This book features writing by 17 authors from Germany and from African and Latin American countries on highly diverse aesthetic phenomena as seen from their own different points of view. The texts in this volume all deal with the imperative of ‘decolonization’: they try to highlight aesthetic strategies for the (re)discovery of unthematized, misappropriated, transcultural and even transcontinental histories and memories and aesthetic practices that are absent from or too little perceived within national consciousnesses. Novels, poems and musical performances from (...) the East African region are analysed as intertwined histories of the Indian Ocean and its different languages. Artworks of the Black Atlantic and perceptions of Africa are discussed from, for example, Brazilian perspectives. Within the German context, decolonisation strategies in exhibition practices in ethnological or art museums developed by Nigerian artists are evaluated; new terms such as ‘dividuation’ are proposed to describe these contemporary composite-cultural entanglements, and so on. A stimulating, wide-ranging and heterogeneous portrait of contemporary interwoven world cultures! (shrink)

To highlight the interdependencies of persons, cultures, social, ecological, and artistic entities as a precondition for a planetary thinking or a world philosophy, this essay offers a short reconstruction of the coinage and transfer of the term “culture” in the European-African-Antillean context. It underlines that a world philosophy can no longer be executed on ideas of individual entities and corresponding opposites such as “European vs. African” and so forth. The author cites cultural understandings of different authors of the Global South (...) as examples of affirmed cultural mixtures and of their mutual participations to bring about a philosophy of relation and dis-individuation. The argument is this: the world of today needs new terms to be conceived adequately in its cultural, social, eco­logical, and artistic interdependencies. The old term, “the individual,” must be replaced by the new term, “dividual” or “dividuation,” thereby underlining the processuality and intermixing of all sorts of entities, helping to move toward a decolonized philosophy of the world. (shrink)

The publication aims to make suggestions for a 'decolonisation of aesthetics' within an Afro-European framework. The texts (whose authors come from different cultural contexts between Germany, France, Senegal, Benin, Nigeria and Tunesia) do not only refer to heterogenous aesthetic practices understood as subversive and decolonial strategies, but also discuss philosophical questions of a renewed (non-in)dividual humanism. The artistic practices analyzed include artistic installations and ensembles as well as actions in urban and rural space, deceptive manœuvres at the borders and their (...) photographic documentation, and many more. (shrink)