Results for 'Michelangelo Antonioni'

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  1. Conclusioni sul doppiato.Michelangelo Antonioni - 1941 - Cinema 116:261.
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  2. Vita impossibile del signor Clark Costa.Michelangelo Antonioni - forthcoming - Cinema.
     
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  3. Michelangelo Antonioni: Aestheticising Time and Experience in The Passenger.Alison Ross - 2008 - In James Phillips (ed.), Cinematic Thinking: Philosophical Approaches to the New Cinema. Stanford, USA: Stanford University Press. pp. 40-51.
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  4. Projeter le réel. Notes sur l’attitude critique inhérente à la notion de réalisme, à partir du film Chung Kuo, Cina de Michelangelo Antonioni.Stefanie Baumann - 2017 - le Philosophoire 47 (1):135-150.
    Chung Kuo, Cina, a documentary film by Michelangelo Antonioni, aroused fierce criticism both in China and in Europe when it was released in 1973. While these objections contradicted one another, they all share a conceptual core : the notion of realism understood in a Marxian sense as a critical representation of reality. Yet by refusing to grant a coherent and essentialist meaning to its images, Chung Kuo, Cina problematizes the presuppositions of such an understanding of realism. In this (...)
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  5.  28
    Copiar o crear: La postmodernidad desde el cine de Michelangelo Antonioni y Brian de Palma.Inmaculada Murcia Serrano - 2009 - Aisthesis 45.
  6.  19
    Becoming Giuliana: Antonioni's Red Desert and the Capitalist Social Machine.Richard Letteri - 2021 - Deleuze and Guattari Studies 15 (1):91-116.
    This essay employs Deleuze and Guattari's analysis of the capitalist social machine to explore Michelangelo Antonioni's Red Desert. More specifically, it addresses the psychological struggles of the film's female protagonist, Giuliana, with respect to duelling forces of capitalist deterritorialisation and Oedipal reterritorialisation. The essay also brings together Deleuze's cinema works with his and Guattari's schizoanalysis to show how Antonioni's use of the time-image itself functions as a deterritorialising force, particularly with respect to the film's pivotal island fantasy (...)
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  7.  37
    The Trials of Individuation in Late Modernity: Exploring Subject Formation in Antonioni's Red Desert.Christine Henderson - 2011 - Film-Philosophy 15 (1):161-178.
    In this paper, I argue that Michelangelo Antonioni, in his first full-length colour feature, Red Desert (Il Deserto Rosso, 1964), uses cinematic language to explore what contemporary psychoanalyst Julia Kristeva, decades later, has called the crisis of primary narcissism, one of the 'new maladies' afflicting the modern subject, that she describes in Tales of Love (1983). In examining the struggles of subject formation, Antonioni poetically describes the devastating breakdown of both subjectivity and intersubjectivity in conditions of late (...)
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  8.  16
    Antonioni e as figuras do tempo.Solange Puntel Mostafa & Igor Soares Amorim - 2018 - Logeion Filosofia da Informação 5 (1):102-119.
    Explora as noções deleuzinas sobre o cinema e problematiza elementos relacionados a indexação de filmes. Aprofunda as questões cinematográficas trabalhadas por Deleuze, que concebe dois principais regimes de imagens, compreendidos no cinema clássico e no cinema moderno. O cinema clássico é fundado na imagem-movimento, a qual submete o tempo à ação, já o cinema moderno, caracteriza-se pela imagem-tempo, a qual desvincula tempo e movimento e revela situações óticas e sonoras puras. Analisa o problema do tempo em três filmes dirigidos por (...)
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  9.  19
    Cinematic Intertextuality and the Aesthetics of Ambiguity from Antonioni to Aldridge.Gerrard Carter - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):63-73.
    In order to interpret the work of British photographer Miles Aldridge and gain insight into the semiotic ambiguity of his photographs, this paper relies on the capacity to decipher the photographs’ relationship to other arts such as Italian cinema and in particular, to the work of Italian film director Michelangelo Antonioni. From the perspective of this present study, the decisive role of semiotics in relation to photography is that it promotes an interactive process between artist and spectator. The (...)
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  10.  44
    Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy.Michael Josiah Mosely - 2018 - Film-Philosophy 22 (3):364-383.
    Within the loose group of studies that are sometimes labelled Heideggerian cinema – studies in which scholars consider film in conjunction with Heidegger's philosophy – little attention has been paid to Heidegger's actual view of cinema. This omission is not only odd but it is also problematic. In the off-hand comments Heidegger directs towards film throughout his collected works he criticises the medium for its covering over of Being, a fact that makes engaging with film through Heidegger's thinking a questionable (...)
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  11. Just a Mess. Définitions Analogies Dialectiques.Filippo Fimiani - 2021 - Parigi, Francia: Mimesis. Edited by Antonio Somaini Francesco Casetti.
    The paper leans on a movie cult from the 1960s, Blow-Up (1966) by Michelangelo Antonioni, of which a famous sequence is often mentioned, the one in which the protagonist, the photographer Thomas (considered here as a "conceptual character"), repeatedly enlarged the photographs he made in a park, in order to find an answer to the mystery surrounding the murder of a man: magnification which leads, on the one hand, to a gradual loss of definition of images, with the (...)
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  12.  8
    La métaphysique au cinéma.Michel Arouimi - 2016 - Paris: Orizons.
    Entre Michelangelo Antonioni et David Lynch, Gaspar Noé, Arnaud Desplechin et quelques autres réalisateurs, il existe un lien qui n'est pas celui d'une filiation artistique. Chacun éprouvant à sa manière une curiosité pour ce qui reste des grandes traditions dans le monde d'aujourd'hui. Vue par Angelina Jolie, la Seconde Guerre mondiale est une synthèse de tous les fratricides, où succombe l'idée du sacré. Un renouveau de la métaphysique s'annonce pourtant dans les films de certains de ces réalisateurs, à (...)
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  13.  7
    Deleuze and lifelong learning: creativity, events and ethics.Christian Beighton - 2015 - New York, NY: Palgrave-Macmillan.
    This book looks closely at discourses of creativity in the lifelong learning sector from the perspective of a teacher educator. It reworks the idea of creativity for lifelong learning using an analysis of the cinema of Michelangelo Antonioni as a basis. The book argues that ethics and creativity are indissociable and that more relevant practices in teaching, learning and research can be developed from and with them. To do this, the book examines Deleuze's notion of counter-actualization as a (...)
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  14.  11
    The heretical archive: digital memory at the end of film.Domietta Torlasco - 2013 - London: University of Minnesota Press.
    Introduction -- Against house arrest -- Digital impressions: writing memory after Agnès Varda -- Folding time: toward a new theory of montage -- Archiving disappearance: from Michelangelo Antonioni to new media.
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  15.  10
    Clothing Degree Zero: A Late Reading of Barthes’ Fashion ‘System’.Feng Jie - 2020 - Theory, Culture and Society 37 (4):97-118.
    Drawing upon Roland Barthes’ posthumously published notebooks from his 1974 trip to China, in which he remarks upon the ‘complete absence of fashion. Clothing degree zero’, this article offers a ‘late’ reading of Barthes’ interest in fashion, suggested here as a form of writing. In reference to the late works, specifically Barthes’ penultimate lecture course on the Neutral and Travels in China, supplemented by François Jullien’s comments on Barthes’ trip to China, as well as mention of Michelangelo Antonioni’s (...)
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  16. The Architecture of image: existential space in cinema.Juhani Pallasmaa - 2001 - Helsinki: Rakennustieto.
    This book explores the shared experiential ground of cinema, art, and architecture. Pallasmaa carefully examines how the classic directors Alfred Hitchcock, Stanley Kubrick, Michelangelo Antonioni, and Andrei Tarkovsky used architectural imagery to create emotional states in their movies. He also explores the startling similarities between the landscapes of painting and those of movies.
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  17.  5
    All’origine della sceneggiatura. Verso una critica genetica del film L’eclisse (1962).Giuseppe Mattia - 2022 - Acta Universitatis Lodziensis. Folia Litteraria Polonica 64 (1):595-606.
    La presente proposta – inserita nel quadro della ricerca di dottorato intitolata _Tonino Guerra sceneggiatore tra anni Cinquanta e Sessanta. Il lavoro con Antonioni e Rosi tra storia e inchiesta_ – si propone di illustrare la ricognizione archivistica condotta su alcune fonti di prima mano, relative al film _L’eclisse_ (1962) di Michelangelo Antonioni. Questi materiali preparatori inediti gettano luce su modelli sia interpretativi sia metodologici legati alla genetica testuale. In un’ottica storico-filologica, l’osservazione del metodo di lavoro di (...)
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  18.  27
    Temporality and film analysis.Matilda Mroz - 2013 - Edinburgh: Edinburgh University Press.
    Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni’s L’Avventura, Andrei Tarkovsky’s Mirror, and the ten short films that make up Krzysztof (...)
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  19.  58
    A Cinema of Boredom: Heidegger, Cinematic Time and Spectatorship.Chiara Quaranta - 2020 - Film-Philosophy 24 (1):1-21.
    Boredom, in cinema as well as in our everyday experience, is usually associated with a generalised loss of meaning or interest. Accordingly, boredom is often perceived as that which ought to be avo...
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  20.  4
    I dossografi di etica.Michelangelo Giusta - 1964 - Torino,: G. Giappichelli.
  21.  4
    Pensieri scientifici e Lettera antiscolastica.Michelangelo Fardella - 1986 - Napoli: Bibliopolis. Edited by Salvatore Femiano & Michelangelo Fardella.
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  22.  9
    Política y derecho: (re) pensar a Bobbio.Michelangelo Bovero, Lorenzo Córdova Vianello & Pedro Salazar (eds.) - 2005 - México: XXI, Siglo Veintiuno Editores.
    La presente obra se trata de un ejercicio de reflexión colectiva para [re]pensar a Bobbio con verdaderos artículos científicos por parte de los estudiosos de su obra más acreditados en Europa y América Latina: Michelangelo Bovero, Arnaldo Córdova, José Fernández Santillán, Ermanno Vitale, entre otros. A la vez que un homenaje al filósofo turinés, se logra con estos textos una revisión crítica de muchas de las ideas clave de su pensamiento a la luz de los retos del siglo XXI: (...)
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  23.  22
    Uno studio inedito di Adolfo Levi su Jacob Friedrich Fries.Michelangelo Ceresani - 2002 - Rivista di Storia Della Filosofia 4.
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  24.  46
    Semantic-based regularization for learning and inference.Michelangelo Diligenti, Marco Gori & Claudio Saccà - 2017 - Artificial Intelligence 244 (C):143-165.
  25.  9
    Il futuro di Norberto Bobbio.Michelangelo Bovero (ed.) - 2011 - Roma: Laterza.
  26.  9
    Salus mundi.Michelangelo Bovero - 2022 - Roma: Castelvecchi.
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  27. L'Opuscolo pseudogalenico [Hoti hai poiotētes asōmatoi]: edizione critica, traduzione e note: memoria.Michelangelo de Qualitatibus Incorporeis, Giusta & Galen (eds.) - 1976 - Torino: Accademia delle scienze.
     
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  28. Giovanni gentile di fronte al modernismo cattolico.Michelangelo Ranuzzi De'bianchi - 2007 - Divus Thomas 110 (2):96-117.
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  29. Democracia y derechos fundamentales.Michelangelo Bovero - 2002 - Isonomía. Revista de Teoría y Filosofía Del Derecho 16:21-38.
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  30.  25
    Dignidad y laicidad: una defensa de la ética laica.Michelangelo Bovero - 2007 - Revista Internacional de Filosofía Política 30:73-80.
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  31. Tutela supranacional de los derechos fundamentales y la ciudadanía.Michelangelo Bovero - 2001 - Revista Internacional de Filosofía Política 18:5-24.
    Tomando como punto de partida un análisis de los conceptos que aparecen en el título de su participación, Bovero sostiene que atribuir toda especie de derechos al «ciudadano», al miembro de una comunidad determinada, cierra la posibilidad de considerar el problema de los derechos de la persona y su específica relevancia actual en un mundo atravesado por grandes masas de migraciones de personas desesperadas. Más en general, concebir los derechos fundamentales como derechos de ciudadanía impide plantear correctamente el problema de (...)
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  32. La naturaleza de la política: poder, fuerza, legitimidad.Michelangelo Bovero - 1997 - Revista Internacional de Filosofía Política 10:91-102.
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  33.  23
    Quale liberalismo per quale sinistra?Michelangelo Bovero - 1997 - Iride: Filosofia e Discussione Pubblica 10 (3):467-485.
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  34.  11
    Virgilio Mura, o della serietà.Michelangelo Bovero - 2023 - Rivista Italiana di Filosofia Politica 3:281-290.
    Passed away in the early summer of 2021, Virgilio Mura practiced political philosophy following the method of conceptual analysis, in the wake of the tradition generated by neo-empiricism and far from “analytical philosophy” that become dominant in the last half century. In Mura’s thought, seriousness as rigor in the application of the analytical method is combined with the defence of secularism, expressed in his stance in favour of a form of relativism that should not be confused with indifferentism.
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  35. La filosofia della coscienza di Maine de Biran.Michelangelo Ghio - 1947 - Torino: [Istituto di filosofia della Facoltà di lettere di Torino].
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  36. L'illuminismo francese.Michelangelo Ghio - 1968 - Milano,: Marzorati.
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  37. Antioco di Ascalona e Carneade nel libro V del De Wnibus bonorum et malorum di Cicerone.Michelangelo Giusta - 1990 - Elenchos 11 (1):29-49.
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  38.  38
    The 1915 epistolary controversy between Einstein and Tullio Levi-Civita.Carlo Cattani & Michelangelo De Maria - 1989 - In Don Howard & John Stachel (eds.), Einstein and the History of General Relativity. Birkhäuser. pp. 175-200.
  39.  39
    The self and our perception of its synchrony – Beyond internal and external cognition.Andrea Scalabrini, Michelangelo De Amicis, Agostino Brugnera, Marco Cavicchioli, Yasir Çatal, Kaan Keskin, Javier Gomez Pilar, Jianfeng Zhang, Bella Osipova, Angelo Compare, Andrea Greco, Francesco Benedetti, Clara Mucci & Georg Northoff - 2023 - Consciousness and Cognition 116 (C):103600.
  40.  35
    Max Abraham and the reception of relativity in Italy: his 1912 and 1914 controversies with Einstein.Carlo Cattani & Michelangelo De Maria - 1989 - In Don Howard & John Stachel (eds.), Einstein and the History of General Relativity. Birkhäuser. pp. 160-174.
  41.  6
    La natura della mente.Michelangelo Stanzani Maserati - 2016 - Milano: Jouvence.
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  42. Color Choice Preference in Cognitively Impaired Patients: A Look Inside Alzheimer’s Disease Through the Use of Lüscher Color Diagnostic.Michelangelo Stanzani Maserati, Micaela Mitolo, Federica Medici, Renato D’Onofrio, Federico Oppi, Roberto Poda, Maddalena De Matteis, Caterina Tonon, Raffaele Lodi, Rocco Liguori & Sabina Capellari - 2019 - Frontiers in Psychology 10.
  43.  5
    Etica, professioni, virtù.Michelangelo Peláez - 1989 - Milano: Ares.
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  44.  9
    Critical Global Studies and Planetary History: New Perspectives on the Enlightenment.Iwan-Michelangelo D’Aprile - 2018 - In Johannes Rohbeck, Daniel Brauer & Concha Roldán (eds.), Philosophy of Globalization. Boston: De Gruyter. pp. 345-356.
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  45.  9
    Die schöne Republik: Ästhetische Moderne in Berlin im ausgehenden 18. Jahrhundert.Iwan-Michelangelo D'Aprile - 2006 - De Gruyter.
    Ästhetische und politische Diskurse standen im späten 18. Jahrhundert in einem untrennbaren Wechselverhältnis. Die ästhetischen Entwürfe und literarischen Fiktionen von Autoren wie Karl Philipp Moritz, Salomon Maimon, Daniel Jenisch, Johann Friedrich Reichardt oder dem jungen Wilhelm von Humboldt sind sowohl Reflexionen als auch normative Vorwegnahmen des Wandels von der noch weitgehend höfisch dominierten Residenzkultur der friderizianischen Epoche zur emanzipierten Stadtkultur des Reformzeitalters. Der in der Studie verfolgte topographische methodische Zugang ermöglicht es, die untersuchten ideellen Diskurse institutionen- und mediengeschichtlich zu verankern (...)
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  46.  10
    Hof und Stadt in Lessings Minna von Barnhelm.Iwan-Michelangelo D’Aprile - 2006 - In Iwan-M. D.´Aprile & Günther Lottes (eds.), Hofkultur Und Aufgeklärte Öffentlichkeit: Potsdam Im 18. Jahrhundert Im Europäischen Kontext. Akademie Verlag. pp. 157-168.
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  47. The development of distance estimation in optic flow.Bernard Baumberger & Michelangelo Flückiger - 1996 - In Enrique Villanueva (ed.), Perception. Ridgeview Pub. Co. pp. 33--9.
     
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  48.  4
    L'Esiglio di Sant'agostino: Note Sulle Contraddizioni di un Sistema di Filosofia per Decreto; L'Objet De la Connaissance Humaine l'Essere e la Conoscenza l'Unité De la Philosophie Et la Théorie De la Connaissance (Classic Reprint).Lorenzo Michelangelo Billia - 2018 - Forgotten Books.
    Excerpt from L'Esiglio di Sant'agostino: Note Sulle Contraddizioni di un Sistema di Filosofia per Decreto; L'Objet De la Connaissance Humaine l'Essere e la Conoscenza l'Unité De la Philosophie Et la Théorie De la Connaissance Il solo occuparsi di queste cose pare ad alcuni indizio di spirito non libero, non filosofico. E da costoro che io mi aspetto un rimprovero di questo genere: Voi perdete. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at (...)
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  49. L'esiglio di sant' Agostino.Lorenzo Michelangelo Billia - 1912 - Torino,: F.iii Fiandesio & c., successori.
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  50. L'unità dello scibile e la filosofia della morale..Lorenzo Michelangelo Billia - 1897 - Torino,: Ufficio del periodico "Il Nuovo risorgimento" [etc..
     
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