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  1.  5
    Heidegger’s Aesthetics. The Philosophy of Finite Human Freedom and Basic Moods and Emotions.Nebojsa Grubor - 2021 - Filozofija I Društvo 32 (3):418-427.
    The first part of the text poses the question whether for Heidegger?s aesthetically relevant thought it is better to use older terms, such as?Heidegger?s Doctrine of Art? or?Heidegger?s Philosophy of Art?, or a more recent term?Heidegger aesthetics?? Does the term?Heidegger?s aesthetics? represent an?oxymoron? contrary to the intentions of Heidegger?s own philosophy, or does it signify a relevant aesthetic conception that has its own place in contemporary philosophical aesthetics? In order to answer these questions, the text considers Heidegger?s understanding of aesthetics (...)
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  2. Metaestetička autonomija umetnosti-S. Petrović: Za autonomiju umetnosti, Estetička preispitivanja, Beograd, 2010.Nebojša Grubor - 2010 - Theoria: Beograd 53 (3):131-145.
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  3.  36
    Baumgarten‘s Foundation of Modern Aesthetics.Nebojsa Grubor - 2015 - Filozofija I Društvo 26 (3):599-616.
    The paper explains Baumgarten?s foundation of modern aesthetics as the science of sensible cognition. The paper first examines mentalistic paradigm in modern philosophy as an intellectual background of Baumgarten?s philosophy and aesthetics. This is followed by consideration of Baumgarten?s definitions of aesthetics from Philosophical meditations of pertaining to some matters concerning poetry, Metaphysics and Aesthetics. Finally, it considers Baumgarten?s definition of aesthetics as the science of sensible cognition starting from Leibniz?s theory of different stages of knowledge.
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  4. Hajdegerova Filozofija Umetnosti: Problem Zasnivanja.Nebojša Grubor - 2005 - Mali Nemo.
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  5. Šta Je Estetika?: Zbornik Radova.Divna Vuksanović & Nebojša Grubor (eds.) - 2005 - Mali Nemo.
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  6.  30
    Hermeneutička fenomenologija umetnosti. Fundamentalni problemi filozofske estetike.Nebojša Grubor - 2005 - Theoria 48 (3-4):139-154.
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  7.  30
    Hajdegerov posthumanizam-pitanje o suštini čoveka u Hajdegerovim marburškim predavanjima u okolini'bivstvovanja i vremena'.Nebojša Grubor - 2011 - Theoria: Beograd 54 (1):25-35.
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  8.  28
    Hegelovo utemeljenje estetike putem određenja kulturno-povesne funkcije umetnosti.Nebojša Grubor - 2013 - Filozofija I Društvo 24 (1):199-211.
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  9.  23
    Lepo kao odnos pojavljivanja-osnovna ideja Hartmanove estetike.Nebojša Grubor - 2009 - Theoria: Beograd 52 (3):61-82.
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  10.  18
    Hermeneutička Fenomenologija Istine-o Pragmatičkom Jezgru Problema Istine Na Putu Izrade Fundamentalne Ontologije.Nebojša Grubor - 2008 - Theoria: Beograd 51 (1):33-53.
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  11.  19
    Univerzitet-Ideja U Krizi-Analiza Institucije Polazeći Od J. Habermasa.Nebojša Grubor - 2008 - Theoria: Beograd 51 (4):43-57.
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  12.  14
    Hegels Begründung der Ästhetik durch die Bestimmung der kulturgeschichtlichen Funktion der Kunst.Nebojsa Grubor - 2013 - Filozofija I Društvo 24 (1):199-211.
    In dieser Arbeit wird Hegels Begr?ndung der?sthetik als Philosophie der sch?nen Kunst und die Bestimmung der kulturgeschichtlichen Funktion der Kunst behandelt. Der Aufsatz schlie?t sich an die Annemarie Geth?mann-Sieferts Interpretation von Hegels?sthetik. In dieser Interpretati?on wird Hegels Kunsttheorie ausdr?cklich im Hinblick auf die Frage nach der Rolle der Kunst in der Kultur und in der Geschichte er?rtert. Im Text wird zuerst Hegels Ausschlie?en das Nautursch?nen und die Bestimmung der?sthetik als Philosophie der Kunst untersucht. Dann folgt die Er?rterung von Hegels Widerlegung (...)
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