Winner of the 1974 National Book Award The product of many years of reflection on phenomenology, this book is a comprehensive and creative introduction to the philosophy of Edmund Husserl. Natanson uses Husserl's later work as a clue to the meaning of his entire intellectual career, showing how his earlier methodological work evolved into the search for transcendental roots and developed into a philosophy of the life-world. Phenomenology, for Natanson, emerges as a philosophy of origin, a transcendental discipline concerned with (...) consciousness, history, and world rather than with introspection and traditional metaphysical warfare. (shrink)

How does literature illuminate the way we live? Maurice Natanson, a prominent champion of phenomenology, draws upon this method's unique power to show how fiction can highlight aspects of experience that are normally left unexamined. By exploring the structure of the everyday world, Natanson reveals the "uncanny" that lies at the core of the ordinary. Phenomenology--which involves the questioning of that which we usually take for granted--is for Natanson the essence of philosophy. Drawing upon his philosophical predecessors Edmund Husserl, Alfred (...) Schutz, and Jean-Paul Sartre, Natanson paves his own way with stories and examples that themselves bear witness to how phenomenology occurs in literature. In considering such works as Samuel Beckett's Waiting for Godot, Thomas Mann's The Magic Mountain, and Franz Kafka's The Metamorphosis, Natanson shows how literature opens us to the domain of possibility and how metaphor offers philosophical power when we think about freedom and change. This book, written by one of the twentieth century's leading phenomenologists, will interest students in philosophy and in literature. They will value the work particularly for its clarification of concepts and terms that frequently emerge in the contemporary intellectual climate. (shrink)

A collection of one man's essays in book form tends to be viewed today with some suspicion, if not hostility, by philosophical critics. It would seem that the author is guilty of an academic sin of pride: causing or helping to cause separately conceived articles to surpass their original station and assume a new life, a grander articulation. It can hardly be denied that the essays which follow must face this sullen charge, for they were composed at different times for (...) different sorts of audiences and, for the most part, have already been published. Their appearance in a new form will not allay commonplace criticisms: there are repetitions, certain key terms are defined and defined again in various places, a few quotations reappear, and, beyond this, the essays are unequal in range, depth, and fundamental intent. But it is what brings these essays together that constitutes, I trust, their collective merit. Underlying the special arguments that are to be found in each of the chapters is a particular sense of reality, not a thesis or a theory but rather a way of seeing the world and of appreciating its texture and design. It is that sense of reality that I should like to speak of here. Philosophy stands in a paradoxical relationship to mundane ex istence: it is at once its critique and one of its possibilities. (shrink)

Values and the scope of scientific inquiry, by M. Farber.--The phenomenology of epistemic claims: and its bearing on the essence of philosophy, by R. M. Zaner.--Problems of the Life-World, by A. Gurwitsch.--The Life-World and the particular sub-worlds, by W. Marx.--On the boundaries of the social world, by T. Luckmann.--Alfred Schutz on social reality and social science, by M. Natanson.--Homo oeconomicus and his class mates, by F. Machlup.--Toward a science of political economics, by A. Lowe.--Some notes on reality-orientation in contemporary societies, (...) by A. Brodersen.--The eclipse of reality, by E. Voegelin.--Alienation in Marx's Political economy and philosophy, by P. Merlan.--The problem of multiple realities: Alfred Schutz and Robert Musil, by P. L. Berger.--Phenomenology, history, myth, by F. Kersten.--The role of music in Leonardo's Paragone, by E. Winternitz.--Alfred Schutz bibliography (p. [297]-306). (shrink)

This is a basic work for students specializing in philosophy & for any scholar studying the works of Sartre.

Fifteen years ago, Dorion Cairns concluded an article on phenome nology with a cautious appraisal of its influence in America. "Thus far," he wrote, "it continues to be an exotic." The situation today has changed: translations of the writings of Husserl, Heidegger, Marcel, Sartre, and Merleau-Ponty have appeared, and commentaries on these and related thinkers are not uncommon. Moreover, discussion of phenomenological problems is increasingly becoming part of the American (if not the British) philosophical scene. Phenomenology is in danger of (...) domestication! Signs of its accommodation include a willingness to pay tribute to HusserI's Logical Investigations by those who find relatively little to interest them in his later work, a location of what are taken to be common themes and underlying convergences of emphasis in Continental phenomenology and Anglo-American philosophy of the more nearly Wittgensteinian and Austinian varieties, and a growing impatience (shared by some phenomenologists) with expositions, explications, and interpretations of Husserl's work at the expense of original applications of phenomenology. Most bluntly put, the attitude is: Don't talk about it; do it! It would seem that we have arrived at a point where introductions to phenomenology are of doubt ful value, if not superfluous. The present collection of essays is based on different assumptions and points to an alternative conception of the role of both methodology and originality in phenomenological work. (shrink)