In an earlier paper it was argued that in the famous chariot simile at the end of the first Georgic, Virgil imitates a passage from the Choephoroi of Aeschylus describing the onset of Orestes' madness. It was also suggested that Virgil may have been intentionally drawing a parallel between Octavian and the son of Agamemnon. Orestes avenged his father by murdering his mother Clytemnestra, but in so doing he deepened the guilt that afflicted Argos and thus gave new life to (...) the curse that lay on the house of Tantalus. So too, perhaps, Virgil is warning Octavian that in seeking to avenge his ‘father’ Caesar by killing his murderers at Philippi he is precipitating civil war, and so continuing the cycle of blood-guilt which similarly afflicts the Roman people. If such a suggestion seems fantastic it can now be supported by analogy from an explicit parallelism of Octavian and Orestes in a passage of Claudian. The first part of the passage in question reads as follows: Maurusius Atlas Gildonis Furias, Alaricum barbara Peuce nutrierat, qui saepe tuum sprevere profana mente patrem. Thracum venienti e flnibus alter Hebri clausit aquas; alter praecepta vocantis respuit auxiliisque ad proxima bella negatis abiurata palam Libyae possederat arva. (shrink)

Of the four surviving fragments of Varius' De Morte1 perhaps the most widely discussed has been the first: Vendidit hie Latium populis agrosque Quiritum eripuit, fixit leges pretio atque refixit This is imitated by Virgil, whose Sibyl says of a soul in Tartarus: Vendidit hie auro patriam dominumque potentem imposuit; fixit leges pretio atque refixit Most commentators, quoting Cic. Phil. 12.5.12, connect both passages exclusively with Antony, and rightly point to Servius' words on v. 622, ‘possumus Antonium accipere’. What should (...) be stressed, however, is that Servius also thinks the words ‘vendidit hie auro patriam’ have a general reference, but are at the same time designed to recall historical individuals, of whom he names two: etiam haec licet generaliter dicantur, habent tamen specialitatem: nam Lasthenes Olynthum Philippo vendidit, Curio Caesari XXVII. S. Romam: de quo Lucanus Gallorum captus spoliis et Caesaris auro. (shrink)

Hippomedon is stoutly defending the body of his fallen comrade Tydeus against a mass of Thebans who press him hard: there is a break in the attack allowing him to return fire while his allies Alcon and Idas with their troops come to his aid. It is grammatically possible that iaculantum could be taken with tela, but style and word order make this most unlikely.

Hippomedon is stoutly defending the body of his fallen comrade Tydeus against a mass of Thebans who press him hard: there is a break in the attack allowing him to return fire while his allies Alcon and Idas with their troops come to his aid. It is grammatically possible that iaculantum could be taken with tela, but style and word order make this most unlikely.

The extravagant, not to say fulsome, praise showered upon Nero in Lucan's proem to his De Bello Civili tends to divide scholars neatly into two factions. In the blue corner are those for whom it is ‘obviously’ sarcastic or ironic in some degree, whether they consider it intended to be circulated privately or understood only by a small group of initiates, or else see it as actually being designed to offend the princeps. In the red we find those who attempt (...) to explain what the modern palate finds offensive by reference to the Realien of Nero's reign and to the processes of literary representation in general—and what we loosely call ‘rhetoric’ in particular—current in the poetry of the time. (shrink)

tantane me tenuit vivendi, nate, voluptas, ut pro me hostili paterer succedere dextrae, quern genui? tuane haec genitor per vulnera servor morte tua vivens? heu, nunc misero mihi demum exitium infelix, nunc alte vulnus adactum!

This is the only undisputed fragment of Nero's poetry which is longer than a single line. It is preserved for us by the scholiast on Lucan 3.261, who gives us the additional piece of information that it belongs to Nero's ‘first book’. It is overwhelmingly likely that this refers to the first book of Nero‘s epic Troica, his most famous work and the only one, as far as we know, to have been comprised of several books.1 Since the fragment is (...) the most significant surviving, but this attribution to the Troica cannot be quite certain, Morel and Büchner list it as fragment 1 with the simple heading ‘E libro primo’ and scrupulously keep it entirely separate from Servius’ two testimonia on the content of the poem. This entirely sensible procedure, however, may trap the unwary reader into assuming that not a word of Nero's epic actually survives. (shrink)

The eunuch Eutropius began his ascendancy over Arcadius, Emperor of the East, in late 395, following the murder of the Praetorian Prefect Rufinus. Eutropius, despite his physical shortcomings, ‘sullied the Fasti’ by holding the consulate in 399. By the end of that same year, however, collusion between the barbarian general Gainas and Tribigild, leader of a rebellion of Ostrogoths in Asia Minor, resulted in Eutropius’ fall from power. He was exiled to Cyprus and executed shortly afterwards.

BLWith Latin text and English translation The epic poem the Thebaid was composed by Statius about AD 80 to 92 in twelve books. The subject is the expedition of the Seven against Thebes in support of the attempt by Oedipus' son Polyneices to recover the throne from his brother Eteocles. Book IX is set in the midst of the fighting before the eventual death of the two brothers. In this new edition of Book IX Dr Dewar accompanies the Latin text (...) with apparatus criticus, a translation, and an extensive introduction and commentary. The introduction contains sections on Statius' life and works, a summary of the epic, its themes and characters, and poetry, the textual tradition, and Statius' influence on later European literature. The commentary, the first on the ninth book to be published in Britain this century, is written in the light of recent scholarship. It examines in close detail Statius' style and language, use of models, and literary intentions. It is Dr Dewar's hope that this edition will help to explain the poem's great popularity in the Middle Ages, and even restore something of its lost prestige. (shrink)