Results for 'Noel Edward Carroll'

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  1.  3
    Films Studies, the Moving Image, and Noel Carroll.Edward Sankowski - 2006 - Journal of Aesthetic Education 40 (1):104-110.
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  2.  26
    Truth, Fiction, and Literature: A Philosophical Perspective.Noël Carroll - 1994 - Journal of Aesthetics and Art Criticism 54 (3):297-300.
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  3.  25
    Mimesis as Make-Believe: On the Foundations of the Representational Arts.Noel Carroll - 1995 - Philosophical Quarterly 45 (178):93-99.
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  4. The Philosophy of Horror or Paradoxes of the Heart.Noel Carroll - 1991 - Philosophical Quarterly 41 (165):519.
    Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find (...)
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  5.  47
    Movies, Narration and the Emotions.Noel Carroll - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. Routledge. pp. 209-221.
    In “Movies, Narrative and Emotion” there is an attempt to suggest the ways in which a certain form of narrative organization, to which we can call “erotetic narration,” This can be co-ordinated with the emotional address of the motion picture in terms of what can be called “criterial prefocusing.” On this view, the primary way in which the emotions are engaged is character-directed, the protagonist’s goals providing grounds which generate the narrative questions that the movie goes on to answer.
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  6. On Noël Carroll on Narrative Closure.Susan L. Feagin - 2007 - Philosophical Studies 135 (1):17-25.
    This paper examines various claims by Noël Carroll about narrative closure and its relationship to narrative connections, which are, roughly, causal connections generously conceived to include necessary conditions for sufficient conditions for an effect. I propose supplementing the expanded notion of a cause with Michael Bratman’s notion of a psychological connection to account for the particular role that human agents play in narratives. A novel and a film are used as examples to illustrate how the concept of a psychological (...)
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  7. Noël Carroll: Philosophy of Art: A Contemporary Introduction, Routledge 1999. [REVIEW]Christian Helmut Wenzel - 2002 - British Journal of Aesthetics 42 (2):211-214.
  8. Noël Carroll, Filozofia horroru albo paradoksy uczuć.Roman Schmidt - 2007 - Roczniki Filozoficzne:258-264.
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  9. The Philosophy of Art and Aesthetics, Psychology, and Neuroscience: Studies in Literature, Music, and Visual Arts.Noel Carroll, Margaret Moore & William Seeley - 2012 - In Arthur P. Shimamura & Stephen E. Palmer (eds.), Aesthetic Science: Connecting Minds, Brains, and Experience. New York, NY, USA: pp. 31-62.
  10.  16
    Noël Carroll, "Philosophy and the Moving Image.". [REVIEW]Clotilde Torregrossa - 2022 - Philosophy in Review 42 (4):4-7.
  11. Noël Carroll’s Modest Actual Mentalism.Gemma Arguello Manresa - 2014 - Sztuka I Filozofia (Art and Philosophy) 44.
     
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  12. The Philosophy of Horror: Or, Paradoxes of the Heart.Noel Carroll - 1990 - Routledge.
    Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find (...)
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  13. Beyond Aesthetics: Philosophical Essays.Noël Carroll - 2001 - Cambridge University Press.
    Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art - Noël Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. Throughout, the book combines philosophical theorizing with (...)
     
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  14. Noel Carroll, Ed., Theories of Art Today Reviewed By.Julie Custeau - 2002 - Philosophy in Review 22 (2):99-101.
     
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  15. Humour: A Very Short Introduction.Noël Carroll - 2014 - Oxford University Press.
    Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.
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  16. Noel Carroll (1947-).Richard Wollheim & Arthur Danto - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 106.
     
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  17. Noel Carroll's "the Philosophy of Horror".Robert C. Solomon - 1992 - Philosophy and Literature 16 (1):163.
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  18. Art and Ethical Criticism: An Overview of Recent Directions of Research.Noël Carroll - 2000 - Ethics 110 (2):350-387.
  19. Introduction.Noël Carroll - 2009 - Journal of Aesthetics and Art Criticism 67 (1):1-3.
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  20.  30
    Carroll, Noël. Humour: A Very Short Introduction. Oxford University Press, 2014, 126 Pp., $11.95 Paper. [REVIEW]Lydia Amir - 2016 - Journal of Aesthetics and Art Criticism 74 (1):99-101.
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  21. A Philosophy of Mass Art.Noël Carroll - 1997 - Clarendon Press.
    Few today can escape exposure to mass art. Nevertheless, despite the fact that mass art provides the primary source of aesthetic experience for the majority of people, mass art is a topic that has been neglected by analytic philosophers of art. The Philosophy of Mass Art addresses that lacuna. It shows why philosophers have previously resisted and/or misunderstood mass art and it develops new frameworks for understanding mass art in relation to the emotions, morality, and ideology.
  22. Noël Carroll: On Criticism.Monika Bokiniec - 2020 - Estetika: The European Journal of Aesthetics 47 (1):105.
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  23.  44
    Architecture, Art, And Moderate Moralism.Nöel Carroll - 2017 - Nordic Journal of Aesthetics 25 (52).
    In this essay Noël Carroll explores the question of whether a moral defect in a work of architectural art can ever also count as an aesthetic /artistic defect. Adopting the stance of a moderate moralist and mobilizing what has been called the “uptake argument,” he argues against the moderate autonomist that sometimes a moral defect in an architectural artwork can also be an aesthetic/artistic defect.
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  24.  40
    Noël Carroll.Maisie Knew - 2008 - In Paisley Livingston & Carl R. Plantinga (eds.), The Routledge Companion to Philosophy and Film. Routledge. pp. 196.
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  25. Art Appreciation.Noël Carroll - 2016 - Journal of Aesthetic Education 50 (4):1-14.
    There seem to be at least two leading conceptions of art appreciation. The first, and by far the most popular, it seems to me, regards “appreciation” as a synonym for “approbation,” which itself can be a synonym for affection or even love. “To appreciate,” in this sense, is “to cherish.” This is the notion of appreciation that most plain speakers have in mind when they say things such as “I appreciate what you’ve done with your garden.” They mean “I like (...)
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  26. Aesthetic Experience Revisited.Noël Carroll - 2002 - British Journal of Aesthetics 42 (2):145-168.
    In this article I divide theories of aesthetic experience into three sorts: the affectoriented approach, the axiologically oriented approach, and the content-oriented approach. I then go on to defend a version of the content-oriented approach.
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  27.  6
    Noël Carroll, Philosophy and the Moving Image. [REVIEW]Thomas E. Wartenberg - 2022 - Film and Philosophy 26:143-148.
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  28. Noel Carroll, The Philosophy of Horror, or Paradoxes of the Heart Reviewed By.Alex Neill - 1991 - Philosophy in Review 11 (4):233-235.
     
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  29. Noël Carroll, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory Reviewed By.Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10 (9):345-351.
     
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  30. Noël Carroll, Philosophical Problems of Classical Film Theory Reviewed By.Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10 (9):345-351.
     
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  31. Noël Carroll, Philosophical Problems of Classical Film Theory. [REVIEW]Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10:345-351.
     
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  32. Noel Carroll, The Philosophy of Horror, or Paradoxes of the Heart. [REVIEW]Alex Neill - 1991 - Philosophy in Review 11:233-235.
     
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  33. On Jokes.Noël Carroll - 1991 - Midwest Studies in Philosophy 16 (1):280-301.
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  34.  6
    Carroll, Noël. Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures. Malden, MA: Wiley‐Blackwell, 2013, X + 358 Pp., $99.95 Cloth, $29.95 Paper. [REVIEW]Darren Hudson Hick - 2015 - Journal of Aesthetics and Art Criticism 73 (4):463-465.
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  35. Art, Practice, and Narrative.Noël Carroll - 1988 - The Monist 71 (2):140-156.
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  36. Philosophy of Art: A Contemporary Introduction.Noël Carroll - 1999 - Routledge.
    _Philosophy of Art_ is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It introduces the techniques of analytic philosophy as well as key topics such as the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art. as well as historical approaches to the nature of art. Throughout, abstract philosophical theories are illustrated by examples of both traditional and contemporary art including frequent reference to the avant-garde in this way enriching (...)
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  37. Art and Mood.Noël Carroll - 2003 - The Monist 86 (4):521-555.
    In recent years, the philosophy of art has profited enormously by applying to the study of art insights derived from the philosophies of mind and language, naturalized epistemology, psychology, evolutionary theory, and cognitive science. A case in point: the discussion of the nature of picturing and pictorial perception has obviously benefited from the influence of perceptual psychology and cognitive studies. Likewise, the theorization of art in relation to the emotions has also exploited contemporary advances in adjacent areas of inquiry.
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  38.  69
    The Palgrave Handbook of the Philosophy of Film and Motion Pictures.Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.) - 2019 - Springer.
    This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social (...)
  39.  23
    A Companion to Boethius in the Middle Ages.Noel Harold Kaylor & Philip Edward Phillips (eds.) - 2012 - Brill.
    The articles in this volume focus upon Boethius's extant works: his De arithmetica and a fragmentary De musica, his translations and commentaries on logic, his five theological texts, and, of course, his Consolation of Philosophy.
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  40. Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures.Noël Carroll - 2013 - Wiley-Blackwell.
    _Minerva’s Night Out_ presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture. Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture Authored by one of the best known philosophers dealing with film and popular culture Written in an accessible manner to appeal to students and scholars Coverage ranges from the philosophy of (...)
     
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  41. Art, Narrative, and Moral Understanding.Noël Carroll - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press. pp. 126--60.
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  42.  98
    A Paradox of the Heart: A Response to Alex Neill.Noel Carroll - 1992 - Philosophical Studies 65 (1/2):67 - 74.
  43.  96
    On Criticism.Noël Carroll - 2008 - Routledge.
    Drawing on his knowledge of the worlds of art, criticism, and philosophy, Noèel Carroll argues that appraisal and evaluation of art are an indispensable part of the conversation of life.
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  44.  2
    Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.Noël Carroll - 2007 - Wiley-Blackwell.
    In _Comedy Incarnate_, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.
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  45. Art, Intention, and Conversation.Noël Carroll - 1992 - In Gary Iseminger (ed.), Intention and Interpretation. Temple University Press. pp. 97--131.
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  46. Theorizing the Moving Image.Noël Carroll - 1996 - Cambridge University Press.
    A selection of essays written by one of the leading critics of film over the last two decades, this volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a (...)
  47.  11
    Art and Mood.Noël Carroll - 2003 - The Monist 86 (4):521-555.
    In recent years, the philosophy of art has profited enormously by applying to the study of art insights derived from the philosophies of mind and language, naturalized epistemology, psychology, evolutionary theory, and cognitive science. A case in point: the discussion of the nature of picturing and pictorial perception has obviously benefited from the influence of perceptual psychology and cognitive studies. Likewise, the theorization of art in relation to the emotions has also exploited contemporary advances in adjacent areas of inquiry.
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  48. The Philosophy of Motion Pictures.Noël Carroll - 2007 - Wiley-Blackwell.
    _Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
     
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  49.  64
    Art and Interaction.Noel Carroll - 1986 - Journal of Aesthetics and Art Criticism 45 (1):57-68.
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  50. Moderate Moralism.Noël Carroll - 1996 - British Journal of Aesthetics 36 (3):223-238.
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