Americans have a long history of public arguments about taste, the uses of leisure, and what is culturally appropriate in a democracy that has a strong work ethic. Michael Kammen surveys these debates as well as our changing taste preferences, especially in the past century, and the shifting perceptions that have accompanied them. Professor Kammen shows how the post-traditional popular culture that flourished after the 1880s became full-blown mass culture after World War II, in an era of unprecedented affluence and (...) travel. He charts the influence of advertising and opinion polling; the development of standardized products, shopping centers, and mass-marketing; the separation of youth and adult culture; the gradual repudiation of the genteel tradition; and the commercialization of organized entertainment. He stresses the significance of television in the shaping of mass culture, and of consumerism in its reconfiguration over the past two decades. Focusing on our own time, Kammen discusses the use of the fluid nature of cultural taste to enlarge audiences and increase revenues, and reveals how the public role of intellectuals and cultural critics has declined as the power of corporate sponsors and promoters has risen. As a result of this diminution of cultural authority, he says, definitive pronouncements have been replaced by divergent points of view, and there is, as well, a tendency to blur fact and fiction, reality and illusion. An important commentary on the often conflicting ways Americans have understood, defined, and talked about their changing culture in the twentieth century. (shrink)

Winner of the 1973 Pulitzer Prize for history, Kammen addresses three themes concerning the state of historical inquiry in America. Beginning with how history as a professional discipline has changed over the past century, the book treats the relationship of the historian's craft to American nationalism, the value of historical knowledge, and the shifting attitudes of historians toward society. Kammen appraises the significance of historiography as a measure of cultural change and shows how the past has been manipulated for social (...) and ideological reasons, and how memories of the national and regional past have conflicted with the realities of historical experience. He also explains how traditional modes of interpreting the past have lost their cohesive force and why historians should pursue new approaches to the cultural history. ISBN 0-8014-1924-7: $24.95. (shrink)

Writing American History: Essays on Modern Scholarship by John Higham Carl Becker on History and the American Revolution by Robert E. Brown.