This volume consists of 21 essays on Marsilio Ficino (1433-99), the Florentine scholar-philosopher-magus-priest who was the architect of Renaissance Platonism.

Michael Allen's latest work on the profoundly influential Florentine thinker of the fifteenth century, Marsilio Ficino, will be welcomed by philosophers, literary scholars, and historians of the Renaissance, as well as by classicists. Ficino was responsible for inaugurating, shaping, and disseminating the wide-ranging philosophico-cultural movement known as Renaissance Platonism, and his views on the _Sophist_, which he saw as Plato's preeminent ontological dialogue, are of signal interest. This dialogue also served Ficino as a vehicle for exploring (...) a number of other humanist, philosophical, and magical preoccupations, including the theme of man the artist and creator. (shrink)

Marsilio Ficino, Protegé Cosimos, Pieros und Lorenzos von Medici, gilt als Zentralgestalt des italienischen Renaissance-Platonismus. Mit den Übersetzungen der Dialoge Platons, der Schriften Plotins und des Corpus Hermeticum sowie durch eine theoretische Verknüpfung von antiker Philosophie mit christlicher Religion übte er einen unübersehbar grossen Einfluss auf die europäische Wissenschafts- und Geistesgeschichte aus. Im Zentrum seines Theorie-Gebäudes steht ein komplexes Konzept von Magie, dessen Konstruktion bis heute erforscht wird. Es hat dem Band den Titel gegeben, dessen Themen sich Ficinos intellektuellem (...) Horizont entsprechend jedoch in eine Vielzahl weiterer Aspekte ausdifferenzieren. Diese literarisch-künstlerischen, literaturwissenschaftlichen, wissenschaftshistorischen und philosophisch-theologischen Implikationen von Ficinos Schriften werden paradigmatisch und vergleichend behandelt. (shrink)

Marsilio Ficino (1433-1499) was one of the luminaries of the Florentine Renaissance and the scholar responsible for the revival of Platonism. The translator and interpreter of the works of both Plato and Plotinus as well as of various Hermetic and Neoplatonic texts, Ficino was also a musician, priest, magus and psychotherapist, an original philosopher and the author of a vast and important correspondence with the intellectual figures of his day including Lorenzo the Magnificent. Professor Allen has become the (...) foremost interpreter of Ficino's metaphysics and mythology, and the ancient sources they draw upon; and this collection of essays assembles his work on Ficino's complex interrogation of Platonic 'theology' as not only a preparation for Christianity but as an enduring medium for intellectuals to explore and to express Christian truths. (shrink)

Fifteen of these essays by one of the leading authorities on Renaissance Platonism explore the complex philosophical, hermeneutical, and mythological issues addressed by the Florentine, Marsilio Ficino (1433-99). Ficino was the pre-eminent Platonist of his time and a distinguished philosopher, scholar and magus who had an enormous influence on the intellectual and cultural life of two and a half centuries, and who is one of the most important witnesses to the preoccupations of his age, above all to its (...) fascination with ancient poetry and philosophy and their uneasy accommodation as an ancient "theology" with Christianity. Two further essays treat of cognate themes taken up by Ficino's younger friend and rival, the dazzling prince of Concordia, Giovanni Pico della Mirandola (1463-94), who was fascinated by Platonism in his youth but also by other philosophical legacies from the past, including Cabala and the Scholastic Aristotelianism of the Middle Ages. This volume's initial essay serves as an introduction to the comprehensive phenomenon of Renaissance Platonism. (shrink)

Eighteen essays re examine Ficino's life and work focusing on three essential aspects: his significance in his own times, his spreading influence throughout Europe and over subsequent centuries in many areas of thought and creativity, and his enduring relevance today. Translation of his major works from Latin enables a new generation to rediscover and share Ficino's vision of human potential.

Eighteen essays re examine Ficino's life and work focusing on three essential aspects: his significance in his own times, his spreading influence throughout Europe and over subsequent centuries in many areas of thought and creativity, and his enduring relevance today. Translation of his major works from Latin enables a new generation to rediscover and share Ficino's vision of human potential.

Mystical Theology and Platonism in the Time of Cusanus engages with the history of mystical theology and Neoplatonic philosophy through the lens of the 15th century philosopher and theologian, Nicholas of Cusa. The volume comprises nineteen essays that break down the barriers between medieval and Renaissance studies, reinterpreting Cusanus’ place in the history of thought by exploring the archive that informed his thinking, while also interrogating his works by exploring them from the standpoint of their later reception by modern philosophers (...) and theologians. The volume also offers tribute to the career of Donald F. Duclow, a leading scholar in the field of Cusanus studies in particular and of the history of mystical theology and Neoplatonic philosophy more generally. (shrink)

Marsilio Ficino was not only the first translator and commentator of Plato's and Plotinus's Opera omnia. He also developed a fascinating and highly complex synthesis of Platonism, Christian doctrine, Renaissance magic, and medicine. Well beyond the sixteenth century, Ficino's texts were very influential. Over the past four decades, authors like Michael Allen, Brian Copenhaver, James Hankins, and Valery Rees have substantially increased our awareness of Ficino's intricate and substantial contributions to the Platonic tradition and...

In lieu of an abstract, here is a brief excerpt of the content:684 JOURNAL OF THE HISTORY OF PHILOSOPHY 33:4 OCTOBER 1995 "Private I.anguage" and the pivotal paper in the Stoic section, "The Conjunctive Model," bring out a third feature of Brunschwig's method. Many of his essays take their start from a small text or a relatively local problem, one which does not primafacie bear significantly on large philosophical issues. Yet in a rigorously conceived philosophical system, the whole is often (...) reflected in the details; where possible Brunschwig elicits the larger significance. He shows how Epicurean physics provides a normative model for Epicurean psychology without falling into the reductionist error; the Epicurean does extrapolate from physical theory to human experience, but in so doing he does not forget that human beings are not just atomic; they are atomic compounds. Reductionism does not follow from materialism, for Epicurus or for us. Similarly in "The Conjunctive Model" Brunschwig connects, in a manner which is speculative but nevertheless compelling, a important Stoic thesis in logic (that a conjunction is false if even one of its conjuncts is false) with a comprehensive understanding of Stoic ethics and physics, thereby giving definite content to the Stoic claims about the coherence of their system. The other Stoic papers focus on ontology and logic, showing how central these are to Stoicism. The titles speak for themselves: "Remarks on the Stoic Theory of the Proper Noun," "Remarks on the Classification of Simple Propositions in Hellenistic Logics," "The Stoic Theory of the Supreme Genus and Platonic Ontology," and "Did Diogenes of Babylon Invent the Ontological Argument?" (the answer is 'no'). One essay ("On a Stoic Way of Not Being") disguises by its title a crucial contribution to the philosophy of mind. The papers on Scepticism include "The 6oov ~t~ x~ ~.6"f.t 9 Formula in Sextus Empiricus," a definitive treatment of a verbal formula crucial to understanding the precise character of his sceptical stance, and "Sextus Empiricus on the xptxfl0tov," the only paper in the volume which has previously appeared in English. The papers "Once Again on Eusebius on Aristocles on Timon on Pyrrho" and "The Title of Timon's lndalmoi: From Odysseus to Pyrrho" deal with early Pyrrhonism, for which the evidence is so thin that no firm conclusions can be drawn. Yet even here Brunschwig's care and skill are exemplary, and his argument that we should look to Timon rather than Pyrrho as the creator of Pyrrhonism is as convincing as anything could be in this area. This is a collection which specialists must read and even nonspecialists will value for its elegant combination of rigor, intellectual honesty, and philosophical insight. BRAD INWOOD University of Toronto Michael J. B. Allen. Nuptial Arithmetic: Marsilio Ficino's Commentary on the Fatal Number in Book VIII of Plato's Republic. Berkeley: University of California Press, 1994. PP. x + 291. Cloth, $5o.oo. Marsilio Ficino was born in 1433 and died in 1499 at the age of 66. He would have been pleased if he could have known that. For three years before in 1496 (or slightly earlier) he declared in his Commentary on the Fatal Number that 6 was the perfect number and BOOK R~VIEWS 685 that contemplations of the sextile relations of the planets might lead to the return of the golden age of Saturn "some day," This is the fifth volume of Michael Allen's seminal studies of Ficino's Platonic commentaries; if his notable additional articles on further Ficino commentaries were assembled, as they sometime must be, it would be his sixth--not that he takes the same pleasure in numbers as his subject Ficino did. But 6 is the key to Ficino's unraveling of Plato's "fatal number" in Republic 546. To end the suspense, Ficino's solution, aided by Aristotle, Politics V. 1316, is (4 + 3 + 5)3or (6 x 2)3 or 1728. But 1728 what? There is no clue. The book is itself a valuable contribution to the history of philosophy. Allen reviews the history of this topos up to Brumbaugh and Rees. Although Ficino's entry was known and discussed in the sixteenth century, it has been lost from sight since, and Alien restores it importantly to... (shrink)

The problems which troubled people's minds during the Italian Renaissance were much the same as today. In trying to cope with them, many deep thinking people turned to Marsilio Ficino for help. Through his letters he advised, encouraged, and occasionally reproved them. Fearlessly he expressed the truth and his wisdom influenced many of the finest Western minds. He numbered statesmen, popes, artists, scientists, and philosophers amongst his circle.

What is a problem? What's asked in that question, and how does one even begin to take its measure? How else could one begin, except as one does with any other problem--by way of its impulsion. Of Learned Ignorance: Idea of a Treatise in Philosophy is about philosophy because philosophy is about problems: philosophy, in a word, is where problems become a problem. After Anti-Oedipus, in the Kafka book and in A Thousand Plateaus, what Deleuze and Guattari counsel, strikingly, is (...) sobriety. Sobriety is what they praise in Kafka. And it is sobriety that seems above all else to be necessary here. (Steven Shaviro has pointed out the prominence of structure in Deleuze's writing: "even when Deleuze's prose, by himself or with Guattari, seems to be ranging anarchically all over the place, in fact it has a rigid and unvarying architecture, which is what keeps it from falling apart.") Of Learned Ignorance is a dead letter because it names a problem. It's a dead letter because it is, cautiously, a love letter. It's a dead letter because it lovingly stages an experiment in whimsy, and perhaps above all, because it is problematic (in the Kantian sense): It is a (sober) attempt at exemplifying what it talks about -- and what eludes it: A series of footnotes, with blank (transcriptive) pages above, effects something like the integration of a differential, the reciprocal determination where the sources enter into in relation to one another in order to produce a paper, essay, or (inexistent) (chap)book. Of Learned Ignorance, in facing down a problem, makes a wager; it courts failure; it puts it all on the line. All, yes, for love -- a kind of love... (of wisdom?). (shrink)

This book defends a form of ethical intuitionism, according to which (i) there are objective moral truths; (ii) we know some of these truths through a kind of immediate, intellectual awareness, or "intuition"; and (iii) our knowledge of moral truths gives us reasons for action independent of our desires. The author rebuts all the major objections to this theory and shows that the alternative theories about the nature of ethics all face grave difficulties.

»De amore sive in convivium Platonis«, dessen Wirkungsgeschichte bis weit ins 17. Jahrhundert reicht, ist Nachdichtung und Platon-Kommentar in einem und eines der bedeutendsten philosophischen Werke der Renaissance. - Bei einem Bankett vorgeblich anlässlich von Platons Geburtstag stellen neun Gäste, allesamt bekannte Florentiner Gelehrte, ihre Auffassungen über die Liebe in wechselnden Reden vor, indem sie Platons »Symposion« in zeitgenössischer Neuakzentuierung paraphrasieren. Dabei wird die Lehre von amor / caritas zum spekulativen Ansatzpunkt für Erkenntnislehre, Theologie, Kosmologie, Ethik und Naturphilosophie. In das (...) Grundkonzept des »Symposion« trägt Ficino als neues Element die Konvergenz des Platonismus mit dem Christentum ein, wobei er den ›Eros‹ einerseits neuplatonisch in sinnliche und himmlische Liebe differenziert, andererseits den Liebesbegriff christlich dynamisiert und erweitert. Nicht nur, wie bei Platon, bewirkt der ›Eros‹ das Streben des Sinnlichen zum Höheren, auch umgekehrt richtet sich das erotische Bestreben des Göttlichen auf das Materielle. Und schließlich ist die Liebe das Moment, das alle Dualismen, Form und Materie, Gott und Universum, zusammenhält: Der Eros wird zur Chiffre des Hervorgangs und der Rückwendung alles Seienden in Relation zu Gott – eine Relation, deren irdisches Abbild die irdische Liebe ist. Ficinos Metaphysik, die für die Philosophie der Renaissance von fundamentaler Bedeutung ist, enthält gleichzeitig auch eine für die Geschichte der Ästhetik bedeutsame Theorie des Schönen: Liebe wird als Sehnsucht nach dem Schönen verstanden, der Mensch gelangt über die Schau der körperlichen Schönheit zur geistigen Schönheit und letztlich zur Erkenntnis der Ordnung der Ideen und des Universums. Ficinos neuplatonische »Ästhetik« ist weit entfernt von subjektivistischer Kunsttheorie, enthält aber bereits Ansätze zu einer Theorie des menschlichen Liebens und Wahrnehmens. (shrink)

-- volume 4. Ennead III, Part 1 (Books I-IV) -- volume 5. Ennead III, part 2 (Books V-IX) and Ennead IV.

The first edition of The Scientific Background to Modern Philosophy took the dialogue of science and philosophy from Aristotle through to Newton. This second edition adds eight chapters, taking the dialogue through the Enlightenment and up to Darwin. This anthology is an attempt to help bridge the gap between the history of science and the history of philosophy.