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  1.  22
    Speech Genres and Other Late Essays.Brian W. Shaffer, M. M. Bakhtin, Vern W. McGee, Caryl Emerson & Michael Holquist - 1988 - Substance 17 (3):58.
  2.  17
    The Inevitability of Stereotype: Colonialism in The Great Gatsby.Michael Holquist - 1989 - In Paul Hernadi (ed.), The Rhetoric of Interpretation and the Interpretation of Rhetoric. Duke University Press. pp. 9--2.
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  3.  7
    Dostoievskian Standard TimeDostoevsky and the Legend of the Grand Inquisitor. [REVIEW]Michael Holquist, Vasily Rozanov & Spencer E. Roberts - 1973 - Diacritics 3 (3):10.
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  4.  10
    Increases in Perspective Embedding Increase Reading Time Even with Typical Text Presentation: Implications for the Reading of Literature.D. H. Whalen, Lisa Zunshine & Michael Holquist - 2015 - Frontiers in Psychology 6.
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  5.  18
    Answering as Authoring: Mikhail Bakhtin's Trans-Linguistics.Michael Holquist - 1983 - Critical Inquiry 10 (2):307-319.
    All of Mikhail Bakhtin’s work stands under the sign of plurality, the mystery of the one and the many. Unlike the third eye of Tibetan Buddhism, which gives those who possess it a vision of the secret unity holding creation together, Bakhtin seems to have had a third ear that permitted him to hear differences where others perceived only sameness, especially in the apparent wholeness of the human voice. The obsessive question at the heart of Bakhtin’s thought is always “Who (...)
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