Moulages are contact media – images made by contagion in the most literal sense: their production relies on a process in which the object to be reproduced is touched by the reproducing material. In the case of dermatological moulages, the plaster touches the infected skin of the sick and, once dried, serves as the negative form for the waxen image of a disease. Focussing on the collection of the Hôpital Saint-Louis in Paris, the article situates the production of dermatological moulages (...) within the visual culture of 19th-century medicine and raises the question how an ancient technique of image production could become such a prevalent tool for the documentation of skin diseases during a period usually associated with the rise of scientific medicine and a reconsideration of theories of contagion in medical aetiology. (shrink)

Historienne de l’art à University College à Londres, Mechthild Fend est spécialiste de la culture visuelle de la France des XVIIIe et XIXe siècles. Au cours des années 1990, elle a consacré une thèse de doctorat à la question de la représentation du masculin dans les beaux-arts de cette époque. C’est cette recherche qui est au fondement des Limites de la masculinité, paru pour la première fois en allemand en 2003. L’ouvrage présente donc les avantages et les inconvénients (...) d’une recherche « da... (shrink)

Isidor von Sevilla sammelte in seinen Etymologien um 600 vorhandenes Wissen aus historischen und zeitgenössischen Quellen. Rund 300 Wörter aus dem Arbeitsbereich Textil werden mit Kurzkommentaren erläutert. Ca. 1050 findet sich dieses Wissen überarbeitet im Summarium Heinrici 1. Am Beispiel des Komplexes "Kleidung" liefert der Band neben den Quellen und hervorragenden Übersetzungen zum ersten Mal auch ausführlicheKommentare und Überblicksdarstellungen, die eine Fülle von Informationen bringen. Dazu gehören u. a. neue Erkenntnisse über Herstellung der griechischen, bombycina genannten, Seide oder die Beschreibung (...) der Vielzahl der Purpurfarben von Gelb und Himmelblau bis zum exklusiven Schwarz. (shrink)

In this essay I describe how my involvement in the political struggles of an immigrant domestic workers' collective inspired me to hang out not only with the workers, but also with the writings of María Lugones and Hannah Arendt. The essay invites the reader to engage in a playful rereading of Arendt's notion of the worldlessness of laboring in the private realm by putting her into dialogue with Lugones's notion of the hangout that defies the public–private split Arendt adamantly insists (...) on in all her writings. By following the complex physical, mental, and emotional itineraries of immigrant domestic workers to, from, and in-between a number of places and spaces, I demonstrate how their stories blur the line between public and private, and therefore also between the unfreedom of the body and the presumed escape into the political public. I describe the women's experiences as the living promise of a world that allows for an embodied fluid movement between labor, work, and the freedom “inherent in action” (Arendt 193, 153). (shrink)

Since the 1960s, many artists have incorporated ecological concerns into their work, an endeavor that has required new strategies in art-making. To explore recent American manifestations of these interests, the David and Alfred Smart Museum commissioned new projects from artists Mark Dion, Peter Fend, and Dan Peterman, each focusing on interrelationships between particular organisms—human beings-and a specific group of sites—a museum building, a river landscape, and a university campus. The results, exhibited at the Smart Museum during the summer of (...) 2000, evoke the varied scales, from the microscopic to the global, at which human actions affect the environment. This catalog documents each of the artists' projects through an array of images and words: Smart Museum Associate Curator Stephanie Smith provides an introduction and brief overviews of the three projects, each of the artists contribute statements, and photographers Susan Anderson and Tom van Eynde document—in over 100 images—the processes and projects that comprise the exhibition. (shrink)

Concepts for sustainable bioeconomy systems are gradually replacing the ones on linear product chains. The reason is that continuously expanding linear chain activities are considered to contribute to climate change, reduced biodiversity, over-exploitation of resources, food insecurity, and the double burden of disease. Are sustainable bioeconomy systems a guarantee for a healthy planet? If yes, why, when, and how? In literature, different sustainability indicators have been presented to shed light on this complicated question. Due to high degrees of complexity and (...) interactions of actors in bioeconomy systems, trade-offs and non-linear outcomes became apparent. This fueled the debates about the normative dimensions of the bioeconomy. In particular, the behavior of actors and the utilization of products do not seem to be harmonized according to the environmental, social, and economic pillars of sustainability. Potential conflicts require a new conceptual framework that is here introduced. It consists of a ‘sustainability’ cylinder captured between an inner-cylinder, representing order, and an outer-cylinder for chaos, based on the laws of physics and complex adaptive systems. Such a framework permits (bioeconomy) systems to propagate in the sustainability zone only if they follow helical pathways serving as the new norms. Helices are a combination of two sinusoidal patterns. The first represents here the sustainable behavior of interacting actors and the second the balanced usage of resources and products. The latter counteracts current growth discourses. The applicability of the conceptual cylinder framework is positively verified via 9 cases in Europe, which encompass social-organizational and product-technological innovations. –. (shrink)

For the Introduction of a Conceptual Perspective in Mathematics: Dedekind, Noether, van der Waerden. „She [Noether] then appeared as the creator of a new direction in algebra and became the leader, the most consistent and brilliant representative, of a particular mathematical doctrine – of all that is characterized by the term ‚Begriffliche Mathematik‘.“2 The aim of this paper is to illuminate this “new direction”, which can be characterized as a conceptual [begriffliche] perspective in mathematics, and to comprehend its roots and (...) trace its establishment. Field, ring, ideal, the core concepts of this new direction in mathematical images of knowledge, were conceptualized by Richard Dedekind (1831–1916) within the scope of his number theory research and associated with an understanding of a formation of concepts as a “free creation of the human spirit”3. They thus stand for an abstract perspective of mathematics in their entirety, described as ‘modern algebra’ in the 1920s and 1930s, leading to an understanding of mathematics as structural sciences. The establishment of this approach to mathematics, which is based on “general mathematical concepts” [allgemein‐mathematische Begriffe]4, was the success of a cultural movement whose most important protagonists included Emmy Noether (1882–1935) and her pupil Bartel L. van der Waerden (1903–1996). With the use of the term ‘conceptual’, a perspective is taken in the analysis which allows for developing connections between the thinking of Dedekind, the “working and conceptual methods” [Arbeits‐ und Auffassungsmethoden]5 of Noether as well as the methodological approach, represented through the thought space of the Noether School as presented under the term “conceptual world” [Begriffswelt]6 in the Moderne Algebra of van der Waerden. This essay thus makes a contribution to the history of the introduction of a structural perspective in mathematics, a perspective that is inseparable from the mathematical impact of Noether, her reception of the work of Dedekind and the creative strength of the Noether School. (shrink)

In this much-anticipated work, distinguished authors Mary Beth Ingham and Mechthild Dreyer present an accessible introduction to the philosophy of the thirteenth century Franciscan John Duns Scotus.

Dancing with Iris engages with Iris Marion Young's prolific writings in political theory and in phenomenology. Contributors discuss her work from a variety of disciplines, including philosophy, political science, human rights law, cultural geography and dance studies.

Bernard of Clairvaux lives in a geographic region and in a century, where politicians and intellectuals both look upon the Islam and its supporters as a religious and military danger for Western Europe and its culture. Unlike many contemporary theologians and philosophers Bernard does not engage in an intellectual controversy with Islamic positions. Even the explicit invitation of his friend, Peter the Venerable, who has let the Koran be transited into Latin, does not encourage him for such an effort. On (...) the contrary he accepts the papal order to promote the second crusade. Why does act Bernard in this way? The article wants to show that Bernard's theological basic assumptions, especially his epistemological convictions make it impossible, to defend the truths of the Christian religion by the help of rational arguments. (shrink)

This chapter contains sections titled: I II III IV V VI VII VIII.

‘Was ist Wahrheit?’ — diese Frage des Pilatus bezeichnet eines der Grundprobleme menschlicher Existenz. Anders als das Tier ist der Mensch genötigt, sein Leben zu führen. Angesichts der Unwägbarkeiten, die seine Lebensführung bedrohen, hat er ein vitales Interesse daran, seinem Leben Sicherheit und Zuverlässigkeit zu geben, Gewissheiten zu finden, auf die er bauen kann. Das, was ihm bei seiner Suche nach Sicherheiten als fest und verbindlich aufscheint, das, was ihm Orientierung gibt, pflegt er mit dem Wort ‘wahr’ zu bezeichnen.

Bd. 1. Texte zur Diskussion in den USA -- [Bd.] 2. Die Diskussion in der Bundesrepublik Deutschland.

Margaret McLaren’s ethnographic study that is ostensibly about Indian women’s activism also presents a nuanced critique of liberal human rights discourse and advances a relational cosmopoli­tanism. Her defense of Tagore’s decolonial worldview has much in common with an African Ubuntu ethics, which also eschews pos­sessive individualism in favor of a sociocentric social justice praxis philosophy. McLaren’s book provides an important contribution to questions of women’s empowerment, women’s rights, cultural rites, and situated knowledges.

Masking the Abject traces the beginnings of the malediction of play in Western metaphysics to Aristotle. Mechthild Nagel's innovative study demonstrates how play has served as a 'castaway' in western philosophical thinking: It is considered to be repulsive and loathsome, yet also fascinating and desirable. The book illustrates how play 'succeeds' and proliferates after Hegel—despite its denunciation by classical philosophers—entering Marxist, phenomenological, postmodern, and feminist discourses. This work provides the reader with a superb analyisis of how the distinction between (...) the serious and the playful has developed over time, charting play's changing ontological status, and ethical and aesthetic dimensions, from the logocentric to the bacchnalian. (shrink)

This paper focuses on the meaning of Du Bois’s concept of “abolition democracy” and on the ideology of the abstract rights-bearing subject. In Abolition Democracy, Angela Y. Davis calls for the abolition of oppressive institutions, such as U.S. prisons, in order to engender abolition democracy. She also questions how subjects appear before the law, which justifies and normalizes inhumane practices, such as the death penalty. In conclusion, the paper explores ideas on how to conceptualize thinking “beyond” the prison industrial complex (...) not only in North America but globally. (shrink)

Prisons & Punishment focuses on cross-national perspectives about penal theories and empirical studies. It brings together African, European and North American social philosophers, sociologists, political scientists, legal practitioners, prisoners and abolitionist activists. The contributors reflect on carceral society, most notably in the United States, and on the re-conceptualisation of punishment.