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Mihai Spariosu [6]Mihai I. Spariosu [2]
  1. Dionysus reborn: play and the aesthetic dimension in modern philosophical and scientific discourse.Mihai Spariosu - 1989 - Ithaca, N.Y.: Cornell University Press.
    Introduction: Play, Power, and the Western Mentality Whereas play has always had an important, if sometimes unthemat- ized, role in Western literary ...
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  2. The Play of the Self.Ronald Bogue & Mihai I. Spariosu - 1998 - Human Studies 21 (1):97-103.
     
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  3.  6
    Chapter Ten: Some Observations on the Prospects of Intercultural Hermeneutics in a Global Framework.Mihai I. Spariosu - 2014 - In Ming Xie (ed.), The Agon of Interpretations: Towards a Critical Intercultural Hermeneutics. Toronto: University of Toronto Press. pp. 187-209.
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    Exploring humanity: intercultural perspectives on humanism.Mihai Spariosu & Jörn Rüsen (eds.) - 2012 - Göttingen: V & R Unipress.
    The old humanistic model, aiming at universalism, ecumenism, and the globalization of various Western systems of values and beliefs, is no longer adequate - even if it pleads for an ever-wider inclusion of other cultural perspectives and for intercultural dialogue. In contrast, it would be wise to retain a number of its assumptions and practices - which it incidentally shares with humanistic models outside the Western world. We must now reconsider and remap it in terms of a larger, global reference (...)
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    God of Many Names: Play, Poetry, and Power in Hellenic Thought from Homer to Aristotle.Mihai Spariosu - 1991 - Duke University Press.
    Tracing the interrelationship among play, poetic imitation, and power to the Hellenic world, Mihai I. Spariosu provides a revisionist model of cultural change in Greek antiquity. Challenging the traditional and static distinction made between archaic and later Greek culture, Spariosu's perspective is grounded in a dialectical understanding of values whose dominance depends on cultural emphasis and which shifts through time. Building upon the scholarship of an earlier volume, Dionysus Reborn, Spariosu her continues to draw on Dionysus--the "God of many names," (...)
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