The religious consciousness functions symbolically. As the orientation towards the sacred belongs to consciousness, human existence is constituently symbolic. For Eliade, symbolism is an immediate given of consciousness, an essential object of intelligence that belongs to human beings and can be found in any existential situation of man in cosmos. If, according to Eliade, the religious history of humanity begins with the existence of the sacred, with those infinite hierophanies which organize the world and fill it with significances, (...) then we are entitled to state the anthropological importance invested by Eliade into the religious symbolism. (shrink)

It is not without fear and trembling that a historian of religion approaches the problem of myth. This is not only because of that preliminary embarrassing question: what is intended by myth? It is also because the answers given depend for the most part on the documents selected by the scholar. From Plato and Fontenelle to Schelling and Bultmann, philosophers and theologians have proposed innumerable definitions of myth. But all of these have one thing in common: they are based on (...) the analysis of Greek mythology. Now, for a historian of religions this choice is not a very happy one. It is true that only in Greece did myth inspire and guide epic poetry, tragedy and comedy, as well as the plastic arts; but it is no less true that it is especially in Greek culture that myth was submitted to a long and penetrating analysis, from which it emerged radically ‘de-mythicised’. If in every European language the word ‘myth’ denotes a ‘fiction’, it is because the Greeks proclaimed it to be such twenty-five centuries ago. What is even more serious for an historian of religion: we do not know a single Greek myth within its ritual context. Of course this is not the case with the paleo-Oriental and Asiatic religions; it is especially not the case with the so-called ‘primitive’ religions. As is well known, a living myth is always connected with a cult, inspiring and justifying a religious behaviour. None of this of course means that Greek myth should not figure in an investigation of the mythical phenomenon. But it would seem unwise to begin our kind of inquiry by the study of Greek documents, and even more so to restrict it to such documents. The mythology which informs Homer, Hesiod and the tragic poets represents already a selection and an interpretation of archaic materials, some of which had become almost unintelligible. In short, our best chance of understanding the structure of mythical thought is to study cultures where myth is a ‘living thing’, where it constitutes the very ground of the religious life; in other words, where myth, far from indicating a fiction , is considered to reveal the truth par excellence. (shrink)

As Mircea Eliade’s translator and biographer Mac Linscott Rickett states, Eliade involved the whole discipline of the history of religions in the quest for meaning. The paper examines Eliade’s approach of religious documents, with benefits and shortcomings as appraised by some of his American critics, and looks closely at the Eliadean creative hermeneutics and the ambitious mission he envisaged for the discipline he has founded in the United States.

If archaic symbolism can be regarded as representative of a dimension of consciousness, the question of interpretation is primary. This chapter debates this question by reference to a hermeneutic developed by the historian of religions and phenomenologist, Mircea Eliade. It outlines Eliade's structural hermeneutic, and suggests its potential as a program for philosophical interpretation. There is a polemic in Eliade's thought which provides the negative foundation for his hermeneutic, namely, the polemic against reductionism. The attempt to understand the sacred (...) as an irreducible form is accompanied by the technical attempt to capture its intentional mode. Eliade has suggested that encounter with the myths and symbols of non‐Western and archaic cultures may “lead to a renewal in the philosophic field, in the same way that the discovery of exotic and primitive arts half a century ago opened up new perspectives in European art”. (shrink)

This anthology is a collection of key essays by and about the Romanian-American Historian of Religions, Mircea Eliade. It introduces the beginning student to the terms and categories of Eliade's understanding of religious behaviour as a universal phenomenon: apprehension of the sacred by homo religiosus, humanity's religious mode, through hierophanies, revelatory events and objects. The analysis of religious behaviour as the restoration of illud tempus, an alternative continuum of sacred time, through myth, ritual, and symbol is (...) a central feature of that understanding, assumed to have an authentic application in the struggle for freedom from the human condition. As well as Eliade's own understanding and its implication for the study of Religions, the collection alerts the reader to the critical response to the problems of his thought. This includes the issues raised by Eliade's biography, politics, and career as one of the most successful and influential historians of religion of the late 20th Century. Moving from inter-war Romania, through India during the struggle for independence, to war-time London and Lisbon, post-war Paris, and finally to America in the 60s and 70s, Eliade's career traces a complex trajectory involving many problems central to the academic study of religion and culture. (shrink)

" "Each of these essays contains insights which will be fruitful and challenging for professional students of religion, but at the same time they all retain the kind of cultural relevance and clarity of style which makes them accessible to ...

"No one has done so much as Mr. Eliade to inform literature students in the West about 'primitive' and Oriental religions.... Everyone who cares about the human adventure will find new information and new angles of vision."—Martin E. Marty, New York Times Book Review.

Mircea Eliade’s ideas developed in the scientific and literary works had considerable influence over the past century, both among historians of religions, imposing the discipline that he promoted in many prestigious universities from America and from around the world, and among other researchers in related fields of the history of religions. The question today is about what is left of Eliade’s work after a careful analysis according to the grids of thought of our century. The question that has not (...) yet found a definitive answer is of special interest, because the themes dealt by the Romanian scientist are universal and permanent. Among them, the problem of the timeliness of myth occupies the essential rank closely related with all the concepts developed by Eliade in his works. In this sense, the relationship between the man of archaic societies, often called homo religious, and the Christian man is also defined by how the myth is perceived by the two of them. Through its exact understanding human religiosity from forever and everywhere can always be redefined. (shrink)

This article is about Mircea Eliade’s rapport to exile, both his and other Romanians’. His approach of the exilic experience allows an incursion into the “diaspora” semantic field in the study Theorizing Diaspora by Jana Evans Braziler and Anita Mannur and a look at Eliade as a “diasporic subject”. To Eliade, the relationship with homeland and the diasporic identity assume religious significance. He urges members of the Romanian diaspora to hold the native country sacred as a ‘Jerusalem in (...) the Sky’. A strong believer in the salvaging power of cultural creation over the political factor, he wanted his work to be a response to the communist regime in Romania. (shrink)

Mircea Eliade, often described by scholars and in the popular press as the world's most influential scholar of religion, symbolism, and myth, was trained as a philosopher, received his Ph.D. in philosophy, and taught in the Department of Philosophy at the University of Bucharest in the 1930s. Although he became a historian and phenomenologist of religion within the field of religious studies, his approach, methodology, and analysis are informed by philosophical assumptions and philosophical normative judgments. In several of (...) his writings, he goes far beyond the history and phenomenology of religion and presents a strong critique of contemporary Western philosophy as part of his larger critique of contemporary Western culture. He submits that contemporary philosophy,as a development of the Enlightenment, claims to be universal, but is in fact ethnocentric and provincial; claims to be innovative and creative, but is in fact increasingly trivial, insignificant, and uncreative. Eliade repeatedly charges that contemporary philosophy is bankrupt and desperately in need of renewal. I shall provide his philosophical critique of dominant Western philosophy, his analysis of self-other encounters, and his alternatives for philosophical renewal through the emerging confrontations, engagements, and creative dialogues between Asian, other non-Western, and Western philosophical perspectives. (shrink)

This article analyses the concept of “the loss of time” in the essays of Mircea Eliade. This concept is shown to be an instrument of knowledge and a form of freedom that saves the human being from falling into historicity, and opens a point of access towards authenticity. The article critically discusses the temporal alternatives of the modern human being: capitalized time, free time, and personal time. The loss of time is subsequently shown to be both a technique for (...) obtaining salvation, and a domination technique de- scribed in scientific works. Finally, the invitation of losing time is seen as a re-activation of an a priori structure that makes possible the “humanitarian engagement” of Eliade in order to re-actualize the sacred at the conscious level of the modern human being, as well as an attempt at revalorization of parusia for the religious Christian. (shrink)

he article analyzes The Letters for a Provincial, addressed by Mircea Eliade to a hypothetical provincial in order to prepare access to the capital city. The letters are written so as to dislocate the provincial from a cultural model built on fake values and prejudices. From a mere pretext, the letters are turned into a symbolic act through which the historian of religions assumes, on the one hand, the destiny of a messenger of a new humanism, and, on the (...) other hand, transforms the modern areligious man into a destination point for whom the provincial is the archetype. Thus, in all of Eliade’s works one can trace the same pattern of dislocation of the partial man, disconnected from archetypes and milestones, in order to re-install him on the road towards the Center, through anthropology structured on cosmic reintegration, alchemy or androgyny in the books of the Romanian period, recovery of the eternal recursion in the Western treatises, and also through the theory of the irecognoscibility of the miracle, in his last essays. The end of the article proposes an answer from the present provincial, who for Eliade was still in the future, an answer showing that the messages of the historian of religions are not reaching him, because he has lost the road towards the Center; moreover, he is situated in an ill-fated extraterritoriality, that is made possible through the great integrations at a horizontal level, and his chance would be the return to the story. (shrink)

O filósofo Mircea Eliade, dentre seus ofícios, foi um escritor. Para ele, a literatura busca investigar e compreender os significados universais da criação e dos fenômenos – em especial, em seus romances, os fenômenos religiosos. Herdeiro da tradição literária existencialista que marcou, sobretudo, os grandes filósofos e romancistas franceses (como Jean-Paul Sartre e Albert Camus), sua obra literária possui uma unidade fundamental: a inquietação com o tempo e o sagrado. O objetivo desta pesquisa é apresentar a relação de (...) class='Hi'>Mircea Eliade com a literatura, principalmente as ideias e vivências acerca da aproximação entre literatura e religião no pensamento do autor. O método utilizado para esta pesquisa foi, preferencialmente, o analítico, com incidência hermenêutica. Ao analisar os textos e artigos do autor e sobre o autor, conclui-se que a literatura existencial possui um papel fundamental na vida de Eliade e que ela é uma ferramenta entre outras para explorar e apresentar sentidos e significados acerca do ser humano no mundo. Palavras-chave : Mircea Eliade. Literatura. Narrativa. Mundo. Constituição.The philosopher Mircea Eliade was a particularly great writer. According to Eliade, the literature seeks to investigate and understand the universal meanings of creation and phenomena – especially, among his novels, the religious phenomena. Heir to the existential literary tradition that marked, above all, the great French novelists and philosophers (such as Jean-Paul Sartre and Albert Camus), Eliade’s literary work has a fundamental unit: the concern with time and the sacred. The aim of this research is to present the relationship of Mircea Eliade with the literature, especially the ideas and experiences on the approach between literature and religion in Eliade’s thought. The method used for this research was the analytic method with hermeneutic incidence. After the analysis on Eliade’s texts and articles and texts and articles about the author, we conclude that the existential literature has a fundamental function in Eliade’s life and it is an efficient tool to investigate and present to the world the meanings about the human being within the world. Key words: Mircea Eliade. Literature. Narrative. World. Constitution. (shrink)

Many influential philosophers have argued that in pgh. 608 of Zettel (hereafter Z608) Wittgenstein appears to say that language and thought might emerge out of physical chaos at the neural “centre”. By contrast, the present paper argues that these scholars are, in a fashion that would be readily understandable by Thomas Kuhn, assuming the very Anglo-American paradigm that Wittgenstein is actually critiquing in Z608 when they interpret his remarks. In opposition to this, the paper argues that Wittgenstein’s notion of emergence, (...) chaos and the center in Z608 (and elsewhere in his works) is better understood in terms of the universal cross-cultural archetypes, emphasized by Carl Jung and Mircea Eliade of emergence, chaos and the center found in numerous religious and cosmological traditions around the world. The paper also points out that Wittgenstein also uses many other cross-cultural symbols also emphasized by Jung and Eliade, including the Shadow (which, in Jung, represents the opposite of the ego), the Trickster (or Devil), the mandala, the labyrinth, the microcosm, the crystal, the abyss, darkness, circular movement and creation (genesis), in order to illustrate his view. Perhaps the most fascinating of these concerns the archetypal cosmological symbolism in Wittgenstein’s self-reported but largely ignored“ alchemical” dream, including the Indian mandala symbolism in that dream. The paper concludes that Wittgenstein that is not restricted by Anglo-American “analytical” philosophy or the associated “scientistic” paradigms but is informed by a way of looking at things implicit in a fundamental archetypal symbolism found in very different cosmologies, religion and cultures all around the globe. (shrink)

This study is an analysis of the relationship between homo religiosus and the Christian man, as it emerges from Mircea Eliade’s work. His ideas concerning the dialectics sacred-profane are related to homo religiosus, the man of the traditional societies. According to Eliade’s vision, one can use the term homo religiosus only within the context of his universe. Many mythical themes are present in the modern world, but it is difficult to identify them, going through the process of desacralization. The (...) “mythical” elements became Christian from the very beginnings and they are still significant for Christianity which characterizes itself by rendering value to history. The issue that Eliade analyses is whether Christianity can develop the sacred horizon of the archaic societies. As a conclusion of this research, one cannot say that there is a separation of homo religious from Christian man. The reader’s impression is that the scientist refers to Christianity as having lost the real meaning, as it was discovered in its early beginnings. Although the modern man still keeps the Christian elements, is far from what represented the Christian man from his early centuries. However, there are many common points of homo religiosus with the archaic societies. The critics treat the issue from some perspectives which are different from the ideas of the scientist from Chicago: either as being based on the protestant theology of “God’s Death” as the cases of Kenneth Hamilton and J. J. Altizer, either from partial position, the accusations not having a real basis. Dubuisson’s case is this way. This work was meant to be a step of an approach that attempts to discover correspondence between the scientist’s ideas and Christianity. (shrink)

By the end of World War II, religion appeared to be on the decline throughout the United States and Europe. Recent world events had cast doubt on the relevance of religious belief, and modernizing trends made religious rituals look out of place. It was in this atmosphere that the careers of Scholem, Eliade, and Corbin--the twentieth century's legendary scholars in the respective fields of Judaism, History of Religions, and Islam--converged and ultimately revolutionized how people thought about religion. Between (...) 1949 and 1978, all three lectured to Carl Jung's famous Eranos circle in Ascona, Switzerland, where each in his own way came to identify the symbolism of mystical experience as a central element of his monotheistic tradition. In this, the first book ever to compare the paths taken by these thinkers, Steven Wasserstrom explores how they overturned traditional approaches to studying religion by de-emphasizing law, ritual, and social history and by extolling the role of myth and mysticism. The most controversial aspect of their theory of religion, Wasserstrom argues, is that it minimized the binding character of moral law associated with monotheism.The author focuses on the lectures delivered by Scholem, Eliade, and Corbin to the Eranos participants, but also shows how these scholars generated broader interest in their ideas through radio talks, poetry, novels, short stories, autobiographies, and interviews. He analyzes their conception of religion from a broadly integrated, comparative perspective, sets their distinctive thinking into historical and intellectual context, and interprets the striking success of their approaches. (shrink)

The purpose of this article is to clarify some of the areas considered most problematic in Mircea Eliade's approach to religion. One of its principal goals is to show that Eliade's method is primarily phenomenological rather than theological, as some interpreters of his work maintain. In presenting this phenomenological interpretation of Eliade four areas of his approach are addressed: (1) the extent to which it incorporates historical method; (2) the meaning of religion as sui generis and irreducible; (3) Eliade's (...) use of the term 'sacred'; and (4) Eliade's hierarchalizing of religious phenomena. Eliade's departure from phenomenology to explain the causes of religious experience is also addressed. (shrink)

Recent studies have been increasingly interested in the connections between popular culture – cinema in particular – and religion, and most particularly in how traditional mythologies and religious frameworks and practices are recycled and reinterpreted within modern media. These interactions can be ranged from opposition to dialogue and move towards appropriation and even replacement, in terms of functions and impact. Departing from a series of theories – mainly that of “implicit religion”, coined by Bailey but also developed by theorists (...) like Lyden – the article examines the issue of recycled myth and religious pattern in contemporary cinema, focusing on the Russian “New Wave” and more specifically on discussing Zvyagintsev’s Vozvrashchenie [The Return]. The article aims to decode the religious layers and symbolism of the film, which can find a coherent explanation in Eliade’s theories on the pattern of initiation, but also in those on the sacred camouflaged into the profane and most particularly on the hierophanies and initiation religious patterns. The paper also focuses on the function of religious archetypes and rituals as employed by contemporary storytellers like cinema, especially when such religious scripts are as articulated, although implicit, as in Zvyagintsev’s narrative. The article concludes that this return to religion and the sacred as worldviews and manners of understanding of the world can be explained as employed for their persistent function of myth structures as meaning and coherence providers. (shrink)

his study attempts to reveal how ideology can be a determinative exponent for a negative interpretation of religion. Ideology and its processes are such powerful inducements that even a spirit like Eliade’s (or Heidegger’s, Sartre’s, Cioran’s, and Noica’s, in the 20th century) couldn’t resist them. This text also reveals, in its connotation, that an impersonal interpretation is preferred for one who is defined by political or, generally speaking, ideological motives.

Archétypes et répétitions. Régénération du temps. "Malheur" et "histoire". Terreur de l'histoire. Quatre longs chapitres qui interrogent les conceptions fondamentales des sociétés archaïques et la révolte de celles-ci contre le temps historique. [SDM].

For the History of Religions as a discipline, Mircea Eliade’s Patterns in Comparative Religion represents a fundamental paper. By carefully analyzing each chapter, we try to catch the accuracy proved by Mircea Eliade in building his arguments and to decipher the meaning of the archetypes dominating the human existence and the way in which the sacred forms are perceived.

Many commentators have concentrated their attention on the first moment of Mircea Eliade’s dialectic of the sacred, the essentialist one, where the archetype overhangs history, neglecting the second one, where the archetype exists only through its realization in history, and so they give the impression that Eliade is a anhistorical thinker, who conceives time mostly through eternity and not in itself A closer look reveals however that Eliade is a much more historical thinker than what we usually make him (...) to be. Indeed, Eliade considers the miracle of the Incarnation as being the supreme hierophany and the other hierophanies as being its prefigurations. (shrink)

Eliade and the Doctrine of Mystic Lights Eliade believed that in every religion there are reports about an experience of mystic light. Furthermore, all such reports mention that the person who experienced the light subsequently underwent a deep transformation of her or his spirit and began a new life, the life of a holy man or homo religiosus, which is identical – in its purest form – with the life of a mystic. A clear example of one such transformation is (...) Saul turning into Paul. But a closer analysis indicates, says the Author, that these changes can be of two kinds. They either come suddenly to an unsuspecting and unprepared individual, and that was the case of Saul, or they are a result of concentrated spiritual training, and such a case was described by Gregory Palamas. The former transformation leads to a religious conversion, the latter is the beginning of a new, mystic life. The Author argues that these forms of experience are seeing without using eyes, and as such, they may have served as a paradigm of vivid mental understanding. He quotes Plato and Heidegger to support these views. (shrink)

Le yoga comme discipline spirituelle, d'après le traité "Yoga-Sutra" de Patanjali (2 siècles avant notre ère).

Mircea Eliade has contributed immense scholarship to the study of religion. His theories have been analyzed, utilized, and critiqued by many. This paper will apply Eliade’s concept of axis mundi in an interpretation of the North Indian classical dance form of Kathak. A foundational understanding of axis mundi will be established before applying the theory in interpreting Kathak. The foundation will be built by defining terms and ideas integral in Eliade’s writings and by examining his interpretation of Barabudur as (...) an axis mundi. By discussing the consecration of space, the positioning of the body, the intention of the performer, and the role of the art form in society, this paper will argue that a Kathak dancer also functions as an axis mundi—a point of communication between the profane and the Divine. While acknowledging various critiques of Eliade’s approach, this paper will also address the need for practitioner perspectives in developing a multi-faceted interpretation of religious phenomena. (shrink)

Concerning the investigation method adopted by Mircea Eliade, we can talk about certain tendencies the Chicago scholar used in his studies. The hermeneutics, the phenomenology or the history of religion are parts of what we can call “the Eliade method”. If this method is still actual or not, remains to be discussed but the way in which the Romanian scholar revolutionized the research of the religious deeds at least for a few decades, represent a truth upon which it (...) has to be reflected permanently, for a better understanding of what really means the religious phenomena. (shrink)

The subject of the study is the role of stained glass in the visual semiosis of religious buildings in Crimea. The object of the study is the stained glass decor of the sacred architecture of the Crimea. The research uses the methods of cultural (hermeneutic and semiotic) and artistic (idiographic and structural) analysis of stained glass art in the sacred space of Crimean architecture, the method of analysis of previous studies, the method of synthesis in conclusions regarding the development (...) of stained glass in the Crimean cult architecture. In the study, the authors considered the following areas of the topic: the development of stained glass art of the Crimea in sacred architecture; the meaning of color and subject symbols in stained glass compositions of religious buildings of the Crimea. The main conclusions of the study are: 1. Stained glass art, more precisely, its subject component, is not authentic for the Crimea, it appears in the decor of residential and public buildings during the late XIX century, the beginning of the eclecticism of Art Nouveau and imitation of Gothic and Byzantine models. Colored glass in earlier periods decorated the windows of well-to-do houses of representatives of various Crimean ethnic groups, however, stained glass as a phenomenon was not characteristic of sacred structures. 2. Due to its geographical location, Crimea is a multicultural and multi-confessional territory, where various religious trends developed: ancient pantheism, Byzantine Orthodox Christianity, Catholicism and Protestantism with the colonization of Catherine's time, Islam, Ashkenazi and Sephardic Judaism. Stained glass windows in religious buildings of various faiths, in addition to decorative function, play a symbolic role, conveying through color, symbolism of abstract and object forms one or another sacred meaning. 3. A special contribution of the authors to the study of the topic is the cataloging, art history and cultural description of examples of stained glass art in the sacred architecture of the Crimea. The scientific novelty of the study is that the authors for the first time carry out an ontological analysis of stained glass art in the sacred visual semiosis of the Crimea and analyze its semiotic aspects. (shrink)