This paper presents a novel, Dynamic Syntax-based approach to the phenomenon of differential object marking in Kazakh, which can be extended at least to other Turkic languages displaying this phenomenon. It is demonstrated that the difference in the pragmatics associated with marked and unmarked direct objects, as well as the syntactic restrictions on the positioning of unmarked direct objects, can be elegantly and succinctly explicated through the application of the notions of fixed and unfixed nodes, without the need for proposing (...) special syntactic positions or additional pragmatics for the accusative case. (shrink)

The article is devoted to two talented representatives of the Russian university philosophical community of the first quarter XX century: Vasily Sesemann and Ksenia Miloradovich. It’s shown that their university routes are very similar, as far as it was possible for male and female biographies of that time. The most complete list of their original works published before 1922 is given. The thematic focus of their publications and journals in which they were published is compared and the translation activity is (...) analyzed. This allows us to see that in publications names of the “youth”: Vasily Sesemann, Ksenia Miloradovich, Sergey Hessen most often are supported by famous philosophers N.O. Lossky and S.E. Radlov. Based on the material of Ksenia Miloradovich's essay about the Philosophical Society, it’s emphasized that they were acquainted with each other in the philosophical workshop. The publications of Miloradovich and Sesemann made in the genre of reviews and not previously mentioned in their personal bibliographies, were revealed. It’s also shown that two historical events: the First World War (1914-1918) and the revolution of 1917 influenced the publishing capabilities of both philosophers. Nevertheless, until 1922 they continued to be active participants in the processes of reviving philosophical publications and the philosophical society. Lives of Sesemann and Miloradovich had the pathos of the drama of political arrests that trimmed their philosophical biographies, but both managed to make their contribution to the history of Russian philosophy. The article emphasizes that the enthusiasm of their creativity and the drama of their destinies can serve as an example of vitality and loyalty to the work. (shrink)

Noting that among the changes wrought by globalization is a constantly accelerated influx of new knowledge and information. The majority of this information remains poorly analyzed, is not clearly understood, and is often unused. The author believes that, apparently, mankind is entering a new epoch of inevitability ofthinking by essences, instead of particulars, i.e. to an epoch of ontological thinking. In work, proceeding from a possibility of synthetic judgements a priori, the author considers ethnocultural contradictions with the help of a (...) technique of ontological knowledge, i.e. aprioristic synthesis. Ethnocultural relations are considered by the author as a component of the general global process of various mutual relations in their historical development. Using a method of ontologic synthesis, the author synthesizes three essences: ● morals, as essence of accumulation of experience; ● the natural right, as essence of comprehension of experience; ● the legal right, as essence of application of experience. Morals is only the precondition for the growth of human mentality; firstly, from morals up to the natural right, and then to constitutional, legal and other laws. Interethnic contradictions arise not on the basis of ethnocultural, religious and confessional distinctions, but on absence of a legislative foundation for harmonization of interstate and international life. With a view of sustainable development, the main strategic priorities of modern activities should be the development of scientifically proved laws and the effective monitoring system of their performance. (shrink)

The subject of the study is the fundamental philosophical and aesthetic problems in the aesthetics of Pierre Simon Ballanche, who stood at the origins of French romanticism. Two layers of his creativity - explicit and implicit - have been identified and analyzed. It is shown that his ideas about the art of romanticism are verbalized in a strict academic style. The implicit layer, is associated with Ballanche’s artistic prose. It includes philosophical and aesthetic poems, testifying the originality of his aesthetic (...) position. Unlike most French romantics, who distance themselves from ancient culture as pagan in favor of Christianity and medieval art, Ballanche, in his talented paraphrases of mythological stories, romanticizes Antiquity, finding in it the beginnings of future Christian ideas of sublime love, mercy, sacrifice, beauty and goodness. The main conclusion of the study is the conclusion that art, according to Ballanche, plays a leading civilizational role in the cosmogonic-historical process. The core of Ballanche's implicit philosophical aesthetics is revealed - the original concept of palingenesis, interpreted by the author as a radical degeneration of the world for the sake of its future revival; it is precisely this stage of cultural and historical development that, in his opinion, marks romanticism. The author's special contribution lies in introducing into domestic scientific circulation, translated into Russian for the first time and analyzed the philosophical and aesthetic poems “Antigone”, “The Man with No Name”, “The Experience of Social Palingenesis. Orpheus". (shrink)

This article discusses the image of philosophy in modern world in the context of synthesis of the various intellectual and cultural traditions. The author explores the correlation between philosophy and politics, knowledge and power as a certain discursive practice that in an organic part of Western European culture; demonstrates the limits on establishing dialogue between philosophical traditions, schools and strands of thought. Leaning on the ideas of Kant and Foucault in viewing the phenomenon of Enlightenment, the author analyzes the role (...) and place of a philosopher in the political and intellectual environment. The procedure of double sample realized by the philosopher holds the risk of losing its position on the pedestal taken by intellectualism and serve ideology instead, since orientation towards socially-pragmatic actions inevitably requires involvement into a political game. It demands conscious demarcation of the two types of decisions made: on the one hand, it is an existential choice pertinent to the held by philosopher intellectual position; while on the other – a socially-pragmatic, associated with interval choices, not affecting the ultimate grounds of existence. Due to the fact that preservation of the autonomy of philosophical territory in the era of globalization is an acute problem, there is a need for extremely cautious attitude to any attempts of shifting traditions and cultures, which usually assign primary role to the “philosophical reason”. (shrink)

This essay is devoted to the analysis of the scholarly achievements of Victor V. Bychkov, a renowned Russian expert in aesthetics. It demonstrates that he has analyzed systematically and in detail the history of implicit aesthetics of the countries of the Eastern Orthodox region and has subdivided it into four principal stages: Patristic aesthetics, Byzantine aesthetics, Old Russian aesthetics, and Russian theourgic aesthetics. He has devoted special monographs to each of the four areas. Bychkov has created a present-day version of (...) theoretical aesthetics—post-nonclassic aesthetics—which he subdivided into three principal sections: classic, aesthetics; nonclassics ; and aesthetic virtualistics. Based on his analysis of twentieth-century art, Bychkov has suggested the hypothesis "Culture-post-culture," has brought to light the metaphysical meaning of contemporary, art and has provided contemporary definitions of the subject of aesthetics, of principal aesthetic categories, and of the main principles of art. (shrink)

Der Aufsatz versucht, durch eine Gegenuberstellung verschiedener Ansichten uber die Entsteheng der Kunst einen neuen Zugang zum Denkansatz Croces zu gewinnen. Seine Philosophie des Geistes als eine Abwandlung des Hegelschen Erbes wird mit der proklamiert materialistischen Abwandlung bei Adorno verglichen, die beiden philosophischen Standpunkte wiederum mit Hegels eher feindlichen Positionen, wobei es sich zeigt, dass in Fragen der Kunst unerwartete Verbundnisse auftreten. Croces Begriff der Intuition bringt Schwierigkeiten auf dem Gebiet der Kreativitat und Imagination, ist aber noch immer ein grossartiger (...) antireduktionistischer Ansatz. (shrink)

The present text is Letter No. 187 written for the Trialogue Project, whose first volume, containing 170 letters, was published in Moscow in 2012., Addressed to Nadežda B. Mankovskaya and Vladimir V. Ivanov, the letter uncovers the chief line of the artistic symbolism in a monumental film tetralogy by Aleksandr Sokurov, a famous Russian filmmaker. The author shows how through the artistic interpretation of such historical personalities as Lenin, Hitler, and Japanese emperor Hirohito as well as such cultural-mythological characters as (...) Faust and Mephistopheles, the film director reveals varying aspects of the social display of an irrational element of Power. (shrink)