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Michael Benton [23]Michael J. Benton [3]Michael I. Benton [1]
  1. Reading fiction: Ten paradoxes.Michael Benton - 1982 - British Journal of Aesthetics 22 (4):301-310.
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  2.  11
    Early origins of modern birds and mammals: molecules vs. morphology.Michael J. Benton - 1999 - Bioessays 21 (12):1043-1051.
  3.  40
    Index to Volume 45.Dina Zoe Belluigi, Michael Belshaw, Michael Benton, Deborah Bradley, Bert Cardullo, Janine Certo, Wayne Brinda, Leslie Cunliffe, E. M. Dadlez & Rhett Diessner - 2011 - Journal of Aesthetic Education 45 (4).
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  4. "Doing What Comes Naturally: Change, Rhetoric, and the Practice of Theory in Literary and Legal Studies": Stanley Fish. [REVIEW]Michael Benton - 1990 - British Journal of Aesthetics 30 (4):386.
     
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  5. "Fictional Narrative and Truth: An Epistemic Analysis": L. B. Cebik. [REVIEW]Michael Benton - 1985 - British Journal of Aesthetics 25 (3):289.
     
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  6. "Literary Knowledge: Humanistic Inquiry and the Philosophy of Science": Paisley Livingston. [REVIEW]Michael Benton - 1989 - British Journal of Aesthetics 29 (3):274.
     
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  7.  26
    Towards a Poetics of Literary Biography.Michael Benton - 2011 - Journal of Aesthetic Education 45 (3):67-87.
    Biography is an ancient literary genre. First of all—chronologically and logically it is a part of historiography. Whether we think of biography as more like history or more like fiction, what we want from it is a vivid sense of the person. The cover illustration of the fortieth anniversary edition of E. H. Carr’s What is History?1 is a close-up of an eye with fluffy white clouds against a blue iris and a dramatic black pupil in the center. Magritte called (...)
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  8.  38
    Books reviews.Michael Benton - 1985 - British Journal of Aesthetics 25 (3):289-290.
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  9.  48
    Anyone for ekphrasis?Michael Benton - 1997 - British Journal of Aesthetics 37 (4):367-376.
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  10.  44
    Literary biography: The cinderella story of literary studies.Michael Benton - 2005 - Journal of Aesthetic Education 39 (3):44-57.
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  11. The evolutionof large size: How does cope's rule work?David We Hone & Michael I. Benton - 2007 - In Mohan Matthen & Christopher Stephens (eds.), Philosophy of Biology. Elsevier. pp. 185.
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  12.  14
    Hogarth's Children: Images of Temporality and Transience.Michael Benton - 2018 - Journal of Aesthetic Education 52 (3):1.
    In these compositions, the subjects that will both entertain and improve the mind, bid fair to be of the greatest public utility.From toddlers to teenagers, children are everywhere in Hogarth’s pictures. There are children of the drawing room and children of the streets; “little angels” shown putting on a play, “little devils” shown torturing animals; portraits of the sons and daughters of minor aristocrats and the upwardly mobile professional classes and gangs of youngsters gambling at cards on the pavements of (...)
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  13.  25
    Painting Shakespeare.Michael Benton & Sally Butcher - 1998 - Journal of Aesthetic Education 32 (3):53.
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  14.  23
    Index to Volume 41.Doron Avital, Ninah Beliavsky, Michael Benton, Jacqueline Chanda, J. Alexander Dale, Janyce Hyatt, Jeff Hollerman, Jerry Farber, Peter Howarth & Kanako Ide - 2007 - Journal of Aesthetic Education 41 (4):101-109.
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  15.  19
    Visualizing Narrative: Bridging the "Aesthetic Gap".Michael Benton - 1999 - Journal of Aesthetic Education 33 (2):33.
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  16.  10
    Young Readers Responding to Poems.Michael Benton, John Teasey, Ray Bellard & Keith Hunt - 1989 - British Journal of Educational Studies 37 (3):305-306.
  17.  18
    Congruence of morphological and molecular phylogenies.Davide Pisani, Michael J. Benton & Mark Wilkinson - 2007 - Acta Biotheoretica 55 (3):269-281.
    When phylogenetic trees constructed from morphological and molecular evidence disagree (i.e. are incongruent) it has been suggested that the differences are spurious or that the molecular results should be preferred a priori. Comparing trees can increase confidence (congruence), or demonstrate that at least one tree is incorrect (incongruence). Statistical analyses of 181 molecular and 49 morphological trees shows that incongruence is greater between than within the morphological and molecular partitions, and this difference is significant for the molecular partition. Because the (...)
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  18.  15
    Reading biography.Michael Benton - 2007 - Journal of Aesthetic Education 41 (3):77-88.
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  19.  5
    Book review. [REVIEW]Michael Benton - 1990 - British Journal of Aesthetics 30 (4):386-387.
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  20.  4
    Book reviews. [REVIEW]Michael Benton - 1991 - British Journal of Aesthetics 31 (3):274-275.
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  21.  4
    Book reviews. [REVIEW]Michael Benton - 1995 - British Journal of Aesthetics 35 (1):274-275.
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  22.  2
    The Aesthetics of Biography—And What It Teaches.Michael Benton - 2015 - Journal of Aesthetic Education 49 (1):1-19.
    The conventional description of biography as a form of nonfiction narrative begs questions about the stories biographies tell, the facts that constitute their raw material, and the language in which they are cast. These questions are seen as central for students of the arts and humanities and are addressed as three interrelated issues as exemplified in literary biography. First, it is argued that biographies have a cellular structure that derives from the imposition of a master narrative over the subject’s life, (...)
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  23.  1
    Anyone For Ekphrasis?Michael Benton - 1997 - British Journal of Aesthetics 37 (4):367-376.
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  24.  1
    Book reviews. [REVIEW]Michael Benton - 1989 - British Journal of Aesthetics 29 (3):274-275.
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  25.  3
    Reply to Easteal.Michael J. Benton - 1999 - Bioessays 21 (12):1059-1059.