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  1.  55
    L’«esplicabile peccato originale dell’intera esperienza». Critica e metafisica della conoscenza in J.F. Herbart.Nadia Moro - 2013 - Rivista di Storia Della Filosofia 68 (4):673–697.
    The “explicable original sin of all experience”. Critique and metaphysics of knowledge by J.F. Herbart. The Author claims that, in the system of Johann Friedrich Herbart (1776-1841), multiple foundation relationships between psychology and metaphysics interweave as a result of the intermediate position assigned to the human being within the methodological framework. To highlight the quest for objectivity in his general and applied metaphysics, its overall structures are analysed on several levels: the problematic assumption of external and internal data; formality of (...)
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  2. Ontologia dei valori, ed. by G. D'Anna, transl. by N. Moro.Nicolai Hartmann, Giuseppe D'Anna & Nadia Moro - 2011 - Morcelliana.
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  3. Aldo Brancacci (a cura di), Herbart e Platone.Nadia Moro - 2012 - Rivista di Storia Della Filosofia 67 (2):438.
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  4. Herbart e Platone. [REVIEW]Nadia Moro - 2012 - Rivista di Storia Della Filosofia 67 (2):438-441.
  5. Martin Ebeling, Verschmelzung und neuronale Autokorrelation als Grundlage einer Konsonanztheorie.Nadia Moro - 2009 - Rivista di Storia Della Filosofia 64 (4):882.
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  6.  23
    Bancalari's Role in Faraday's Discovery of Diamagnetism and the Successive Progress in the Understanding of Magnetic Properties of Matter.Giovanni Boato & Natalia Moro - 1994 - Annals of Science 51 (4):391-412.
    The events and thoughts which brought Michael Faraday to the discovery of diamagnetism in the year 1845 are reviewed and commented. The contribution of Bancalari, namely the discovery of diamagnetism in flame and gases made at the University of Genoa in 1847, had a strong impact on the continuation of Faraday's brilliant researches on magnetism in matter. Diamagnetism was carefully studied by him and other authors, while paramagnetism was revealed in solid, liquid, and gaseous substances. A systematic study of the (...)
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  7.  13
    A Rhapsody of Forms Without Critique.Nadia Moro - 2016 - Hegel-Jahrbuch 2016 (1).
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  8. Sprung, Helga (unter Mitarbeit von Sprung, Lothar), Carl Stumpf–Eine Biografie. Von der Philosophie zur Experimentellen Psychologie, München-Wien 2006.Nadia Moro - 2007 - Rivista di Storia Della Filosofia 62 (4):804-806.
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  9. A. Brancacci (a cura di), Herbart e Platone, Napoli 2011.Nadia Moro - 2012 - Rivista di Storia Della Filosofia 67 (2):438-441.
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  10. M. Ebeling, Verschmelzung und neuronale Autokorrelation als Grundlage einer Konsonanztheorie, Frankfurt am Main, Lang, 2007.Nadia Moro - 2009 - Rivista di Storia Della Filosofia 64 (4):882-884.
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  11. C. Maigné, Johann Friedrich Herbart, Paris 2007.Nadia Moro - 2008 - Rivista di Storia Della Filosofia 63 (1):190-193.
     
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  12. Matthias Rieger, Helmholtz Musicus. Die Objektivierung der Musik im 19. Jahrhundert durch Helmholtz'Lehre von den Tonempfindungen, Wissenschaftliche Buchgesellschaft, Darmstadt 2006.N. Moro - 2007 - Rivista di Storia Della Filosofia 62 (1):176-178.
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  13. Carl Stumpf – Eine Biografie. Von der Philosophie zur Experimentellen Psychologie. [REVIEW]Nadia Moro - 2007 - Rivista di Storia Della Filosofia 62 (4):804-806.
  14. Helmholtz Musicus. Die Objektivierung der Musik im 19. Jahrhundert durch Helmholtz’ Lehre von den Tonempfindungen. [REVIEW]Nadia Moro - 2007 - Rivista di Storia Della Filosofia 62 (1):176-178.
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  15. Johann Friedrich Herbart. [REVIEW]Nadia Moro - 2008 - Rivista di Storia Della Filosofia 63 (1):190-193.
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  16. Verschmelzung und neuronale Autokorrelation als Grundlage einer Konsonanztheorie. [REVIEW]Nadia Moro - 2009 - Rivista di Storia Della Filosofia 64 (4):882-884.
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  17.  12
    In ricordo di Francesco Moiso.Nadia Moro - 2013 - Rivista di Storia Della Filosofia 68 (2):391-392.
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