effectively set the tone for much Christian theology and the Cartesian philosophy of consciousness. For Plato and his adherents, the longing to escape our embodiedness, conceived as a necessary means to human (or perhaps superhuman) perfection [End Page 69] by achieving a godlike existence, requires effectively divorcing ourselves from the irrational brutes of terra firma. The body is conceived as a static constraint to human flourishing rather than a dynamic enabler. It is more or less an adversary, something that we must endeavor to be freed from or subdue.3 Its base senses and unruly passions deceive us epistemologically, while its inexorable power to situate us in space and time limits our objectivity. In its inevitable pains and infirmities, the body is also a constant reminder of the aging process and of our ultimate mortality. Deeming the body as at best a mere servant of the mind, philosophers typically have portrayed it as a veritable prison of deception, temptation, and suffering. Moreover, it is well-established that such thinking has been particularly pernicious in light of the historical identification of women and other marginalized groups with their variously enfeebled, depraved, or uncivilized bodies.4Against this disquieting backdrop, it is only relatively recently that the human body, and the significance of our existence as embodied beings, has received sustained positive attention by leading lights in Western philosophy and criticism. These luminaries include, among others, "feminist" thinkers like Simone de Beauvoir, Julia Kristeva, Luce Irigaray and, of late, Susan Bordo and Judith Butler (with a nod to Michel Foucault, Pierre Bordeau, and others); pragmatists William James and John Dewey (with a nod to Emerson and Thoreau); phenomenologist Maurice Merleau-Ponty (with a nod to Jean-Paul Sartre); analytic philosopher Ludwig Wittgenstein (with a nod to James); and postmodernist Michel Foucault (with a nod to Friedrich Nietzsche, George Bataille, and the ancient Asian ars erotica tradition5). While these thinkers do not universally praise the body and its active, conscious cultivation for human flourishing (about which more later), they nonetheless acknowledge its necessity for all perception, action, and even thought.6 In short, they all seek to recognize and elucidate the significance—cognitive and affective, discursive and nondiscursive—of our full embodied intelligence.Looking specifically at the architectonics of the body espoused by the trio of Dewey, Foucault, and Wittgenstein, this article uses what philosopher Richard Shusterman terms "analytic somaesthetics" to examine some of the primary embodied dimensions of feeling, perception, action, and thought, particularly through the functioning of habit.7 In doing so, it seeks to expose the way various ideologies of domination (for example, racism, sexism, classism, ableism, heterosexism, ageism, etc.) are covertly (and at times overtly) materialized... (shrink)

This paper examines the different conceptions of personal renewal offered in the writings of John Dewey and Stanley Cavell. Both conceptions, I suggest, can be seen as attempting to reconcile the quest for self-realization with democratic life through a poetic, essentially Emersonian vision of the self as a continual work-in-progress. Accordingly, the kinds of selves that Dewey and Cavell seek are in the end highly compatible. Yet it seems clear too that Dewey and Cavell also stand in a somewhat different (...) relation to the Emersonian tradition, and thus diverge in important ways as to the most preferable means of personal renewal. While Dewey tends to focus on the extensive workings of embodied habit, Cavell's ``Emersonian Perfectionism'' takes a more distinctively linguistic turn. After showing the strengths and weaknesses of each approach to personal renewal, I prevail upon the need for educational environments that recognize both the discursive and nondiscursive dimensions of reconstructing the self. (shrink)

The Wu Gongan is primarily known for its minimalist expression based on Zhaozhou's “No” response to a monk's question of whether a dog has Buddha-nature. Crucial for the key-phrase method of meditation of Dahui Zonggao, the term Wu is not to be analyzed through logic or poetry. However, an overemphasis on the nondiscursive quality overlooks sophisticated rhetoric through metaphors used for the anxiety of doubt caused by Wu undermining conventional assumptions that is compared to a cornered rat; and the (...) experience of enlightenment generated by the power of Wu likened to a sword cutting through all delusions. (shrink)

ABSTRACT John Dewey argued in his Art as Experience that the significance of art as experience was of incomparable importance for the adventure of philosophical thought. He claimed that while both move in the medium of imaginative mind, art provides a “unique control” for the “imaginative ventures of philosophy.” In this article I examine, relying on a range of sources, some pivotal implications of this claim and especially how various forms of art and aesthetic experience can exemplify and further ways (...) of formulating, presenting, and critically engaging focal issues, both methodological and substantive, of the tasks of philosophy. The originary context of philosophy is agonistic, wresting meaning from the noise of meaninglessness or discerning order in a seeming world of chaos, not merely that of winning an argument. Both philosophy and art have attempted to fill a “hole in sense” by various practices, discursive in the case of philosophy and nondiscursive or “presentational” in the case of art. But art forms offer us models for a plurality of philosophical approaches to the task of enabling us to maintain and restore our existential and experiential balance within what Dewey called the “moving unbalanced balance of things.”. (shrink)

This article proposes a via media between intellectualism and nonrationalism on the question of how, according to Aristotle's Nicomachean Ethics, a virtuous person determines the goal ( telos ) for action ( praxis ). The author argues that, according to Aristotle, the goal is set neither by discursive reasoning nor by well-formed nonrational desires but, rather, by practical intellect ( nous ), which is a capacity for nondiscursive perception ( aisthēsis ) of a singular action as choiceworthy in itself. (...) He argues that for Aristotle the activity of nous completes and perfects the operation of prudence ( phronēsis ) or excellent practical thinking, and that this operation essentially includes a distinctively intellectual desire, which is required both for the correct perception of final actions and for the movement of the deliberating agent to act. (shrink)

Nature as Sacred Ground: A Metaphysics for Religious Naturalism is the fifth book on religious naturalism that Donald Crosby has published since 2002, and it must be seen in that context. Religion of Nature makes the claim for the religious and metaphysical ultimacy of nature, Living with Ambiguity: Religious Naturalism and the Menace of Evil explores possible responses of religious naturalism's to natural and human evil, The Thou of Nature: Religious Naturalism and Reverence for Sentient Beings argues for giving moral (...) consideration to all sentient beings, and More Than Discourse: Symbolic Expressions of Naturalistic Faith discusses the role of nondiscursive symbols... (shrink)

A contribution to management philosophy is made here by the development of a postcolonial-storytelling theory, created by drawing together parallel developments in quantum physics and tribal peoples’ storytelling. We argue that these developments resituate the hegemonic relationship of discursive representationalism over material storytelling practices. Implications are two-fold. First, this dissolves inherent dualisms presumed in the concept of interactionamong entities like actor–structure, subject–object and discursive–nondiscursive in favour of a profound ontology of entanglement and intra-action of materiality and discourse, where storytelling (...) is a domain of this discourse. Second, postcolonial phenomena are understood as results of entangled genealogies in which plural voices are present. This implies an understanding and awareness of the intra-action of imperial narratives and material storytelling and antenarrative resistance, and thus the resistance and contestation to imperial and colonising monologic narratives of spatial and temporal alignment. (shrink)

Lloyd Wells' four examples of loss of self challenge both philosophers and clinicians to ponder just what it is that has been lost in such cases. If a self has been lost, who lost it? And how can personal identity be so insecure that it can be lost in so many different ways? Empiricist thinkers, both Western and Eastern, have questioned the very existence of a self; much recent thought about the nature of the self has converged on notions that (...) it is not a substantial reality, but a narrative, the product of the stories that we tell ourselves about our lives so that we can knit together our experiences into a continuous plot. Owen Flanagan and Valerie Hardcastle have already brought one version of this theory to bear on one of Wells' cases and James Phillips explores the capacity of narrative theory to account for each of these cases in an accompanying essay. In this essay, I challenge the adequacy of narrative theories of the self in general and their application to these particular cases. The details of Wells' cases highlight the limitations of narrative theories to discursive, secondary process thought by directing attention to the richer and more expressively forceful resources of metaphor and nondiscursive forms of symbolism. Narrative unity or continuity is no guarantee against experiences of the loss of self. The monological character of narrative masks the sociality of the self, the ways in which each individual self is constituted and threatened by interactions with other selves. I argue for the power of drama, opera, music, dance, and spatial forms of symbolism to cope with the diversity of what Flanagan has dubbed the multiplex self, (Flanagan 1994) especially when narrative fails. Language and narrative certainly play a crucial role in human self-consciousness. But human imagination and art command other resources as well and a theory that acknowledges their contributions can accept and incorporate the insights of narrative theories without confining itself to the limitations of story telling. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.4 (2004) 99-108 [Access article in PDF] Reflections on Richard Shusterman's Dewey James Scott Johnston Presumably, when Richard Shusterman talks of an aesthetic experience, he has in mind the sort of experience that connotes an immediate, qualitative whole John Dewey calls "consummatory" in Art as Experience. Problematically though, with Dewey, he has the urge to tell us what is primary in an experience. Making (...) liberal use of Dewey's own statements from Art as Experience Shusterman tells us it is just the "memorable and ultimately satisfying episode of living, one that stands out from the humdrum flow of life as "an experience by its "internal integration and fulfillment" reaching through a developing organization of meanings and energies which affords a "satisfying emotional quality" of some sort.1 Also, "For there seems, after all, to be something autonomous about art's value, something about its own good for which we pursue them [sic] as ends in themselves rather than means to other goods in other practices. That something is an aesthetic experience. For the immediate, absorbing satisfaction of such experience makes it incontestably an end in itself" (PA, 46-47).Two conclusions present themselves. The first is that an aesthetic experience is one immediately had. The second is that what counts as an aesthetic experience, what is primary, is satisfaction; the quality that is immediately present is an emotional one; felt not cognized. Immediacy is emphasized over reflection in an aesthetic experience; the consummatory experience par excellence, according to both Shusterman and Dewey, and this seems to conflict with an earlier claim that immediacy and reflection are accorded equal measure in the having of an experience.2We may conclude at this point that what is immediately felt carries the weight, so to speak, of an aesthetic experience. It remains for reflection to organize, classify, and relate these experiences to each other in such a way that meaning develops. It functions in an ex post facto manner to relate upcoming experiences to each other. As such, reflection is accorded importance, [End Page 99] though not priority, in an aesthetic experience. We might say that it functions, to use an analytic metaphor, as a second-order activity, with immediacy granted first-order status.Yet, there is evidence to the contrary in Shusterman: evidence that suggests that he does not want to claim that immediacy is primary in an aesthetic experience. This evidence comes largely from an article written to address Richard Rorty's reading of Dewey's notion of experience, entitled, "Dewey on Experience: Foundation or Reconstruction?" Following on Rorty's criticism of Dewey's tendency to accord ontological status to generic traits of existence such as continuity, Shusterman laments that, "For a non-foundational philosopher like Dewey, this account of immediate quality as the underlying guide of all thought and discourse seems very much out of character. Had he simply argued that immediate quality can sometimes effectively ground or direct our thinking, his position would be convincing. Unfortunately, however, such quality is affirmed as what determines, in every particular situation, the coherence of our thinking, the structure of discourse, and the measure of adequacy in judgment."3 Shusterman's final analysis of Dewey's turn to immediate qualities is that, "Dewey's mistake is not in emphasizing the unifying quality of experience [which he does], but only in positing it as an antecedent foundational fact rather than regarding it as an end and means of reconstruction" (DE, 138). What Shusterman beneficially distills from Dewey's strong talk of immediate qualities is that, "Dewey's prime purpose was the aesthetic and practical one of improving experience by making it the focus of our inquiry, of enriching and harmonizing our experience, for example, by affirming and enhancing the continuity between soma and psyche, between nondiscursive experience and conscious thought" and that "nondiscursive background experience influences our conscious thought" (DE, 139, 138).In sum, Shusterman takes Dewey to task for suggesting that immediate qualities are foundational and necessary (we might say "given") in the having of an experience, rather than... (shrink)

In this analysis of one of the most difficult and neglected topics in Hegelian studies, Songsuk Susan Hahn tackles the status of contradiction in Hegel's ...

We sometimes experience more than we can say, and often it is the "questions" posed by such nondiscursive reality to which feminist writings speak most profoundly. Feminists should therefore decline Richard Rorty's neopragmatist exhortation to forgo all appeals to "women's experience." Invoking an alternative account of pragmatism's import for feminism, I explore the problematic relationship between the experience of being pregnant and the language we use in talking about it.

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 24.1 (2004) 278-283 [Access article in PDF] The Voice of God on Mount Sinai. Rabbinic Commentaries on Exodus 20:1 In Light of Sufi and Zen-Buddhist Texts. By Reinhard Neudecker. Rome: Pontificio Istituto Biblico, 2002. 157 pp. Reinhard Neudecker's study of the central event of the first five books of the Bible, namely the revelation of God on Mount Sinai to Moses and the Israelites, is an important (...) contribution to interfaith studies that should be of interest to both the scholar and layperson alike. The clarity of purpose and treatment makes this study very accessible; each chapter is thoughtfully structured, with rich footnotes that provide documentation, further explanation, and information. The appendixes contain the relevant rabbinic texts in the original Hebrew; indices of terms, subjects, and Bible citations; as well as a helpful list of consulted works.The stated purpose of the study is to shed light on enigmatic rabbinical interpretations of Exodus 20:1, the verse that introduces the TenWords (commandments) [End Page 278] that form the basis of the complete Torah by taking into consideration analogous passages from the Sufi and Zen Buddhist traditions. In explaining his methodology, the author makes three important distinctions. First, Neudecker is "not dealing with Judaism, Islam and Zen Buddhism as such, but with the views and experiences of some rabbinic Jews, some Sufi Muslims and some Zen Buddhists" (p. x). Second, the chosen texts are offered for their spiritual and mystical insight, not for their historical context or content, because "the mystic has learned to convert the great events recorded by tradition into symbols which express the ongoing inner revelation to which he has been exposed" (p. 6). Because spiritual and mystical writers generally refrain from explaining deep experiences openly (especially because of the impossibility of putting them into words), the author refrains from adding his own interpretations and instead invites the reader to a meditative encounter with the texts. Third, the author does not intend to offer simple parallels or to readily claim correspondences between the rabbinic, Sufi, and Zen texts, but leaves it up to the reader to judge what the "different traditions may have in common and to what degree and where one tradition may go a step further than the others (p. 11, n. 30). His main purpose, as stated above, is to understand the rabbinic comments better by using the method of "intercultural reading" in drawing upon Sufi and Zen Buddhist texts.After the introductory chapter, which offers the methodological considerations and basic information about the Rabbinic sources and Buddhist terminology, the author presents Exod. 20:1 in its rabbinic translation: "And God spoke all these words to say." This short verse has become the stumbling block for the rabbinic interpreter, just as much as a Zen koan becomes a stumbling block for the Zen student or an obscure verse in the Koran for the Sufi. What these stumbling blocks have in common is that they open up a new way of nondiscursive understanding of the text that leads to profound insights and a deep spiritual experience.Chapters 4-9 of the book are devoted to unraveling the mysteries of these insights. The reader is drawn into an engaging process that opens up layer upon layer of meaning, comparable to the peeling of an onion. A short exposition of the themes of each chapter as introduction to the texts proves very helpful for orientation in this process. Chapter 4 addresses the question of how the people at Sinai heard the Ten Words. The rabbis differ on whether the people heard all of the commandments or only the first two of them, but the important point of comparison is the enigmatic statement that God pronounced all the Ten Words, including the entire Torah, "in one single sound, as the (human) mouth cannot speak and the (human) ear cannot hear" (p. 35). This statement implies that God's revelation exceeds the limits of human speaking and hearing, and that God communicates in... (shrink)

Written over the course of two months in early 2008, Art as "Night" is a series of essays in part inspired by a January 2007 visit to the Velázquez exhibition at the National Gallery of Art, London, with subsequent forays into related themes and art-historical judgments for and against theories of meta-painting. Art as "Night" proposes a type of a-historical dark knowledge crossing painting since Velázquez, but reaching back to the Renaissance, especially Titian and Caravaggio. As a form of formalism, (...) this "night" is also closely allied with forms of intellection that come to reside in art as pure visual agency or material knowledge while invoking moral agency, a function of art more or less bracketed in modern art for ethical and/or political agency. Not a theory of meta-painting, Art as "Night" restores coordinates arguably lost in painting since the separation of natural and moral philosophy in the Baroque era. It is with Velázquez that we see a turning point, an emphasis on the specific resources of painting as a form of speculative intellect, while it is with contemporary works by Gerhard Richter and Anselm Kiefer that we see the return of the same after the collapse of modernism, and after subsequent postmodern maneuvers to make art discursive yet without the austerities of the formal means present in Art as Art. Art as "Night" argues for a nondiscursive form of intellection fully embodied in the work of art – and, foremost, painting. A synoptic and intentionally elusive and allusive survey of painting, through the collapse of the art market in late 2007, Art as "Night" suggests by way of this critique of an elective "night" crossing painting that the art world is an endlessly deferred version of pleroma , a fully synthetic world given to an exploration and appropriation of the given through classical mimesis and epistemology and its complete incorporation and transfiguration in a theory of knowledge and art as pure speculative agency. In effect, Art as "Night" is an incarnational theory of art as absolute knowledge. (shrink)

Leslie Hill is a literary critic, not a philosopher, but as a Professor of French Studies at Warwick University in England he is situated at an interesting, if possibly fatal, crossroads: on the one side is a venerable British tradition that thinks of criticism in terms of the elucidation and evaluation -- which is to say the elevation -- of literary monuments (F. R. Leavis); on the other there is recent French intellectual culture, where the boundaries between philosophy and literature (...) are often indeterminate, meaning particularly that the writing of both philosophy and criticism is nothing if not "modernist" in its embrace of nondiscursive forms of language, a practice reflected in Hill's own elliptical prose, with its recurrent play of chiasmus and oxymoron ("the readability of any text is made both possible and impossible only by the impenetrable shadow of the unreadable" [336]). (shrink)

Sara Rappe has given us a stimulating book full of interesting suggestions concerning philosophers hardly known, in some cases, in the English-speaking world. She raises a question concerning these philosophers that has not previously been discussed on this scale. The question arises from the comparison of two features of Neoplatonism. For the Neoplatonist philosopher, discursive thinking does not yield knowledge. By discursive thought is meant the kind of thinking we normally practice. It has to do with objects external to thought, (...) objects mediated by images derived from sense perception or also from a higher form of thought. From these images discursive thought elaborates further ideas derived by methods of reasoning such as those codified in Aristotelian logic. This kind of thinking is open, however, to the attacks of Skepticism, against which the Neoplatonist argues by appealing to another form of thinking and to the knowledge it constitutes, a form of thinking free of all mediation separating subject and object of thought, where subject and object of thought are identical. This is not discursive thought; dis- cursive thought does not yield knowledge that is immune to skeptical attack and that is obtained by a form of thought beyond discursive thinking. To the extent that language is the expression of discursive thought, this knowledge is not expressed in language. Yet the Neoplatonists of Late Antiquity were plunged in discursivity. In particular, they did philosophy by interpreting texts, the authoritative texts of their tradition, not only Plato’s dialogues, but also the Aristotelian corpus and what they supposed were the more ancient sources of their philosophy, Pythagorean and Orphic texts and the Chaldaean Oracles. How are and to be reconciled? The thesis explored by Rappe in this book is that the Neoplatonists had recourse to nondiscursive textual strategies, images, symbols, myths, ritual formulae, so as to convey nondiscursive thought and knowledge through their reading of discursive texts. (shrink)

Hegel's most interesting and controversial claims about nonconceptual knowledge arise in contexts of value. This paper examines the relation between nonconceptual and conceptual knowledge in Hegel's Phenomenology, specifically in connection with early Greek aesthetics. I take up Hegel's claim that the ancient Greeks expressed in their myths, religious narratives, sculpture, and artistic materials certain high powered philosophical truths which they shouldn't express in words. I raise a paradox about his claims and show how his claims about ineffable knowledge clash with (...) his general propositional criterion of knowledge, namely, that for something to count as knowledge it must be expressible in words. However I argue that Hegel's thoughts about the matter were coherent and I solve the paradox. (shrink)