Different evocations of “crisis” create distinct categories that in turn evoke certain social reactions. Post-2008, Greece became the epicentre of the “financial crisis”; simultaneously, since 2015 with the advent of the “refugee crisis,” it became the “hotspot of Europe.” What are the different vocabularies of crisis? Moreover, how have both representations of crisis facilitated humanitarian crises to become phenomena for European and transnational institutional management? What are the hegemonically constructed subjects of the different crises? The everyday reality in the crisis-ridden (...) hotspot of Europe is invisible in these representations. It is precisely the daily, soft, lived, and unspoken realities of intersecting crises that hegemonic discourses of successive, overlapping, or “nesting crises” render invisible. By shifting the focus from who belongs to which state-devised category to an open-ended, polyvocal account of capitalist oppressions, we aim to question the state’s and supranational efforts to divide the “migrant mob” into discrete juridical categories of citizens (emigrants), refugees, and illegal immigrants, thereby undermining coalitional struggles between precaritised groups. (shrink)

In July 2016, we participated in a conference in Lesvos (Greece) on borders, migration, and the refugee crisis. The Crossing Borders conference was framed in contrast with the ad-hoc humanitarianism that was being implemented, to the extent that it seemed to offer an opportunity to think about the refugee crisis, militarism, and austerity capitalism in systemic terms. This paper is based on an intervention we staged in the closing panel of the Crossing Borders conference, where we read a statement we (...) collectively wrote with fourteen other participants. The intervention was the outcome of frustration as we saw stereotypes and dynamics of knowledge production that reproduced the division between "us" and "them," further marginalising migrants and refugees, elevating international experts while silencing locally affected people. We use this incident and the text of this intervention as a starting point to analyse the growing academic industry in relation to what has been constructed as "Europe's refugee crisis." Our intervention sought to contest several kinds of borders—linguistic, epistemic, activist, methodological, political, historical, and internalised— which are uncritically reproduced in this academic industry. (shrink)

All migration politics are reproductive politics. The nation-state project of controlling migration secures the racialised demographics of the nation, understood as a reproducible fact of the social and human body, determining who is differentially included, who is excluded, and who is exalted. In this commentary, we put forward a provocation about methodological heteronormativity and its omnipresence in the discourse surrounding the so-called “refugee crisis.” By methodological heteronormativity, we refer to the ways states, supranational organisations, hegemonic ideologies, but also solidarity movements (...) and critical scholars construct the figure of the (un)deserving “refugee.”. (shrink)

Since 2015, the ‘refugee crisis’ is possibly the most photographed humanitarian crisis in history. Photographs taken, for instance, in Lesvos, Greece, and Bodrum, Turkey, were instrumental in generating waves of public support for, and populist opposition to “welcoming refugees” in Europe. But photographs do not circulate in a vacuum; this book explores the visual economy of the ‘refugee crisis,’ showing how the reproduction of images is structured by, and secures hierarchies of gender, sexuality, and ‘race,’ essential to the functioning of (...) bordered nation-states. Taking photography not only as the object of research, but innovating the method of photographìa— the material trace of writing/grafì with light/phos—this book urges us to view images and their reproduction critically. Part theoretical text, part visual essay, "Reproducing Refugees" vividly shows how institutional violence underpins both the spectacularity and the banality of ‘crisis.’ This book goes about synthesising visual studies with queer, feminist, postcolonial, post-structuralist, and post-Marxist theories. "Reproducing Refugees: Photographìa of a Crisis" offers theoretical frameworks and methodological tools to critically analyse representations, both those circulated through hegemonic institutions, and those generated from ‘below’. It carves a space between logos and praxis, ways of knowing and ways of doing, by offering a new visual language that problematises reified categories such as that of the ‘refugee’ and makes possible disruptive, alternative, resistant perceptions. The book contributes to the fields of migration and border studies, critically engaging visual narratives drawn from migration movements to question dominant categories and frameworks, from a decolonial, no-borders, queer feminist perspective. (shrink)

"Our grandparents, refugees; Our parents, immigrants; We, racists?" The slogan that prefaces the paper provides the theoretical caveat for the tensions, limitations, and contradictions of academic discourses in conjuring the daily realities of the era of the 'refugee crisis' in Greece. This paper has the form of a dialogue between a visual sociologist (Myrto) and a political theorist (Anna) who investigate different forms of the ways the 'refugee crisis' is changing the socio-political landscapes in Greece. The multiple aspects of our (...) identities provide valuable tools with which we unpack the multiple and contradictory narratives of researching, learning, and disseminating in the current milieu. In particular, we are interested in the ways we shape knowledge and the tension between the episte-mological and the ontological ways of knowing. In other words, by moving from theory to praxis and back, we are attempting to reconcile the problem of knowing and the problem of being part of a specific crisis milieu. For example, how can we use crisis as a research methodology? What can we learn from the ongoing 'refugee crisis' in relation to issues of citizenship, belonging, and the future of the European project? Furthermore, the paper attempts to transcend discursive borders between social sciences and the humanities by analysing the deeply performative, situated and embodied practices of doing research in moments of crisis. For example, how to navigate multiple, and at times contradictory, aspects of one's identity without returning to outmoded discourses of positivism and objectivity? (shrink)