This paper surveys the meaning of aither in Empedocles. Since Aristotle, Empedoclean aither has been generally considered synonymous with air and understood anachronistically in terms of its Aristotelian conception as hot and wet. In critiquing this interpretation, the paper first examines the meaning of “air” in Empedocles, revealing scant and insignificant use of the term. Next, the ancient controversy of Empedocles’ “four roots” is recast from the perspective that aither, rather than air, designates the fourth root. Finally, the nineteen instances (...) of aither in Empedocles’ fragments are considered, revealing a bright and energetic root closely related to the force of life. (shrink)

This paper examines parataxis and ring composition in Anaxagoras Fragment B4a, arguing that this ostensibly prose philosopher employs these poetic techniques to capture his thought. Comparing the fragment with Homeric similes and his description of Achilles’s Shield from Ililad XVIII reveals an immanent poetics within the Anaxagorean text. Lying between two instances of "πολλά τε καὶ παντοῖα" (many things of all kinds) most of fragment constitutes a single sentence. Such ring composition advises that no part of the paratactic clause should (...) be read independently from any other. This supports reading the discussion of "seeds" (σπέρματα) and "compacted" (συμπαγῆναι) human beings in B4a as yielding a conception of infinitely proliferating microcosmic worlds each undergoing its own separation within a single cosmos. (shrink)

This paper examines the relationship between participation and motion with respect to the natural philosophy of the "Phaedo". Aristotle’s criticism of participation and its failure to account for motion shows the relevance of the dialogue to this problem. Challenging Aristotle’s critique, I interpret the "Phaedo" as offering a possible solution to the question of how forms cause motion in material beings. The verb ὀρέγεσθαι at 65c8, 75a2, and 75b1, together with the active ὀρέγειν at 117b2, ground an account of ontological (...) striving as a solution to the difficulties inherent in participation within the literary context of the dialogue. (shrink)

Historically, the productive aspect of the aesthetic experience can be described as a process during which aesthetic practice freed itself step by step from restrictions imposed on productive activity in both the classical and the biblical tradition. If one understands this process as the realization of the idea of creative man, it is principally art which actualizes this idea.1 First, when the poietic capacity is still one and undivided, it asserts itself subliminally; later, in the competition between technical and artistic (...) creation, it explicitly claims to be a production of a special kind. It is in that history of the concepts labor and work that the restrictions become most palpable.2 In the Greek tradition, all producing remains subordinate to practical action . As the activity of slaves who are rigorously excluded from the exercise of the virtues, poiesis occupies the lowest rank in social life. In the Christian tradition, handiwork is cursed, which means that man is meant to maintain himself only by toiling against a resistant nature ; salvation can only be found beyond his activity in this world. But in both the classical and the Christian conceptual fields relating to labor, we already encounter ambivalent definitions which could introduce and justify an upward revaluation of man's labor.1. See Hans Blumenberg, "'Nachahmung der Natur': Zur Vorgeschichte des schöpferischen Menschen," Studium Generale 10 : 266-83, still unexcelled. I also base my discussion on Jürgen Mittelstrass, Neuzeit und Aufklärung; Studien zur Entstehung der neuzeitlichen Wissenchaft und Philosophie , and to the results of two seminars at Constance held jointly and to which I owe essential insights.2. See Werner Conze, "Arbeit," in Geschichtliche Grundbegriffe: Historiches Lexikon zur politisch-sozialen Sprache in Deutschland, ed. Conze, Otto Brunner, and Reinhart Koselleck, 4 vols. , 1:154-215, and Walther Bienert, Die Arbeit nach der Lehre der Bibel ; an abbreviated version appears in Bienert's "Arbeit," Die Religion in Gescheichte und Gegenwart .Hans Robert Jauss is professor of literary criticism and Romance philology at the University of Constance. He is the author of many books and articles, including two works forthcoming in English, Toward an Aesthetic of Reception and Aesthetic Experience and Literary Hermeneutics, from which the present essay is taken. Michael Shaw has translated many works, among them Max Horkheimer's Dawn and Decline. (shrink)

This paper examines the divergent accounts of generation in Physics I and On Generation and Corruption. While the former concerns an unqualified and absolute generation of substance from not-substance, the latter describes the unqualified and simple generation of the elements from each other. In each of these texts, an unusual instance of ὀρέγεσθαι appears in Aristotle’s analysis, regarding the unqualified generation of substance at Phys. I 9, 192a18 and 19, and the cyclical transformation of the elements at GC II 10, (...) 336b28. These passages employ the verb consistently, suggesting that generation involves an ambiguous ontological desire. Such orectic striving differs greatly from human or other animal striving for some good. The accounts of generation in these texts are developed in order to emphasize both the distinction between the two processes and the significance of ontological desire to unqualified generation in its strongest sense. (shrink)