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  1.  28
    On the Automaticity of Pure Perceptual Sequence Learning.Daphné Coomans, Natacha Deroost, Peter Zeischka & Eric Soetens - 2011 - Consciousness and Cognition 20 (4):1460-1472.
    We investigated the automaticity of implicit sequence learning by varying perceptual load in a pure perceptual sequence learning paradigm. Participants responded to the randomly changing identity of a target, while the irrelevant target location was structured. In Experiment 1, the target was presented under low or high perceptual load during training, whereas testing occurred without load. Unexpectedly, no sequence learning was observed. In Experiment 2, perceptual load was introduced during the test phase to determine whether load is required to express (...)
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  2.  17
    Conscious, but Not Unconscious, Logo Priming of Brands and Related Words.Gigliola Brintazzoli, Eric Soetens, Natacha Deroost & Eva Van den Bussche - 2012 - Consciousness and Cognition 21 (2):824-834.
    This study assessed whether real-life stimulus material can elicit conscious and unconscious priming. A typical masked priming paradigm was used, with brand logo primes. We used a rigorous method to assess participants’ awareness of the subliminal information. Our results show that shortly presented and masked brand logos have the power to prime their brand names and, remarkably, words associated to the brand . However, this only occurred when the logos could be categorized clearly above the consciousness threshold. Once the primes (...)
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    Implicit Learning of True and False Belief Sequences.Qianying Ma, Elien Heleven, Giulia Funghi, Min Pu, Kris Baetens, Natacha Deroost & Frank Van Overwalle - 2021 - Frontiers in Psychology 12.
    To investigate whether people can implicitly learn regularities in a social context, we developed a new implicit sequence learning task combining elements from classic false belief and serial reaction time tasks. Participants learned that protagonists were offered flowers at four locations. The protagonists' beliefs concerning the flowers were true or false, depending on their orientation, respectively, toward the scene or away from it. Unbeknown to the participants, there was a fixed belief-related sequence involving three dimensions. Participants had to indicate as (...)
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