Anthropology of Consciousness, Volume 32, Issue 2, Page 154-181, Autumn 2021.

Neurotheological approaches provide an important bridge between scientific and religious perspectives. These approaches have, however, generally neglected the implications of a primordial form of spiritual healing—shamanism. Cross‐cultural studies establish the universality of shamanic practices in hunter‐gatherer societies around the world and across time. These universal principles of shamanism reflect underlying neurological processes and provide a basis for an evolutionary theology. The shamanic paradigm involves basic brain processes, neurognostic structures, and innate brain modules. This approach reveals that universals of shamanism such (...) as animism, totemism, soul flight, animal spirits, and death‐and‐rebirth experiences reflect fundamental brain operations and structures of consciousness. The shamanic paradigm can contribute to a reconciliation of scientific and religious perspectives by providing a universalistic biopsychosocial framework that explicates the biological underpinnings of spiritual experiences and practices and provides a basis for neurotheology and evolutionary theology approaches. (shrink)

The numerous perspectives offered on consciousness reflect a multifaceted phenomenon that results from a system of relations. An etymological approach identifies linguistic roots of the meanings of consciousness and illustrates their concern with self-referenced informational relationships of an organism with its environment, a "knowing system" formed in the epistemological relations between knower and known. Common elements of contemporary models suggest that consciousness involves interacting components of a system, including: attention-awareness; phenomenal experiences; self reference; action-behavior, including representations and learning; use of (...) information; interpretation of meaning; goal-directed behavior; and systems of social reference. It is suggested that manifestations of consciousness through the physical properties of the brain are universally represented in language. A preliminary systems model of consciousness is outlined with widespread lexical roots proposed as a culture-neutral framework for constructing theories of consciousness and identifying cognitive constructs which reveal the epistemological roots of consciousness within Indo-European traditions. (shrink)

Open Mind, Discriminating Mind: Reflections on Human Possibilities, by Charles T. Tart. (San Francisco: Harper & Row), 1990.

In lieu of an abstract, here is a brief excerpt of the content:Sighs and Tears:Biological Signals and John Donne's "Whining Poetry"Michael A. WinkelmanPhebe: Good shepherd, tell this youth what 'tis to love. Silvius: It is to be all made of sighs and tears...—Shakespeare, As You Like It (5.2.83–84)ISighs and tears permeate John Donne's poetry, as well they should. Crying in particular functions as a costly signal in biological terms: a blatant, physiologically-demanding, involuntary indicator of hurt feelings. "Tears dim mine eyes," (...) laments Donne's Sappho ("Sappho to Philaenis," l. 56); they are "Fruits of much grief" in "A Valediction of Weeping" (l. 7).1 The theory of costly signaling, related to the handicap principle, was developed fairly recently by Israeli zoologists Amotz and Avishag Zahavi. As the Zahavis explain: "in order to be effective, signals have to be reliable; in order to be reliable, signals have to be costly."2 Initially their idea was resisted, but it has since become widely accepted and it has proven very helpful in making sense of both animal and human behavior. Wasteful conspicuous consumption among upper-class Americans, as noted a century ago by sociologist Thorstein Veblen, exemplifies this handicap principle in action. Like gazelles jumping in place or stotting rather than running away when wolves appear, it indicates fitness by flaunting excess resources.Shedding tears when feeling sad is an evolved human adaptation that broadcasts unhappiness. The wailing of infants demands attention, and crying does something similar for grown-ups: among other things, it tests the commitment of hearers to appease the distressed. For instance, in Chaucer's tragic medieval romance Troilus and Criseyde, Pandarus advises [End Page 329] Troilus to provoke a suitable reaction from Criseyde by embellishing his billet-doux: "Towchyng thi lettre... Biblotte it with thi teris ek a lite" (touching thy letter... Be-blot it with thy tears a little).3 Early modern authors also knew their importance. In the words of Robert Herrick, "tears are tongues," while Claudius suspects that "There's matter in these sighs, these profound heaves" (Hamlet, 4.1.1).4As a case in point, Donne was overwhelmed by the death of his dear wife Anne in 1617. As his contemporaneous biographer Izaak Walton reported: "his very soul was elemented of nothing but sadness; now, grief took so full a possession of his heart, as to leave no place for joy."5 Donne even hoped to be literally entombed with her soon: "as the grave is become her house, so I would hasten to make it mine also; that we two might there make our beds together in the dark" (Walton, p. 51). His miserable mood was revealed in his initial sermon after her demise:His first motion from his house was to preach, where his beloved wife lay buried (in St. Clement's Church, near Temple-Bar, London) and his text was a part of the Prophet Jeremiah's Lamentation: "Lo, I am the man that have seen affliction."And indeed, his very words and looks testified him to be truly such a man; and they, with the addition of his sighs and tears expressed in his Sermon, did so work upon the affections of his hearers as melted and molded them into a companionable sadness; and so they left the Congregation.(Walton, p. 52)Listeners responded in kind to his honest confessions, a textbook illustration of the empathy generated by crying. (A related issue—how and why literature affects audiences so strongly—is currently generating some very interesting work from New Humanists investigating the question from an evolutionary perspective.)These qualities make sighs and tears fundamental to love poetry. In other words, writers deploy them because they reflect universal states of mind, rather than originating as some arbitrary, socially-constructed literary device. The copious opening sonnet of Petrarch's magnificent Rime sparse codifies the theme:6You who can hear in scattered rhymes the soundof all that sighing which once fed my heartin my first youthful error, when in partI was a person of a different kind—my changing manner as I weep and reason, [End Page 330] between vain aspirations and vain grief,leads everyone who has known... (shrink)

Soul belief is a universal of human culture and belief in multiple souls is common, especially in pre-modern traditions. This essay illustrates how a three-folded structure appears in the soul concepts of Mongolian shamanistic traditions. The reported accounts of the three souls among various Mongolian ethnic groups are somewhat divergent — especially in their consciousness-related attributes — which may reflect the cultural bias of data collectors, inconsistencies between data providers, and the evolution of these concepts due to historical events, socio-economic (...) changes, and external cultural influences. Despite these confounding effects, the soul concept of Mongolian shamanism is similar in its pluralism to the beliefs of many other cultures. Mongolian Indigenous concepts and their descriptions reveal key elements of consciousness. Although these soul concepts evoke spiritual interpretations, they nevertheless reflect aspects of an innately-disposed mindset which extends conceptualizations of consciousness beyond mind-body dualism. (shrink)

Open Mind, Discriminating Mind: Reflections on Human Possibilities, by Charles T. Tart. (San Francisco: Harper & Row), 1990.

Janet Lee Mitchell. Conscious Evolution. Ballantine Books, 1990, 210 pages.

Open Mind, Discriminating Mind: Reflections on Human Possibilities, by Charles T. Tart. (San Francisco: Harper & Row), 1990.

This article reviews the origins of the concept of the shaman and the principal sources of controversy regarding the existence and nature of shamanism. Confusion regarding the nature of shamanism is clarified with a review of research providing empirical support for a cross-cultural concept of shamans that distinguishes them from related shamanistic healers. The common shamanistic universals involving altered states of consciousness are examined from psychobiological perspectives to illustrate shamanism’s relationships to human nature. Common biological aspects of altered states of (...) consciousness help explain the origins of shamanism while social influences on this aspect of human nature help to explain the diverse manifestations of shamanistic phenomena involving an elicitation of endogenous healing responses. (shrink)

Walter Andritzky. Schamanismus und rituelles Heilen im Alten Peru (Shamanism And Ritualistic Healing In Ancient Peru) (Verlag Clemens Zerlig, Mehringdamm 51, Berlin 61), 1989,. vols., 526 pp. ISBN 88468‐041‐2.

This paper reviews some of the evidence indicating that hallucinogens or psychedelic substances have therapeutic effects. The general character hallucinogen use in non- Western societies is briefly reviewed to present data about the characteristic beliefs and uses associated with these substances. Evidence for therapeutic effectiveness is addressed from several perspectives: the findings from clinical medicine on effects of LSD; a general model of altered states of consciousness, their physiological characteristics, and therapeutic effects; and laboratory studies of physiological, sensory, emotional, behavioral, (...) and cognitive effects of hallucinogens. These findings illuminate the general psychophysiological effects of hallucinogens and their consciousness altering and therapeutic mechanisms. (shrink)

Hank Wesselman. Spirit Walker Messages from the Future, Bantam Books, 1995; Medicine Maker Mystic Encounters on the Shaman's Path, Bantam Books, 1998; Vision Seeker Shared Wisdom from the Place of Refuge, Hay House, Inc. 2001.