Life expansion means increasing the length of time a person is alive and diversifying the matter in which a person exists. For human life, the length of time is bounded by a single century and its matter is tied to biology.

The emergent course of technology is at once explicable and baffling. It has precipitated questions about a shifting human paradigm that remain unanswered by postmodernism.

A goal of expanding life over time, space, and substrate requires that we look beneath the surface of technology and the universal norms placed on human nature to a vision of its future that could be realized. There is a visible fracturing of the personal and social behaviors of its hybrid users – a process that we might call data‐clatter. While life expansion seeks the continuation of persons over time and space and beyond the physical body, there is no current (...) method for backing up the brain and transferring its processes outside the biological system. The objectives of life expansion include developing a whole‐body prosthesis as both a device for mobility and sensory perception and a system that streams cognitive functions. These systems would provide the biosphere for biological systems of humans and the cybersphere for computational systems of digital persons. (shrink)

Every artistic practice implies, either explicitly or implicitly, a metaphysical framework within which its specialized activity can be understood. In furthering communication and sensorial connections, telematic arts interface with computer systems, biotechnological arts interface with biological systems, and sculpted prims interface with metaverse systems. In this article, I review artistic practices that engage preliminary aspects of human enhancement and, in some instances, begin to extend personal existence over space and time. Specifically, this article asks: what is the perception of human (...) enhancement that permeates these artistic works and gives them meaning? Answering this question suggests where artistic media of the cyborg, transhuman and posthuman are potentially headed. (shrink)

This article will address an overview of BioArt, biomedia and its practitioners, developed through a series of semi-structured, qualitative interviews and openended discussions with more than fifteen experts in the field. BioArt is approached from the perspective of scientific exploration, visual design in interactivity and installation, and social commentary and political activism. Of consequence is the fact that BioArt is relatively new, its nomenclature is without a codified definition, and bioartists have varied views on the parameters of its biomedia. Regardless, (...) BioArt has been escalating as a fecund medium with the potential for spawning visionary and critical practices and theories. In lieu of a slippery slope in which artists rely on freedom of expression in substantiating artworks, the burden of proof is placed on artists to be creative and objective in understanding what it means to tamper with biology and alter life forms. Issues of ethics have already affected artists' practices and venues for exhibition, and as BioArt continues to develop, research practice has become a necessary field of study. In addition, as biomedia evolve and emergent technologies partner with current biotechnologies, there is concern if the concept of BioArt is ambiguous in light of the fact that biotechnology is dovetailing nanotechnology, artificial general intelligence and cognitive science. Herein there is a need for practice-based scenarios for questioning constructive and destructive viewpoints about BioArt and, more particularly, concerning the future of life forms. (shrink)