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Milton C. Nahm [42]Milton Charles Nahm [15]
  1.  16
    Selections From Early Greek Philosophy.Milton Charles Nahm - 1934 - New York: Appleton-Century-Crofts.
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  2. Selections From Early Greek Philosophy.Milton C. Nahm - 1936 - Philosophical Review 45:330.
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  3.  3
    Selections From Early Greek Philosophy. [REVIEW]R. S. & Milton C. Nahm - 1934 - Journal of Philosophy 31 (14):383.
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  4. The Functions of Art and Fine Art in Communication.Milton C. Nahm - 1947 - Journal of Aesthetics and Art Criticism 5 (4):273-280.
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  5.  31
    „Sublimity“ and the „Moral Law“ in Kant's Philosophy.Milton C. Nahm & Bryn Mawr - 1956 - Kant Studien 48 (1-4):502-524.
  6. The American Philosophical Association Eastern Division: Abstracts of Papers to Be Read at the Fifty-Fourth Annual Meeting, Harvard University, December 27-29, 1957. [REVIEW]John W. Lenz, Paul Oskar Kristeller, Willis Doney, Norman Kretzmann, Colin Murray Turbayne, Arthur Pap, E. M. Adams, T. A. Goudge, Edward H. Madden, Rudolf Allers, Hans Jonas, Lawrence W. Beals, Philip Nochlin, Ethel M. Albert, Mary Mothersill, John W. Blyth, Hector N. Castañeda, Milton C. Nahm & Joseph Margolis - 1957 - Journal of Philosophy 54 (24):773-794.
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  7.  24
    Philosophical Essays.Edward Ullendorff, Isaac Husik, Milton C. Nahm & Leo Strauss - 1953 - Philosophical Quarterly 3 (13):375.
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  8.  56
    Notes.C. Nahm Milton - 1947 - Mind 56 (221):89-90.
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  9.  44
    Reflections on Poetry: Mediationes Philosophicae de Nonnullis Ad Poema Pertinentibus.Milton C. Nahm - 1961 - Journal of Philosophy 58 (24):783-783.
  10.  15
    Philosophical Essays in Honor of Edgar Arthur Singer, Jr.Francis Palmer Clarke & Milton Charles Nahm (eds.) - 1942 - London: Oxford University PRess.
    ... LIMITS OF MEANING Arthur O. Lovejoy Professor Emeritus, Department of Philosophy, The Johns Hopkins University Nearly thirty years ago Professor Singer ...
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  11. Art: A Bryn Mawr Symposium.Milton C. Nahm - 1941 - Philosophical Review 50:554.
     
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  12.  5
    Aesthetic Experience and its Presuppositions.Milton Charles Nahm - 1946 - New York: Russell & Russell.
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  13. Aesthetic Experience and Its Presuppositions.Milton C. Nahm - 1947 - Philosophy 22 (81):76-77.
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  14. Falstaff, Incongruity and the Comic: An Essay in Aesthetic Criticism.Milton C. Nahm - 1968 - Pacific Philosophical Quarterly 49 (3):289.
     
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  15.  12
    Readings in Philosophy of Art and Aesthetics.Milton Charles Nahm - 1974 - Englewood Cliffs, N.J., Prentice-Hall.
  16.  6
    The Artist as Creator: An Essay of Human Freedom.Milton Charles Nahm - 1956 - University Microfilms International.
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  17.  11
    The Artist as Creator: An Essay of Human Freedom.Milton Charles Nahm - 1956 - Baltimore: Johns Hopkins University Press.
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  18. The Aesthetic Response.Milton Charles Nahm - 1933 - Philadelphia.
     
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  19. The Aesthetic Response: An Antinomy and Its Resolution.Milton C. Nahm - 1935 - Philosophy 10 (40):500-500.
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  20. The Relation of Aesthetics and Criticism.Milton C. Nahm - 1964 - Pacific Philosophical Quarterly 45 (3):362.
     
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  21. Philosophical Essays in Honor of Edgar Arthur Singer, Jr. Edited by F.P. Clarke and M.C. Nahm.Edgar Arthur Singer, Francis Palmer Clarke & Milton Charles Nahm - 1962 - Books for Libraries Press.
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  22.  46
    The Philosophical Implications of Some Theories of Emotion.Milton C. Nahm - 1939 - Philosophy of Science 6 (4):458-486.
    An examination of philosophical conclusions and psychological experimentation upon the nature of the emotions raises numerous complex and controversial problems. The terms employed, viz. “the life of feeling”, “instinct”, “imagination” and “emotion” are integral to epistemology, ethics and aesthetics. In epistemology, the teleological aspect of the emotions is of importance. In ethics, the Stoics gave impetus to the demand that the emotions be controlled, a demand that reached its culmination in the Kantian formalism. In aesthetics, the acceptance of the “sensuous (...)
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  23.  29
    Edgar A. Singer, Jr., and the Aesthetic of Empirical Idealism.Milton C. Nahm - 1957 - Journal of Philosophy 54 (19):584-594.
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  24.  13
    Freedom and Aesthetic Value.Milton C. Nahm - 1961 - Atti Del XII Congresso Internazionale di Filosofia 7:343-349.
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  25.  18
    The "Common Man" and His Education.Milton C. Nahm - 1945 - Ethics 56 (1):60-70.
  26.  27
    Genius and the Aesthetic Relation of the Arts.Milton C. Nahm - 1950 - Journal of Aesthetics and Art Criticism 9 (1):1-12.
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  27.  9
    Art: A Bryn Mawr Symposium.Edouard Roditi, Richard Bernheimer, Rhys Carpenter, K. Koffka & Milton C. Nahm - 1941 - Journal of Aesthetics and Art Criticism 1 (1):134.
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  28.  12
    The Principles of Aesthetics.Milton C. Nahm - 1947 - Philosophical Review 56 (1):117.
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  29.  11
    Aesthetic Experience and Its Presuppositions. By C. L. Stevenson.Milton C. Nahm - 1945 - Ethics 56 (3):231-232.
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  30.  23
    Structure and the Judgment of Art.Milton C. Nahm - 1948 - Journal of Philosophy 45 (25):684-694.
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  31.  13
    The Questioning of Authority in Criticism in the Eighteenth Century: Taste, Existence and Imagination.Milton C. Nahm - 1977 - Journal of Chinese Philosophy 4 (1):73-78.
  32.  10
    Creative Sceptics.Milton C. Nahm & T. V. Smith - 1936 - Philosophical Review 45 (1):93.
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  33.  13
    A Note on a Fortunate Man.Milton C. Nahm - 1972 - Journal of Aesthetics and Art Criticism 30 (4):435-437.
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  34. Art: A Bryn Mawr Symposium.R. Bernheimer, Rhys Carpenter, K. Koffka & Milton C. Nahm - 1943 - Philosophy 18 (69):94-94.
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  35. The Artist as Creator, an Essay of Human Freedom.MILTON C. NAHM - 1956 - Philosophy 36 (136):77-78.
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  36.  8
    The Artist as Creator.Arthur Szathmary & Milton C. Nahm - 1958 - Philosophical Review 67 (2):271.
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  37.  8
    Philosophical Essays: Ancient, Mediaeval and Modern.Luitpold Wallach, Isaac Husik, Milton C. Nahm & Leo Strauss - 1955 - Philosophical Review 64 (1):139.
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  38.  8
    The Aesthetic Response: An Antinomy and its Resolution.Milton C. Nahm - 1937 - Philosophical Review 46:101.
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  39.  7
    The Aesthetic Response. An Antinomy and its Resolution. [REVIEW]I. E. & Milton C. Nahm - 1935 - Journal of Philosophy 32 (8):221.
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  40.  6
    En Torno a la Crítica Estética y al Crítico como Creador.Milton C. Nahm - 1964 - Memorias Del XIII Congreso Internacional de Filosofía 8:369-375.
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  41.  11
    Francis Palmer Clarke 1895 - 1976.Milton C. Nahm & William E. Campbell - 1977 - Proceedings and Addresses of the American Philosophical Association 50 (6):570 - 571.
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  42.  6
    On the "Great Analogy"The Artist as Creator: An Essay of Human Freedom.Jose Ferrater Mora & Milton C. Nahm - 1957 - Journal of the History of Ideas 18 (2):280.
  43.  4
    An Introduction to Aesthetics.Milton C. Nahm - 1950 - Philosophical Review 59 (4):552.
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  44.  17
    The Theological Background of the Theory of the Artist as Creator.Milton C. Nahm - 1947 - Journal of the History of Ideas 8 (1/4):363.
  45.  3
    Ateleological Theories of Aesthetic.Milton Charles Nahm - 1942 - In Francis P. Clarke & Milton Charles Nahm (eds.), Philosophical Essays in Honor of Edgar Arthur Singer, Jr. London: Oxford University PRess. pp. 258-278.
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  46.  28
    The Philosophy of Aesthetic Expression: The Crocean Hypothesis.Milton C. Nahm - 1954 - Journal of Aesthetics and Art Criticism 13 (4):458-468.
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  47.  4
    Las Vegas and Uncle Joe: The New Mexico I Remember.Milton C. Nahm - 1967 - Journal of Aesthetics and Art Criticism 25 (4):479-480.
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  48.  6
    Aesthetics in English-Speaking Countries.Milton C. Nahm - 1960 - Journal of Philosophy 57 (8):281-286.
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  49.  3
    Spires of Form: A Study of Emerson's Aesthetic Theory.Milton C. Nahm - 1952 - Journal of Aesthetics and Art Criticism 10 (4):374-375.
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  50.  1
    From Homer to Menander.Milton C. Nahm - 1952 - Journal of Aesthetics and Art Criticism 10 (3):281-281.
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