This book is an interdisciplinary study of the forms and uses of doubt in works by Homer, Sophocles, Aristophanes, Cicero, Machiavelli, Shakespeare and Montaigne. Based on close analysis of literary and philosophical texts by these important authors, Michelle Zerba argues that doubt is a defining experience in antiquity and the Renaissance, one that constantly challenges the limits of thought and representation. The wide-ranging discussion considers issues that run the gamut from tragic loss to comic bombast, from psychological collapse to skeptical (...) dexterity and from solitary reflection to political improvisation in civic contexts and puts Greek and Roman treatments of doubt into dialogue not only with sixteenth-century texts but with contemporary works as well. Using the past to engage questions of vital concern to our time, Zerba demonstrates that although doubt sometimes has destructive consequences, it can also be conducive to tolerance, discovery and conversation across sociopolitical boundaries. (shrink)

Challenging recent arguments that the implicit poetics of Homeric epic presents a poetry without rhetoric and a view of bards as independent of the context of performance, this article explores the Phaiakian episode in the Odyssey in an effort to demonstrate that the interactions between Odysseus' tale, the songs of Demodokos, and Homer's treatment of his hero reveal the workings of a rhetorical poetics. The predominance of a rhetorical stance in the poem is closely related to skepticism, the chief cognitive (...) state of agents in the Odyssean world, and to the proto-Machiavellian treatment of aretē as a performative excellence combining practical intelligence, a situational approach to speech, and an appreciation for the relativism of value-traits that link rather than alienate the hero and the bard. (shrink)