In this article the author examines the first domestic philosophical debate between the two authors who perform within liberal positions. It is a debate between Leon Kojen and Aleksandar Pavkovic, conducted during 1985 in the pages of several national magazines. The main subject of controversy is the question of establishment of liberalism. Kojen is committed to seeing that liberalism is based on the equal rights, equal rights to freedom. Pavkovic criticizes this view and suggests different approach which establishes liberalism starting (...) from interests. The author is analyzing their articles and arguments, but also attempts to shed light on the overall political and intellectual context of the liberalization of society in which the debate takes place. (shrink)

The paper is focused on ideological and political conflicts about popular music in Serbia, as a good example of wrong and confused searching for identity. Basic conflict that author is analyzing is about oriental elements and the question if they are legitimate parts of Serbian musical heritage or not. Author is making an analysis of three periods in twentieth century, in which absolutely the same arguments were used, and he's paying special attention to contemporary conflicts, trying to explain why all (...) of the theories are ideologically based. Author is insisting on role market played in development and modernization of popular music in Serbia. The article is ending with some recommendations for better understanding of cultural identity in Serbia, and for recognizing popular music as specific field of interest and research. Rad se bavi ideoloskim i politickim sukobima oko popularne muzike u Srbiji kao odlicnom primeru jednog konfuznog i lose postavljenog traganja za identitetom. Zapravo, sukob o kome je rec, sve vreme se vodi oko toga da li su takozvani orijentalni elementi legitiman deo srpske muzike ili ne. Autor se fokusira na tri perioda dvadesetog veka kada su se potezali potpuno isti argumenti, a narocitu paznju posvecuje aktuelnim sukobima i izlaze zasto su sve tri prisutne pozicije na sceni ideoloski zasnovane. Posebna paznja posvecena je uticaju trzista na razvoj i modernizaciju popularne muzike. Clanak se zavrsava preporukama za jedno bolje postavljeno razumevanje sopstvenog kulturnog identiteta. (shrink)