48 found
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  1.  4
    Cinematic Political Thought: Narrating Race, Nation and Gender.Michael J. Shapiro - 1999 - New York University Press.
    In Cinematic Political Thought , Michael J. Shapiro investigates aspects of contemporary politics and articulates a critical philosophical perspective with politically disposed treatments of contemporary cinema. Reading such films as Hoop Dreams, Lone Star, Father of the Bride II and To Live and Die in LA through the lens of Deleuze, Derrida, Foucault and Lyotard, Shapiro demonstrates what it can mean to think the political both in terms of cinema studies and in wider aesthetic and social contexts. Cinematic Political Thought (...)
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  2.  31
    The Moralized Economy in Hard Times.Michael J. Shapiro - 2011 - Theory and Event 14 (4).
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  3.  6
    Books in Review.Michael J. Shapiro - 1986 - Political Theory 14 (2):311-324.
  4.  25
    Eighteenth Century Intimations of Modernity.Michael J. Shapiro - 1993 - Political Theory 21 (2):273-293.
  5.  37
    Introduction.Michael J. Shapiro - 2005 - Theory and Event 8 (2).
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  6.  31
    Introduction.Michael J. Shapiro, Geoffrey M. White & Ming-Bao Yue - 2002 - Cultural Values 6 (3):229-238.
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  7.  27
    Introduction 12.3.Jodi Dean & Michael J. Shapiro - 2009 - Theory and Event 12 (3).
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  8.  7
    Warring Bodies and Bodies Politic: Tribal Versus State Societies.Michael J. Shapiro - 1995 - Body and Society 1 (1):107-123.
  9.  3
    Sovereign Lives: Power in Global Politics.Jenny Edkins, Michael J. Shapiro & Veronique Pin-Fat (eds.) - 2004 - Routledge.
    For International Relations scholars, discussions of globalization inevitably turn to questions of sovereignty. How much control does a country have over its borders, people and economy? Where does that authority come from? _Sovereign Lives_ explores these changes through reading of humanitarian intervention, human rights discourses, securitization, refugees, the fragmentation of identities and the practices of development.
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  10.  41
    Wanted, Dead or Alive.Michael J. Shapiro - 2001 - Theory and Event 5 (4).
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  11.  36
    Bowling Blind: Post Liberal Civil Society and the Worlds of Neo-Tocquevillean Social Theory.Michael J. Shapiro - 1997 - Theory and Event 1 (1).
  12.  2
    The Politics of Moralizing.Jane Bennett & Michael J. Shapiro (eds.) - 2002 - Routledge.
    Through postcolonial studies, indigenous perspectives are finally being heard, challenging various Western views of the world. However, these challenges are often made in the same moralizing voice as the original conlonizations were justified. In keeping with the moralizing-resistant perspectives of Foucault, Benjamin and Derrida The Politics of Moralizing issues a warning about the risks of speaking, writing and thinking in a manner too confident about you own judgments. Can a clear line be drawn between dogmatism and simple certainty and indignation? (...)
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  13.  19
    Literary Production as a Politicizing Practice.Michael J. Shapiro - 1984 - Political Theory 12 (3):387-422.
  14.  1
    Introduction.Michael J. Shapiro - 2005 - Theory and Event 8 (4).
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  15.  19
    Narcissism and Abject Aesthetics.Florentina C. Andreescu & Michael J. Shapiro - 2014 - Journal for Cultural Research 18 (1):44-59.
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  16.  1
    Introduction.Diana H. Coole & Michael J. Shapiro - 2006 - Theory and Event 9 (2).
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  17.  1
    Introduction.Diana H. Coole & Michael J. Shapiro - 2006 - Theory and Event 9 (4).
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  18.  1
    Introduction.Diana H. Coole & Michael J. Shapiro - 2007 - Theory and Event 10 (2).
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  19.  68
    Introduction.Diana H. Coole & Michael J. Shapiro - 2007 - Theory and Event 10 (1).
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  20.  28
    Introduction 12.2.Jodi Dean & Michael J. Shapiro - 2009 - Theory and Event 12 (2).
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  21.  15
    Introduction to 11.4.Jodi Dean & Michael J. Shapiro - forthcoming - Theory and Event 11 (4).
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  22.  18
    Introduction to 11.2.Jodi Dean & Michael J. Shapiro - 2008 - Theory and Event 11 (2).
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  23.  12
    Blues & Politics.Michael J. Shapiro - 2000 - Theory and Event 4 (4).
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  24.  17
    ""Constructing" America": Architectural Thought-Worlds.Michael J. Shapiro - 2005 - Theory and Event 7 (4).
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  25.  28
    Finnish Political Theory.Michael J. Shapiro - 1997 - Theory and Event 1 (3).
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  26.  25
    Hiroshima Temporalities.Michael J. Shapiro - 2015 - Thesis Eleven 129 (1):40-56.
    As is made evident in Rosalyn Deutsche’s recent book, Hiroshima After Iraq, Hiroshima keeps returning through the way diverse artistic genres evoke parallels between the bombing of Hiroshima and subsequent atrocities. After contrasting US and Japanese perspectives on the event of the bombing and drawing on Walter Benjamin’s concept of temporal plasticity, this essay ponders the future anterior of Hiroshima, its continuous will-have-beens, as new films and re-analyses of older ones continue to restage its significance.
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  27.  39
    Introduction.Michael J. Shapiro & Jodi Dean - 2008 - Theory and Event 11 (1).
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  28.  18
    Introduction.Michael J. Shapiro & Jodi Dean - 2009 - Theory and Event 12 (4).
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  29.  52
    Introduction.Diana H. Coole & Michael J. Shapiro - 2006 - Theory and Event 9 (1).
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  30.  36
    Introduction.Paul Patton & Michael J. Shapiro - 2004 - Theory and Event 8 (1).
  31.  21
    Introduction.Michael J. Shapiro & Diana H. Coole - 2006 - Theory and Event 9 (3).
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  32.  28
    Introduction.Michael J. Shapiro & Diana H. Coole - 2007 - Theory and Event 10 (3).
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  33.  7
    Intercity Cinema: Hong Kong at the Berlinale.Michael J. Shapiro - 2008 - Journal for Cultural Research 12 (1):99-119.
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  34.  2
    Introduction: Genre and the City.Michael J. Shapiro - 2008 - Journal for Cultural Research 12 (1):1-1.
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  35.  28
    Introduction to Issue 12: 1.Michael J. Shapiro & Jodi Dean - 2009 - Theory and Event 12 (1).
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  36.  29
    Politicizing Ulysses.Michael J. Shapiro - 1989 - Political Theory 17 (1):9-32.
  37.  5
    Perpetual War.Michael J. Shapiro - 2003 - Body and Society 9 (4):109-122.
    This article treats the ideational process that turns men into warring bodies. Beginning with a gloss on Immanuel Kant’s Perpetual Peace, where he expresses optimism about the peace-fostering potential of publicity, the analysis notes Kant’s neglect of what Michel Foucault calls ‘the coercive structure of the signifier’ and goes on to a reading of Michael Cimono’s film The Deer Hunter, which focuses on the discursive frailties that grease the skids for youth to slide from child-like innocence to nationalist-macho violence. The (...)
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  38. Reading 'Adam Smith': Desire, History, and Value.Michael J. Shapiro - 2002 - Rowman & Littlefield Publishers.
    This innovative volume, by Michael Shapiro, is not about Adam Smith in the sense in which 'about' is usually understood, for it is neither a comprehensive explication of his views nor a careful tracing of the sources of them. Instead it is a confrontation. This is a book about modernity whose vehicle is a reading of Adam Smith—it is an enactment of the convention that despite the contribution Smith made to creating and legitimating the conceptual space for modern, commercial, liberal, (...)
     
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  39.  6
    Reading Biography.Michael J. Shapiro - 1986 - Philosophy of the Social Sciences 16 (3):331-365.
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  40.  18
    Radicalizing Democratic Theory : Social Space in Connolly, Deleuze, and Rancière.Michael J. Shapiro - 2008 - In David Campbell & Morton Schoolman (eds.), The New Pluralism: William Connolly and the Contemporary Global Condition. Duke University Press. pp. 197.
  41.  14
    Samuel Huntington's Moral Geography.Michael J. Shapiro - 1998 - Theory and Event 2 (4).
  42.  32
    Toward a Politics of Now-Time: Reading Hoop Dreams with Kubrick's Barry Lyndon.Michael J. Shapiro - 1998 - Theory and Event 2 (2).
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  43.  30
    The Fear Dispositif.Michael J. Shapiro - 2011 - Theory and Event 14 (1).
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  44.  34
    The Light of Reason”: Reading the Leviathan with “The Werckmeister Harmonies.Michael J. Shapiro - 2017 - Political Theory 45 (3):385-415.
    In this essay I stage an encounter between Hobbes’s Leviathan and two versions of the “The Werckmeister Harmonies”. The story contains a number of Hobbes icons, for example, an enormous stuffed whale and a “Prince,” both of which arrive with a circus that comes to a Hungarian town and precipitates fear and chaos. I argue that the story thinks both with and against Hobbes, enabled by Hobbes’s aesthetic style while at the same time challenging the historical prescience of his political (...)
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  45. The Political Sublime.Michael J. Shapiro - 2018 - Duke University Press.
    In _The Political Sublime_ Michael J. Shapiro formulates an original politics of aesthetics through an analysis of the experience of the sublime. Turning away from Kant's analysis of the sublime experience as a validation of the existence of a universal common sense, Shapiro draws on Deleuze, Lyotard, and Rancière to show how incomprehensible events and dilemmas provide openings for new political formations. He approaches the sublime through a range of artistic and cultural texts that address social crises and natural disasters, (...)
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  46.  10
    Value Eruptions and Modalities: White Male Rage in the ′80s and ′90s.Michael J. Shapiro - 1997 - Cultural Values 1 (1):58-80.
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  47. War Crimes, Atrocity and Justice.Michael J. Shapiro - 2014 - Polity.
    What do we know about war crimes and justice? What are the discursive practices through which the dominant images of war crimes, atrocity and justice are understood? In this wide ranging text, Michael J. Shapiro contrasts the justice-related imagery of the war crimes trial with?literary justice?: representations in literature, film, and biographical testimony, raising questions about atrocities and justice that juridical proceedings exclude. By engaging with the ambiguities exposed by the artistic and experiential genres, reading them alongside policy and archival (...)
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  48. War Crimes, Atrocity and Justice.Michael J. Shapiro - 2014 - Polity.
    What do we know about war crimes and justice? What are the discursive practices through which the dominant images of war crimes, atrocity and justice are understood? In this wide ranging text, Michael J. Shapiro contrasts the justice-related imagery of the war crimes trial with literary justice: representations in literature, film, and biographical testimony, raising questions about atrocities and justice that juridical proceedings exclude. By engaging with the ambiguities exposed by the artistic and experiential genres, reading them alongside policy and (...)
     
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