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Nancy Sue Love
Appalachian State University
  1.  43
    Marx, Nietzsche, and Modernity.Nancy Sue Love - 1986 - Cambridge University Press.
    An excellent window on Marx's and Nietzsche's overall theories and on the foibles of modern society. Her analysis of their views on the nature of man and their consequent theories of history is competent and probes deeply into the teachings of Marx and Nietzsche.
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  2.  19
    Why Do The Sirens Sing?: Figuring the Feminine in Dialectic of Enlightenment.Nancy Sue Love - 1999 - Theory and Event 3 (1).
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  3. “Singing for Our Lives”: Women's Music and Democratic Politics.Nancy Sue Love - 2002 - Hypatia 17 (4):71-94.
    : Although democratic theorists often employ musical metaphors to describe their politics, musical practices are seldom analyzed as forms of political communication. In this article, I explore how the music of social movements, what is called "movement music," supplements deliberative democrats' concept of public discourse as rational argument. Invoking energies, motions, and voices beyond established identities and institutions anticipates a different, more musical democracy. I argue that the "women's music" of Holly Near, founder of Redwood Records and Redwood Cultural Work, (...)
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  4.  18
    Book Review: Jacqueline Stevens. Reproducing the State. Princeton: Princeton University Press, 1999. [REVIEW]Nancy Sue Love - 2004 - Hypatia 19 (2):198-200.
  5.  6
    “Singing for Our Lives”: Women's Music and Democratic Politics.Nancy Sue Love - 2002 - Hypatia 17 (4):71-94.
    Although democratic theorists often employ musical metaphors to describe their politics, musical practices are seldom analyzed as forms of political communication. In this article, I explore how the music of social movements, what is called “movement music,” supplements deliberative democrats' concept of public discourse as rational argument. Invoking energies, motions, and voices beyond established identities and institutions anticipates a different, more musical democracy. I argue that the “women's music” of Holly Near, founder of Redwood Records and Redwood Cultural Work, exemplifies (...)
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    “Singing for Our Lives”: Women's Music and Democratic Politics.Nancy Sue Love - 2002 - Hypatia 17 (4):71-94.
    Although democratic theorists often employ musical metaphors to describe their politics, musical practices are seldom analyzed as forms of political communication. In this article, I explore how the music of social movements, what is called "movement music," supplements deliberative democrats' concept of public discourse as rational argument. Invoking energies, motions, and voices beyond established identities and institutions anticipates a different, more musical democracy. I argue that the "women's music" of Holly Near, founder of Redwood Records and Redwood Cultural Work, exemplifies (...)
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  7.  9
    “Singing for Our Lives”: Women's Music and Democratic Politics.Nancy Sue Love - 2002 - Hypatia 17 (4):71-94.
    Although democratic theorists often employ musical metaphors to describe their politics, musical practices are seldom analyzed as forms of political communication. In this article, I explore how the music of social movements, what is called “movement music,” supplements deliberative democrats' concept of public discourse as rational argument. Invoking energies, motions, and voices beyond established identities and institutions anticipates a different, more musical democracy. I argue that the “women's music” of Holly Near, founder of Redwood Records and Redwood Cultural Work, exemplifies (...)
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